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ID: CLAVES508706 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Vocal and Piano 1 - 17 - Heinrich Heine (1797-1856)
17 - 21 - J. Von Eichendorff (1788-1857) |
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ID: MELCD1002336 Disk: 1 Type: CD |
Podkolekce: Vocal and Piano Georgy Sviridov, piano (11-17)
Alexei Maslennikov, tenor
Igor Morozov, baritone (12, 14-16)
State Republican Academic Russian Yurlov Choir (1-10, 18-21)
Leningrad State Philharmonics’ Symphony Orchestra - conductor - Yuri Temirkanov (1-10)
Moscow Radio Symphony Orchestra, conductor - Gennady Rozhdestvensky (18-21)
Recordings: 1957 (1-10),1980 (11-17), 1970 (18-21)
Firma Melodiya presents an album dedicated to the anniversaries of two great figures of Russian culture of the 20th century - Sergei Yesenin (1895-1925) and Georgy Sviridov (1915-1998).
“Once … I met a poet I knew, and he spent a long time reading Yesenin for me. That’s when Yesenin’s verses imprinted themselves on my soul. When I got back home, I could not fall
asleep… The music came suddenly. … That was how I wrote my first song to Yesenin’s text which later became a core song in my Poem to the Memory of Sergei Yesenin. The rest of the songs were composed during two weeks, all at once”. The premiere of the Poem to the Memory of Sergei Yesenin took place in 1956, in Moscow and was a new milestone in the composer’s career properly unveiling his original style and subtle feeling for poetry to the public. On the other hand, Sviridov’s Poem where the composer strived to render the poet’s spiritual side and passionate “love for the native land” became an actual rehabilitation of Yesenin’s poetry which had been covertly prohibited for a long time. Soon after completion of the vocal and symphonic Poem,
the composer came up with the cycle My Father Is a Peasant for tenor, baritone and piano where Yesenin’s images of Russian nature and scenes of country life were expressed by means
of chamber vocal lyric music.
Wooden Russia, a small cantata for tenor, men’s choir and orchestra was composed in 1964 and had an epigraph taken from Yesenin’s verses “Russia, my wooden Russia!”. The poet’s four
poems recreate an image of old patriarchal Russia while the last lines of the final movement herald its tragic demise.
Georgy Sviridov’s cantatas set to the poetry of Sergei Yesenin are performed by the Republican Academic Choir led by Alexander Yurlov and such luminaries of domestic conducting art as Yuri Temirkanov and Gennady Rozhdestvensky. The chamber cycle is sung by Alexei Maslennikov, an outstanding interpreter of Sviridov’s music who is accompanied by the author. |
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ID: MELCD1002062 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voices and Orchestra Galina Vishnevskaya (soprano)
The Moscow Philharmonic Orchestra, David Oistrakh, conductor
Melodiya presents another rare recording of David Oistrakh as a conductor. The outstanding violinist realized his old dream of conducting for the first time in 1962. Oistrakh’s in-depth comprehension of the music text and indisputable authority among fellow musicians scored him firm successes in this area of performing activities. He conducted some of the well-known orchestras of Moscow, Leningrad and European cities to enthusiastic reviews of the public and music critics. |
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ID: MELCD1001472 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voice and Choir Alexander Lazarevich Lokshin (1920-1987) is one of the most talented and original composers of the 20th century. Having remained aloof from the confrontation between the various musical trends, which had erupted so acutely in the musical life of the former Soviet Union during the 1960s and 1970s - the rivalry between the radically avant-garde and the traditional-national trends, the composer was able to create his individual style, in which a contemporary musical language is combined with a foundation on traditions of the high art of the past. Emotional saturation, melodic abundance, harmonical and timbral expressivity, a compositionally-dramaturgical plasticity and freedom, as well as a structural unity - these are all qualities, due to which the music of Lokshin authoritatively attracts the listener to itself and could be recognized and remembered. Of the great conductors of our time, Rudolf Barshai is surely the one most closely associated with the contemporary composers whose music he conducts. He studied composition with Shostakovich discussed orchestration with Prokofiev, and established himself as a forceful advocate of the music of Alexander Lokshin. In 1955 Barshai has founded the Moscow Chamber Orchestra. It was he who first acquainted Russian audiences with Shostakovich’s Fourteenth Symphony, Weinberg’s Symphony No. 7 in C major for strings and harpsichord, Music for chamber orchestra of Sviridov.
(1 - 2) - Text by Johann Goethe, Boris Pasternak
(1 - 23) - Moscow Chamber Orchestra - Rudolf Barshai, conductor
(1 - 7) - Luydmila Sokolenko, soprano
(8 - 23) Nina Grigorieva, contralto
(16 - 23) Moscow Youth Choir- Boris Tevlin, conductor |
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ID: MELCD6000622 Disk: 1 Type: CD |
Kolekce: Vocal CollectionZapisi 1930-1940-kh gg.
Instrumentalnyj ansambl p/u S. Kagana (1, 3, 4 - 6, 8), S. Kagan, f-no (2,10,11,13
Instrumentalnyj kvartet Orkestra p/u L. Utesova (9); M. Valovats, f-no (7); E. Rokh
E. Rusanov, R. Meleshko, gitary (14); V. Poljakov, R. Meleshko, gitary (16);
B. Kremotat, M. Minin, gitary (18, 21);
Orkestr p/u A. Badkhena(22); D. Ashkenazi, f-no (23) |
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ID: MELCD1000960 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voices and Chamber Ensemble (1- 15) - Soloists Ensemble of the Bolshoi Theatre Orchestra - A. Golovin, conductor
(16) - Alexander Golyshev, Andrei Golovin
(18 - 20) - Quartet "Arpeggione"
(21 - 22) - Soloists Ensemble of the Bolshoi Theatre Orchestra - A. Golovin, conductor
(23 - 24 ) - Luana Pellegrineschi, mezzo-soprano / Andrei Golovin, piano
(25) - Alexander Rudin,cello / Musica Viva Chamber Orchestra |
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ID: MELCD1000853 Disk: 1 Type: CD |
Kolekce: Vocal CollectionThis CD includes Plain Songs, a cantata for Mezzo-Soprano, Bass, Piano and Chamber Orchestra with verses by Rubtsov, Elegy for solo cello, Music for Strings and Distant Past. The composer plays the piano in these recordings.
(1 - 8) - Natalia Burnasheva, Mikhail Svetlov, Andrei Golovin, Moscow Chamber Orchestra - Igor Zhukov
(9) - Alexander Rudin cello 6:17
(10- 12) - Moscow Chamber Orchestra - Igor Zhukov
(13) - Andrei Golovin, piano |
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ID: MELCD1002446 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voice, Piano and Orchestra (1-2) Yan Kratov, baritone / Moscow Chamber Orchestra - Rudolf Barshai, conductor (Alexander Lokshin - Boris Pasternak)
(3-4) - Ivan Mozgovenko, clarinet / Komitas Quartet (Alexander Lokshin)
(5) - Maria Grinberg, piano (Alexander Lokshin)
Alexander Lazarevich Lokshin (1920-1987) was one of the most original representatives of the Russian school of the 20th century and unfortunately underrated in his lifetime. A pupil of Nikolai Myaskovsky and a friend of Dmitri Shostakovich, whom admired his music, Lokshin was a creator of his individual style with an organic blend of symphonic, chamber and vocal genres.
His two-movement Symphony No. 5 (1969) is the composer’s characteristic type of “symphony with voice” written for baritone and chamber orchestra and based on Shakespeare’s Sonnets 66 and 73 (translated into Russian by Boris Pasternak). The quintet for clarinet and strings (1955) also has two parts: a slow one, where, according to the composer, “Shostakovich and Vertinsky were combined in a very paradoxical way,” is followed by variations
inspired by Stravinsky’s style. The two large cycles are supplemented with an earlier piece, Variations for Piano (1953), written “in the vein of Shostakovich” and dedicated to Maria Grinberg, an outstanding Soviet pianist and successor of Felix Blumenfeld’s school.
Alexander Lokshin’s works are performed by some of the most prominent Russian musicians of the previous century: Symphony No. 5 is performed by Rudolf Barshai, a friend and admirer of the composer, and creator of the first Soviet chamber orchestra, and Yan Kratov, a soloist of the Moscow Stanislavsky and Nemirovich-Danchenko Academic Music Theatre; the quintet features Ivan Mozgovenko, a clarinettist and People’s Artist of Russia, and the Komitas Quartet, one of the oldest chamber ensembles of this country; and the piano variations are performed by Maria Grinberg. |
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ID: AQVR270-2 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voice, Piano and Orchestra Composers: B. Mokrousov, M.Blanter, Yu.Milutin, K.Listov, A.Novikov, Ostrovsky, I. Dunayevsky, N. Bogoslovsky, A. Dolukhanyan,
Jazz band of All-Union radio. Conductor: A.Tsfasman (5, 6)
Orchestra of Russian national instruments. Conductors: D.Osipov (10,), P.Alekseev (19)
Radio Variety orchestra. Conductors: Y.Silantev (8, 14, 17), A.Kovalev (1, 2, 4, 7, 13), V.Knushevitsky (3, 15, 18)
Piano: S.Stuchevsky (21), S.Pogrebov (20, 22), A.Ostrovsky (12)
Year of recording: 1936 (21), 1939 (20, 22), 1943 (5, 6), 1947 (10, 11), 1948 (15), 1950 (19), 1951 (1-4, 7, 9, 13), 1952 (8, 16, 18), 1954 (14, 17), 1959 (12) |
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ID: AQVR280-2 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Voice, Piano and Orchestra Russian Folk Instrumens orchestra - Conductors: V.Smirnov (1-11), V.Fedoseev (16-20, 22-24)
Septet of button accordion players, conductor V.Rosanov (12-15)Piano: D.Lerner (21) |
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