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ID: GM4.0084
Disk: 1
Type: CD
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Kolekce: Opera Collection1 - Frank Guarrera (Jago)
2 - 7 Carlo Bergonzi (Rodolfo), Marcella Pobbe (Mimì), Frank Guarrera (Marcello), Heidi Krall (Musetta)
8 - 10 Martha Mödl (Isolde), Ramón Vinay (Tristan), Orchestra and Chorus of the Metropolitan Opera - L. Bernstein
11 - 15 - Martha Mödl (soprano), Cologne Radio Symphony Orchestra - J. Keilberth |
| 15.00 eur Buy |
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ID: GM5.0058
Disk: 2
Type: CD
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Kolekce: Opera CollectionVictoria de los Ángeles (Cio Cio San), John Lanigan (Pinkerton), Geraint Evans (Sharpless), Barbara Howitt (Suzuki), Joyce Livingston (Kate Pinkerton), David Tree (Goro), David Allen (Yamadori), Michael Langdon (Lo zio Bonzo), Ronald Firmager (Il commissario imperiale), Harry Gawler (L'ufficiale del Registro)
Recorded in London 1957 |
| 18.00 eur Buy |
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ID: GM5.0075
Disk: 2
Type: CD
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Kolekce: Opera CollectionLive recording, Buenos Aires, September 19, 1958
Leonore, his wife - Gré Brouwenstijn, soprano
Florestan, a prisoner - Hans Hopf, tenor
Don Pizarro, governor of the prison - Paul Schoeffler, baritone
Jaquino - Murray Dickie, tenor
Don Fernando, King's minister - Angelo Mattiello, bass
First Prisoner - Italo Pasini, tenor
Second Prisoner - Hector Barbieri, bass |
| 18.00 eur Buy |
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ID: GM1.0072
Disk: 3
Type: CD
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Kolekce: Opera CollectionPodkolekce: Opera
Wolfgang Windgassen (Lohengrin), Aase Nordmo-Lovberg (Elsa), Astrid Varnay (Ortrud), Gustav Neidlinger (Friedrich von Telramund), Theo Adam (König Heinrich), Eberhard Wächter (Der Heerrufer)
Orchestra & Chorus of the Bayreuth Festival, Lorin Maazel
Recorded live at the Bayreuth Festival in 1960 |
| 23.00 eur Temporarily out of stock |
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ID: GM1.0085
Disk: 3
Type: CD
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Kolekce: Opera LiveRamón Vinay (Tristan), Birgit Nilsson (Isolde), Irene Dalis (Brangaene), Jerome Hines (König Marke), Walter Cassel (Kurwenal), Calvin Marsh (Melot), Paul Franke (Hirt), Luigi Sgarro (Steuerman), Charles Anthony (Seemann)
Live recording, New York, 1960
Richard Wagner’s Tristan und Isolde has always been one of Böhm’s most famous specialties, and he literally owned the work during a decade at the Bayreuth Festival during the Sixties. His Isolde at Bayreuth as well as in this Metropolitan Opera performance from New York is Birgit Nilsson, who made her Met debut just a few weeks prior to this performance to sensational acclaim. Tristan is Ramón Vinay, for many people the greatest Heldentenor in the years after Lauritz Melchior. His Bayreuth Tristans under Karajan and Jochum are well remembered, and this New York performance still finds him at the peak of his powers. |
| 23.00 eur Temporarily out of stock |
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ID: IDIS6410-11
Disk: 2
Type: CD
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Kolekce: Opera LivePodkolekce: Voices and Orchestra
Recorded 1952
Vocals: Maria Callas, Piero Campolonghi, Roberto Silva, Tanis Lugo, Rosa Rimoch, Giuseppe di Stefano, Ignacio Ruffino |
| 25.00 eur Temporarily out of stock |
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ID: GFO00562
Disk: 2
Type: CD
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Podkolekce: Opera
Mirella Freni (Adina), Luigi Alva (Nemorino), Enzo Sordello (Belcore), Sesto Bruscantini (Dulcamara), Emily Maire (Giannetta)
The Royal Philharmonic Orchestra & The Glyndebourne Chorus, Carlo Felice Cillario
Recorded live at Glyndebourne at one performance during June 1962.
The 2CD set is packaged as a 150 page hard bound book containing a full libretto translated into English, French and German along with a commissioned article about the opera, and synopsis in English, French and German.
Designed and Directed by Franco Zeffirelli.
Glyndebourne Opera has a history of trend setting and pioneering opera productions and Donizetti’s opera L’elisir d’amore is no exception. Popular in Donizetti’s own lifetime, L’elisir faded into relative obscurity until the 1890s when Caruso championed the role of Nemorino: his dedication and conviction were such that Covent Garden arranged a production of the opera in 1902. L’elisir was a personal favourite of Caruso’s, so much so that in 1920 he played Nemorino in his last appearance with the Metropolitan Opera. Almost 60 years later, in 1961, it was Glyndebourne who staged a production of L’elisir d’amore designed and directed by Franco Zeffirelli. Such was the success and acclaim for this production that Glyndebourne revived it in 1962, enhancing the production with the addition of the lively and capricious Mirella Freni.
As the press noted: ‘Her [Freni's] looks and her cantabile singing melt, so to speak, on the tongue, and she acts her teasing charades with Sergeant Belcore as if nothing were farther from her mind than cruelty.’ (The Times, August 1962) and ‘Mirella Freni, the sparkling new Adina, rightly allowed real tenderness to shine through vanity and caprice.’ (The Sunday Times, August 1962)
Mirella Freni was first engaged by Glyndebourne in 1960 (and sings Susanna in Glyndebourne’s own recording of Mozart’s Le nozze di Figaro GFOCD00162).
Previously she had also performed at the opera house in Torino in the late 50s and sung with Netherlands Opera in 1959-60 season, but her international break and recognition came by virtue of her role as Adina in this 1962 production.
This recording, released here for the first time, precedes Freni’s EMI recording of L’elisir d’amore with Nicolai Gedda as Nemorino in a Rome Opera production by some 5 years. In this recording, Freni has a cast of equals around her. As the besotted Nemorino, Luigi Alva vividly portrays the wounded innocent with The Daily Telegraph noting in August 1962 that ‘Alva’s Nemorino is a wonderful combination of rustic clowning and exquisitely finished bel canto’, with Enzo Sordello a baritone voice big enough to fill a stadium, providing a fresh virile and bold Belcore. Conductor Carlo Felice Cillario enjoyed a 60 plus year career and is remembered for his masterful interpretations of Puccini, Verdi and Donizetti operas and stands as one of the most singer-friendly conductors of all time.
Track list:
CD:1
L'elisir d'amore, opera
1. No. 1. Preludio
2. Act 1. Coro d'introduzione. Bel conforto al mietiore
3. Act 1. Cavatina. Benedette queste carte!
4. Act 1. Cavatina. Marziale
5. Act 1. Cavatina. Come Paride vezzoso
6. Act 1. Cavatina. Orse m'ami, com'io t'amo
7. Act 1. Recitativo. Intanto, o mia ragazza, occuperò la piazza
8. Act 1. No. 2. Scena. Una parola, o Adina
9. Act 1. Duetto. Chiedi all'aura lusinghiera
10. Act 1. No. 3. Coro. che vuol dire codesta sonata?
11. Act 1. Cavatina. Udite, udite, o rustici
12. Act 1. No. 4. Recitativo. Ardir! Ha forse il cielo mandato
13. Act 1. Scena e Duetto. Voglio dire... Io stupendo Elisir
14. Act 1. No. 5. Recitativo. Caro Elisir! sei mio!
15. Act 1. Duetto. Lallarallara, la, la, la
16. Act 1. Terzetto. Tran, tran... In guerra, ed in amor
17. Act 1. Finale. Quartetto. Signor sargente
18. Act 1. Finale. Quartetto. Adina, credimi, te ne scongiuro...
19. Act 1. Finale. Quartetto. Andiam, Belcore
CD:2
1. Act 2. No. 6. Coro d'introduzione. Cantiamo, cantiam
2. Act 2. Barcaruola a due voci
3. Act 2. Le feste nuziali!
4. Act 2. Ai perigli della guerra
5. Act 2. Qua la mano, giovinotto
6. Act 2. No. 8. Coro. Saria possibile?
7. Act 2. No. 9. Quartetto. Dell'elisir mirabile
8. Act 2. Come sen va contento!
9. Act 2. No. 10. Duetto. Quanto amore!
10. Act 2. No. 11. Romanza. Una furtiva lagrima
11. Act 2. No. 12. Recitativo ed Aria. Prendi, prendi, per me sei libero
12. Act 2. No. 13. Aria e Finale. Marziale
13. Act 2. Finale. Ei corregge ogni difetto |
| 25.00 eur Buy |
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ID: GFO01510
Disk: 2
Type: CD
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Podkolekce: Opera
Recorded live at Glyndebourne Opera Hause, Lewes, England in 2010
Includes 2 discs in a 85 page hard-bound book.
First conducted in Weimar in 1893 by Richard Strauss, Hänsel und Gretel had immediate worldwide success, the Hamburg premiere in 1894 conducted by Gustav Mahler. In its first year, over 50 German theatres staged a production and it has been translated into over 20 languages. In the UK it was the first complete opera to ever be broadcast from Covent Garden back in 1923, and was a staple in the opera repertory until the 1950s where it fell into a black hole. Here Hänsel und Gretel remained until Glyndebourne’s new production in 2008. This recording comes from the re-staging in 2010.
This recording boasts a fine cast, with Alice Coote a seasoned Hänsel having also performed in the role at the Metropolitan Opera in New York, Lydia Teuscher making a notable UK debut as Gretel with Wolfgang Ablinger-Sperrhacke’s beautiful portrayal of the Witch stealing the show. Robin Ticciati, Glyndebourne’s new Artistic Director from 2013, clearly loves the piece: his conducting is nothing short of wonderful, with the performance from the London Philharmonic Orchestra a real highlight on this recording.
Alice Coote (Hänsel), Lydia Teuscher (Gretel), Irmgard Vilsmaier (Mother), William Dazeley (Father), Wolfgang Ablinger-Sperrhacke (Witch), Tara Erraught (Sandman) & Ida Falk Winland (Dew Fairy)
London Philharmonic Orchestra, Robin Ticciati |
| 25.00 eur Buy |
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