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ID: LYB9902
Disk: 1
Type: DVD
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Kolekce: Vocal CollectionThis is a DVD-Audio disc which is playable on most DVD players as well as all DVD-Audio players. Click here for additional information regarding compatibility.
Region Code: PAL. Plays in all territories
Sound Format: Dolby Digital
Duration: 80 minutes
1. Iesu corona virginum (Francesca Caccini 1618)
2. Ben venga Maggio (Anonimo XV secolo)
3. O dolce nocte (Filippo Verdelotto 1537)
4. Bacco, Bacco euoè (Francesco Corteccia 1539)
5. Miseri habitator del cieco Averno (Giovanni De' Bardi 1589)
6. Bona roba habian brigata (Anonimo XV secolo)
7. Quant'è bella giovinezza (Anonimo XV secolo)
8. Quanto sia lieto il giorno (Filippo Verdelotto 1537)
9. Chi da' lacci d'amor (Jacopo Peri "Dafne" MS. XVII secolo)
10. Io che dal Ciel cader (Giulio Caccini, IV Intermedio per la "Pellegrina" 1589)
11. Non si vede giamai luce si chiara (Cosimo Bottegari, II metà del XVI secolo)
12. Io che d'alti sospir (Jacopo Peri "Euridice" 1600)
13. Mirate in sul mattin (Piero Benedetti 1617)
14. Dormi Amor (Marco da Gagliano "La Flora" 1628)
15.Se ridete gioiose (Giulio Caccini "Nuove Musiche" 1614) |
| 18.00 eur Buy |
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ID: LYB9903
Disk: 1
Type: DVD
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Kolekce: BaroqueThis is a DVD-Audio disc which is playable on most DVD players as well as all DVD-Audio players. Click here for additional information regarding compatibility.
Region Code: PAL. Plays in all territories
Sound Format: Dolby Digital
Duration: 76 minutes
1. Messaggera (Orfeo)
2. Speranza (Orfeo)
3. Proserpina ( Orfeo)
4. Lettera Amorosa I (Se i languidi miei sguardi)
5. Penelope (Il Ritorno di Ulisse in Patria)
6. Lettera Amorosa II (Se pur destina)
7. Arianna |
| 18.00 eur Buy |
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ID: LYB9905
Disk: 1
Type: DVD
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Kolekce: Vocal CollectionPodkolekce: Voices
Region Code: PAL. Plays in all territories
Sound Format: Dolby Digital
Duration: 70 minutes
1. Che debbo far, che me consegli amore (Canzone 268)
2. Tutto'l dì piango, e poi la notte quando (Sonetto 216)
3. In qual parte del Ciel, in qual idea (Sonetto 159)
4. Quest'humil fera un cor di tigre o d'orsa (Sonetto 152)
5. Io vò piangendo i miei passati tempi (Sonetto 365)
6. O Tempo, ò Ciel volubil che fuggendo (Sonetto 355)
7. Io vidi in terra angelici costumi (Sonetto 156)
8. Solo e pensoso i più deserti campi (Sonetto 305)
9. Lasso ch'i ardo et altri non mel crede (Sonetto 203)
10. Qunto più m'avvicino al giorno estremo (Sonetto 32) |
| 18.00 eur Temporarily out of stock |
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ID: NMCD173
Disk: 1
Type: CD
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Kolekce: Orchestral WorksBrian Elias studied at London’s Royal College of Music with Humphrey Searle and Bernard Stevens and privately with Elisabeth Lutyens.
Brian was born in Bombay (Mumbai) and lived there until the age of thirteen.
His ballet The Judas Tree won an Olivier Award for Best New Dance Work and an International Emmy Award for Performing Arts.
Doubles was awarded the Best Orchestral prize at the 2010 British Composer Awards 2010 ‘Purely as psychodrama, The House is gripping. But what makes it really memorable is the clarity and vigour of Elias's orchestral writing. Humming throughout with perky rhythms, never cluttered, and full of imaginative ideas (including the 21st-century equivalent of the Pizzicato Polka), it struck me as among the best things that the 53-year old composer has penned.’ The Times (2002).
The bold and dazzlingly inventive The House That Jack Built - inspired by the rumbustiousness, games and jeers of the playground - is coupled with the elaborate, intense Doubles (a large orchestral work commissioned by the BBC Symphony Orchestra) and A Talisman, for bass-baritone and small orchestra which is based upon Hebrew text inscribed on a silver 19th century amulet - intended to protect against the Evil Eye - which was given to Elias's mother in 1969 by her uncle, whose family emigrated from Kurdistan to Bombay in the middle of the 19th century. |
| 18.00 eur Buy |
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ID: NMCD211
Disk: 1
Type: CD
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Kolekce: Vocal CollectionPodkolekce: Choir and Orchestra
Live recordings
Andrew Watts countertenor (Angel)
Jeffrey Lloyd-Roberts tenor (Jacob)
BBC Singers
London Sinfonietta
David Atherton conductor |
| 18.00 eur Buy |
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ID: RK3003
Disk: 1
Type: CD
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Kolekce: Vocal CollectionWilhelm Müller (October 7, 1794 - September 30, 1827) was a German lyric poet.
This unusual interpretation of Winterreise is a skeleton where the text and music are taken back to the essence of the work. Dombrowski writes It is bold and direct, present, and at the same time fragile, an approach to the poetry that can hardly be more honest. Nataaa Mirkovi De Ro is a singer and actress from Bosnia with a predilection for unusual projects. |
| 18.00 eur Buy |
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ID: RK9706
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Sbor
Melchior Franck: Du bist aller Dinge schon meine Freundin, Meine Schwester liebe Braut, Faher uns die Fuchse
Heinrich Schutz: Nachdem ich lag in meinen oden Bette SWV451, O quam tu pulchra es SWV265, In lectulo per noctes SWV272, Invenerunt me custodies civitatis SWV273, Ich beschwore euch ihr Tochter zu Jerusalem SWV339
Andreas Hammerschmidt: Siebe meine Freundin du bist schone
Giovanni Paolo Cima: Adiuro vos filia Jerusalem
Christop Demantius: Mein freund komm in meinen Garten Ensemble |
| 18.00 eur Buy |
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ID: RKAP10106
Disk: 1
Type: CD
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Kolekce: RenaissancePodkolekce: Voices
Works by Thomas Morley, Orlande de Lassus, John Dowland, Cipriano de Rore, Ludwig Senfl, Scottish Anonymous, Thomas Weelkes, Adrian Willaert, Heinrich Isaac, Pierre Passereau, Hans [1] Leo Hassler, John [Composer] Bennet, King of England Henry VIII, Adriano Banchieri, Antonio Scandello, Juan del Encina, Josquin Desprez, Canciero de Montecassino Anonymous, Jacques Arcadelt, Giovanni Giacomo Gastoldi
Track Listing
1. Now is the month of maying, madrigal for 5 voices
2. Bon jour et puis quelles nouvelles, chanson for 5 voices, B. xi/60 (S. xvi/53)
3. Bon jour mon Coeur (Ronsard) (Christ est mon Dieu), chanson for 4 voices, B. xi/68 (S. xii/100)
4. Come away come sweet love, for 4 voices & lute (First Book of Songs)
5. Anchor che col partire, madrigal
6. Ach Elslein, liebes Elselein
7. Remember me my deir (Robert Edwards' Commonplace Book)
8. Since Robin Hood, madrigal for 3 voices
9. Strike it up tabor, madrigal for 3 voices
10. Vecchie letrose non valete niente, canzona for 4 voices
11. Innsbruck, ich muß dich lassen (ii), song for 4 voices
12. I love, alas, I love thee, madrigal for 5 voices
13. Il est bel et bon, commere, mon mary (Chansons musicales, Paris 1534)
14. Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
15. Mein G'müt ist mir verwirret
16. Weep, O mine Eyes (from Madrigals to four voyces)
17. Pastyme with Good Companye for 3 voices
18. Contrapunto Bestiale
19. Ein Hennlein weiss, song
20. Cucú, cucú, cucúcu, cancionero (from Cancionero de Palacio)
21. Fata la parte
22. El grillo, song for 4 parts
23. Dindirindin, canzon alla villota, CM 127
24. Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18
25. La bellezza, madrigal for 5 voices
26. Triste depart
27. Mille regretz, song for 4 parts
28. Pavane, "Belle qui tiens ma vie"
29. La tricotea, madrigal
30. Gentil senora mia
31. Chi la gagliarda (All Ye Who Music Love), madrigal
32. Quand je bois du vin clairet, madrigal
33. Das Gläut zu Speyer (The Merry Bells of Speyer), for winds |
| 18.00 eur Buy |
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ID: RK9504
Disk: 1
Type: CD
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Kolekce: Sacred MusicGeistliche Vokalmusik von Johannes Weyrauch
Das Leipziger Vocalensemble, 1976 durch den jetzigen Thomaskantor Georg Christoph Biller und weitere ehemalige Thomaner gegründet, widmet sich neben der Pflege der Vokalwerke Johann Sebastian Bachs insbesondere der Aufführung selten zu hörender zeitgenössischer geistlicher Chormusik. Die Werke des Leipziger Komponisten Johannes Weyrauch (1897 - 1977), der in hohem Alter noch regen Anteil an der Arbeit des Leipziger Vocalensembles nahm, haben den Chor von Anfang an begleitet und geprägt. Weyrauchs Musik zeichnet sich aus durch Klarheit, Vermeidung alles Überflüssigen und Anwendung sparsamer, einfacher musikalischer Mittel. Vor allem im Spätwerk des Komponisten zeigt sich ein starkes meditatives Element.
Leipziger Vocalensemble, Mitteldeutsches Kammerorchester Gesamtleitung: Georg Christoph Biller
Cantata of the Kingdom of God; Magnificat; The transfiguration of Christ; On the Road to Emmaus; Lord Christ, the Only Son of God; The Great Banquet; The Last Days of the World; Cantata of Love |
| 18.00 eur Buy |
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ID: RK2208
Disk: 1
Type: CD
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Kolekce: Vocal CollectionTRISTE PLAISIR Guillaume Dufay und die Burgundische Musik Guillaume Dufay and Burgundian Music Guillaume Dufay et la musique à la cour de Bourgogne Lena Susanne Norin - Alt / alto Randall Cook - Viola d’arco, Fidel / fiddle / vielle Susanne Ansorg - Fidel, Rebec
Anonymus
La plus grant chiere
Paumgartner (Buxheimer Orgelbuch)
Gilles Binchois (c.1400-1460)
Triste plaisir
Mort en merchy
Lune tres belle
Adieu, adieu, mon joieulx souvenir
G. Dufay
Belle, veullies moy retenir
Pour l’amour de ma doulce amye
Qui latuit in virgine
Je me complains piteusement
Quel fronte signorille in paradiso
Resvelons nous, amoureux
He, compaignons
Je languis en piteux martire
J'ai grant doulour
Vergene bella
Seignor Leon
Nicolaus Grenon (c.1377-1456)
La plus belle et doulce figure
Jacobus Vide (fl.1405-1433)
Et c'est assez
Unter den Herzögen von Valois wurde Burgund im 15. Jahrhundert zu einer der mächtigsten politischen Kräfte Westeuropas und seine Hauptstadt Dijon ein Zentrum der Musik. Was hier erklang, war so innovativ und eigenständig, dass man heute von einer »Burgundischen Schule« spricht. Gleichwohl kamen die Musiker der Burgundischen Hofkapelle aus allen Himmelsrichtungen - unter ihnen Guillaume Du Fay, einer der größten Meister nicht nur seiner Zeit, sondern der Musik generell. Geehrt für seine Melodien von kunstvoller Anmut, begabt mit einem einzigartigen Instinkt für die harmonische Balance der musikalischen Phrasen, galt er als jemand, der die Sphären der Vollkommenheit der musikalischen Kunst seiner Zeit erreichte.
Die drei "Triste Plaisir"-Musiker haben sich eigens zusammengefunden für dieses Repertoire voll von Raffinesse, großzügiger Gesanglichkeit und jener süßen Melancholie, welche den Meisterwerken der spätmittelalterlichen Liedkunst eigentümlich ist. Entgegen der gängigen Praxis versuchen sie mit minimalster Besetzung - nur Stimme und zwei Streichinstrumente - der Intimität dieser Kleinodien gerecht zu werden. |
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