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Sacred Music

   Nalezeno titulů: 246
 

Faure - Requiem, Bernstein - Chichester Psalms

Faure - Requiem, Bernstein  -  Chichester Psalms
ID: GCCD4044
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Sacred Songs of Sorrow

Aled Jones as a boy treble with Stephen Roberts.
This CD features Aled Jones when a boy treble with Stephen Roberts in two of the most popular choral works. He nowadays enjoys a second career as a baritone, a radio presenter and BBC TV presenter of "Song of Praise".
9.00 eur Buy

Victoria: Missa Surge Propera - Christ Church Choir, St. Laurence - N. McEwan

Victoria: Missa Surge Propera -  Christ Church Choir, St. Laurence - N.  McEwan
ID: WAL80412
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Choir

11.00 eur Buy

SIMON LEON LAZAR - Holocaust - A Requiem for the Fate of the Jews

SIMON LEON LAZAR - Holocaust - A Requiem for the Fate of the Jews
ID: GD104
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Choir

12.00 eur Temporarily out of stock

Lamentations of Jeremiah.

Lamentations of Jeremiah.
ID: RRC1123
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Choir

Pro Cantione Antiqua / Bruno Turner.
12.00 eur Buy

St. JOHN KOUKOUZELES - ORTHODOX CHANTS

St. JOHN KOUKOUZELES - ORTHODOX CHANTS
ID: GD101
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Cathedral Choir

The release presents both traditions. The chants have been recorded by church choirs, as well as choirs whose repertoire includes a lot of East Orthodox music.
12.00 eur Temporarily out of stock

Silent Night - Christmas Carols with The Choir of Christs Hospital

Silent Night - Christmas Carols with The Choir of Christs Hospital
ID: GMCD7170
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Cathedral Choir

Recorded in the Parish Church of All Saints, Hove
It’s history……. The young King Edward VI founded three Royal "Hospitals" towards the end of his reign. Christ’s Hospital, in the old buildings vacated by the Grey Friars, was to educate and care for fatherless children and other poor men’s children, St Thomas’ Hospital was to attend to the sick, and Bridewell Hospital was to give shelter and sustenance to beggars. Barely a century later the Great Fire of London claimed a large number of the Christ’s Hospital buildings, but it was almost entirely rebuilt within 30 years, thanks to the generosity of a number of city merchants. In 1673 Charles II founded the Royal Mathematical School within Christ’s Hospital, largely from the inspiration of Samuel Pepys, the famous diarist. He was the Secretary to the Admiralty and so was interested in ensuring that high quality mathematicians and navigators were educated for future sea-service. Much later Samuel Taylor Coleridge, Charles Lamb and James Leigh Hunt were boys at Christ’s Hospital, and the School has boarding houses named after them. The school was originally co-educational; however, from quite early in its history, the girls of the Foundation were educated separately at Hertford. In 1985, however, they rejoined the boys at Horsham, where the School had relocated in May 1902 in search of fresh air and space for proper relaxation and games. Today, Christ’s Hospital is the largest educational charity in the country, enabling this education to be offered to the most deserving children, irrespective of the ability to pay. All fees are means tested and on average parents meet less than 15% of the School’s costs. The Foundation therefore looks for children who will contribute most to, and benefit most from, a place at the School. …it’s music……. Historians have quite correctly emphasised that Christ’s Hospital was never merely an orphanage as such, for amongst the earliest academic appointments was "a schoole-maister for Musicke". So our musical tradition stretches back nearly 450 years: - longer, if one were to count the semi-monastic tradition that had been nurtured for centuries before by the Greyfriars by the Newgate of the City of London, for Christ’s Hospital took over their premises in November of 1552. It is far from fanciful to imagine the youthful voices of the children singing in the massive three hundred foot long church of Christ Church, Greyfriars, not far from Old St Paul’s, and we know for certain from Robert Dow’s Will for setting up a Song School in 1609 that boys were "to sing in the Quier of Christ Church", and that from 1613 a boy should "serve and be employed in playing of the organs of the said church". Alas in September 1666 the Great Fire destroyed that wonderful building, but the tradition itself continued in the rebuilt, though rather smaller church, designed by Sir Christopher Wren, which became known as Christ Church, Newgate Street. Today, the School has six full-time and thirty visiting music staff teaching some 500 individual lessons each week, as well as providing a full programme of rehearsals and concerts for ensembles of all sizes. Much emphasis is given to the development of musical ability through chamber music and the finest pupils give an annual concert at the Purcell Room on London’s South Bank. However, the School is also proud of its larger ensembles, the Choirs, the Orchestras, and the Marching Band, famous for its appearances each year at the front of the Lord Mayor’s Show, at Twickenham and at Lords. Music is an integral part of the School’s life, and continues to play an important role in the continuing strong links with the City of London. …and it’s choirs Standing on one side of the great central quadrangle of Christ’s Hospital is the Chapel. It is a collegiate-style building, spacious enough to seat the whole school of 830 pupils and 90 staff. Services are accompanied by the School Organist on the massive five-manual Rushworth and Dreaper organ, which was designed in 1931 by the Director of Music at that time, C. S. Lang. The 112 members of the Chapel Choir are seated centrally and antiphonally, ideally placed to lead the congregational singing. As well as singing hymns, anthems, canticles, psalms and responses for the regular weekly services, the choir also sings for a full programme of special occasions throughout the year including a service for St. Matthew’s Day in the City of London, attended by the Lord Mayor, re-emphasising the school’s strong links with its past. The choir performs in the famous "Bluecoat" Tudor uniform worn by all pupils of the school throughout the normal school week. The choir gives an annual performance of a major choral work - in recent years, Brahms’ German Requiem, J. S. Bach’s St Matthew Passion and Mozart’s Requiem. In addition the choir sings Choral Evensong at such venues as St Paul’s Cathedral, Chichester Cathedral, Guildford Cathedral, St George’s Chapel, Windsor, broadcasts for television and BBC Radio (Remembrance Sunday, Highway, Radio 3 Advent Carol Series, Sunday Half Hour) and the smaller chamber choir, Schola Cantorum, sing for many other special events. This is the Choir’s fourth CD recording. Details of earlier recordings are available from Christ’s Hospital Enterprises, Christ’s Hospital, Horsham, West Sussex, RH13 7LS.
12.00 eur Buy

Czech Masses - Suk - Foerster - Fibich: Prague Youth Chamber Ensemble

Czech Masses - Suk -  Foerster - Fibich: Prague Youth Chamber Ensemble
ID: UP0117
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Voice and Choir

12.00 eur Buy

Russian and Bulgarian Spiritual Music - Chesnokov - Christov - Dinev and etc... (Live)

Russian and Bulgarian Spiritual Music - Chesnokov - Christov - Dinev and etc... (Live)
ID: MELCD1001701
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Voice and Choir

12.00 eur Temporarily out of stock

Armenian Sacred Music of the 5th-8th Centuries - Ensemble of Ancient Music of Armenia

Armenian Sacred Music of the 5th-8th Centuries - Ensemble of Ancient Music of Armenia
ID: MELCD1001747
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Sbor

( 1 - 18) - arr. Yervand Yerknanian

Armenian Sacred Music of the 5th-8th Centuries - Ensemble of Ancient Music of Armenia
Armenian sacred music is one of the most ancient branches of Christian culture. Armenia’s church singing tradition took shape on the basis of its ancient music culture which has been in existence for more than three millenniums. So, the initial branches of the ancient Armenian music - peasant, goosan (music of national singers and poets) and cult (heathen), as well as its monodical (one-voice) rhyme were formed back in the 3rd century BC, during a period when a single-language state was in the making. With adoption of Christianity in the year 301, creation of the Armenian written language, and translation of the bible into the Armenian language (the 5th century), the foundation for development of the Armenian Christian church music became available. The very first sharakans (sacred hymns) were composed by St. Mesrop Mashtots (the creator of the Armenian written language) and St. Sahak Partev (Mashtots’ associate, a supreme patriarch, scholar and translator. The term sharakan originates from an Armenian word shark which stands for a number or succession, and means a sacred song canonized by the church and include in a series of hymns collected in Sharaknotse (Gimnaria) in course of time. These numbers of sacred hymns traditionally included pieces of three genres - ktsurd (troparion), katsurd (kontakion), and canon. Katsurd (kontakion) began to develop in the Armenian sacred arts in late 6th century. The hymn ‘The Souls Who Dedicated Themselves’ by Catholicos Komitas Akhtsetsi is one of the outstanding and highly artistic katsurds of the 7th century. Beingfully based on the national tradition and distinguished with special melodiousness, this piece by Komitas raised the art of Armenian sacred songwriting to a new level and facilitated its further development. Catholicos Nerses Shnorali (12th century) was one of the prominent and most esteemed writers of sacred hymns. His works enriched both the poetic and musical language of the Armenian sacred hymnody. Thanks to him, rhyme became finally firmly established in Armenian poetry. Composer, a laureate of the State Prize of Armenia (2009), Yervand Vaganovich Yerkanian was born on 5 November, 1951, in Leninakan. In 1975, he graduated from the Yerevan Conservatory. Yerkanian is one of the most known and distinctive representatives of contemporary Armenian music. He is an author of numerous works created in various genres - operas, ballets, symphony, chamber and vocal compositions. Historical themes have always been the basis of the composer’s work. In 1987, Yerkanian became an artistic director and conductor of the instrumental ensemble Tagaran. Since then, the ensemble’s repertoire was promptly filled with wonderful renditions of sacred hymns, and very soon after that the ensemble’s name got a world-wide recognition. All renditions and arrangements of the compositions on this album have been done by Yervand Yerkanian. Armenian Sacred Music of the V-XIII Centuries. Edited and arranged by Yervand Yerkanian (1 - 18) Tagaran, Ensemble of Ancient Music of Armenia Artistic director - Yervand Yerkanian. Tagaran: Karen Shushanian, flute; Dina Khusnunts, flute; Zhirair Tigranian, oboe; Grachia Grigorian, bassoon; Lilia Karapetian, percussion; Tereza Voskanian, organ; Sahak Karapetyan, violin; Gayane Topchan, violin; Tigran Yerkanian, viola; Sarghis Gonosian, cello Soloists: Greta Antonian, Ruben Telunts, Grachia Niksalian, Vardeni Davian, Ovsanna Nalbandian Sound engineer: A. Vetr
12.00 eur Temporarily out of stock

Orthodox Chants from Bulgaria -D. Hristov: Vespers Liturgy, etc.

Orthodox Chants from Bulgaria -D. Hristov: Vespers Liturgy, etc.
ID: GD193
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Liturgy

Hristov: Vespers liturgy; Orthodox liturgy
Interprets: Popsavov, Sofia Orthodox Choir
Sofia Orthodox Choir
Popsavov Miroslav - conductor
Soloists:
Pankova, Nikolina - soprano (10, 11, 14)
Bovarian, Alis - mezzo-soprano (8)
Turiare, Iskander - tenor (4)
Priest Stanoi Andonov - bass (1, 3, 13, 14)
Recorded at St. Alexander Nevsky Cathedral in June 1995
Balance: G. Nedyalkov, Editing: N. Tassev
12.00 eur Temporarily out of stock

 
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