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World music CD DVD shop and Classic distribution
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ID: GCCD4050 Disk: 1 Type: CD |
Kolekce: Sacred MusicPodkolekce: Sacred Songs of Sorrow Highly successful & interesting arrangements of Negro Spirituals, plus the lovely Four Prieres for St Francis of Assisi by Poulenc. |
15.00 eur Buy |
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ID: KAI0012442 Disk: 2 Type: CD |
Kolekce: Chamber MusicPodkolekce: Chamber Ensemble The method of composition, which has recourse to existing musical material, reworking it into a new composition, figures as a central principle of occidental music history. This applies particularly to the mass and motet compositions of the Renaissance, when this method of adopting and reworking existing music represented one of the key features of musical production. An especially vivid example - which however remains singular in its appearance - for the continuous engagement with a certain musical “theme” is the English “In Nomine“ genre dating back to the 16th and 17th centuries.
This tradition started out with the six-voice mass Gloria tibi Trinitas by John Taverner (around 1495-1545), composed no later than around 1528. To the words “In nomine Domini” the section of the Benedictus (the lyrics are: “Benedictus qui venit in nomine Domini” - “blessed is he who comes in the name of the Lord”) has a salient four-voice section, which, as cantus firmus in the alto part, contains the antiphon “Gloria tibi Trinitas” quoted in its entirety.
Includes booklet with text by Torsten Blaich |
28.00 eur Buy |
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ID: LIR005 Disk: 1 Type: CD |
Kolekce: Instrumental150 years of English virginals music
Classical Periods: Baroque, Medieval, Renaissance
For this CD David has chosen a programme which reflects the social and political changes taking place in Britain through the 16th and 17th centuries, and which explores the different influences on the repertoire of the virginal, an instrument which was a major part of musical life at that time. Through a chronological survey, he also focuses our attention on the development of the instrument itself and how it adapted to the demands of the changing repertoire.
David makes particular use of the Arpichordium, or ‘bray’ stop: a batten parallel with the bridge, in which are fixed a set of metal hooks that touch the strings when the stop is engaged, resulting in a colourful ‘buzzing’ sound.
The instrument used in this recording was made by Ian Tucker, and is a Muselar virginal, an exact replica of one made in Antwerp in 1620, by Andreas Ruckers.
(English repertoire played on a Ruckers reproduction). |
15.00 eur Buy |
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ID: NMCD103 Disk: 1 Type: CD |
Podkolekce: Quartet To mark the centenary of Tippett's birth in 2005, this disc presents for the first time on CD three premiere recordings of his music from the 1940s: the Concerto for Double String Orchestra (recorded 1943) conducted by Walter Goehr; the Fantasy Sonata for Piano, performed in 1941 by Phyllis Sellick; and the String Quartet No.2, recorded in 1947 by the Zorian Quartet. Also included is the first recording of Tallis's 40-part motet Spem in alium, recorded in 1948 with Tippett himself conducting the choir of Morley College, London. |
22.00 eur Buy |
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ID: RES10143 Disk: 1 Type: CD |
Kolekce: Organ CollectionPodkolekce: Organ Stephen Farr (organ) with The Gentlemen of the Choir of Sidney Sussex College directed by David Skinner
Acclaimed organist, Stephen Farr returns with an album of organ masterworks from the Tudor and Jacobean era performed on the new Taylor & Boody Organ (Opus 66) of Sidney Sussex College, Cambridge.
Installed in 2013, this single manual, mechanical action instrument, features seven stops and was specifically designed to accompany and perform music from the English Renaissance.
Here Farr performs virtuosic works by some of the period's leading composers including William Byrd's Voluntarie for my ladye nevell and John Bull's Coranto Joyeuse. Other composers featured on the album include Thomas Tallis, Thomas Tomkins, John Blitheman and Orlando Gibbons. Farr is also joined by The Gentlemen of the Choir of Sidney Sussex College directed by David Skinner. |
18.00 eur Buy |
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ID: RES10146 Disk: 1 Type: CD |
Kolekce: Vocal CollectionPodkolekce: Vocal Ensemble The Queen's Six - Daniel Brittain & Timothy Carleston (countertenors), Nicholas Madden & Dominic Bland (tenors), Andrew Thompson & Simon Whiteley (basses)
The Queen’s Six releases their debut album with a sumptuous selection of music from the golden age of English polyphony.
Recorded in the extraordinary surroundings of St George’s Chapel, Windsor Castle - where each member of The Queen’s Six is a Lay Clerk - Music of the Realm features six composers associated with the royal court of Queen Elizabeth I, from whom the group gets its name.
For their first Resonus album the group have selected a programme of both well and lesser-known works by six composers who wrote music for and during the reign of Queen Elizabeth I - William Byrd, Thomas Tallis, Thomas Tomkins, Thomas Weelkes, Thomas Morley and Orlando Gibbons. The recording is accompanied by an essay from early music scholar and conductor, Peter Phillips.
'They bring seamless blend and balance to music from the reign of Elizabeth I, from whom they take their name.'
The Observer |
18.00 eur Buy |
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ID: RES10164 Disk: 1 Type: CD |
Kolekce: RenaissancePodkolekce: Choir The Queen's Six - Daniel Brittain & Timothy Carleston (countertenors), Nicholas Madden & Dominic Bland (tenors), Andrew Thompson & Simon Whiteley (basses)
Following on from their acclaimed debut album (Music of the Realm - RES10146), a capella vocal sextet The Queen’s Six return with a captivating exploration of secular jewels by the same six composers associated with the Tudor and Jacobean royal courts featured on that earlier recording - Thomas Tomkins, William Byrd, Thomas Morley, Thomas Weelkes, William Byrd & Thomas Tallis.
Themes as diverse as royalty, balletts, birds, the natural world, dedications and love & death serve to celebrate the immense range of this golden age of English music.
Following the critical acclaim of their debut album ‘Music of the Realm’, The Queen’s Six return to Resonus with a programme of secular madrigals from the same six English Renaissance composers all associated with the royal court of Queen Elizabeth I, from whom the group take their name.
Entitled ‘Her Heavenly Harmony: Profane Music from the Royal Court’, The Queen’s Six present a recital of well- and lesser-known works by Morley, Weelkes, Tomkins, Byrd, Tallis and Gibbons, with various themes of ‘Royalty’, ‘Planets’, ‘Ballets’, ‘Birds and Flowers’, ‘Dedications’ and ‘Love and Death’. |
18.00 eur Buy |
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ID: RRC1132 Disk: 1 Type: CD |
Kolekce: Choral CollectionPodkolekce: Choir Choir of New College Oxford / Edward Higginbottom. |
15.00 eur Buy |
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ID: RRC2030 Disk: 2 Type: CD |
Kolekce: Choral Collection35 anthems in date order inc. 4 by Byrd, 3 by Tallis, 2 each by Gibbons Weelkes
and Tomkins, 1 each by Farmer, van Wilder, Tye, Sheppard, Farrant, Blow, 4 by
Purcell, 2 each by Ouseley and Wesley, 1 each by Croft, Greene, Boyce,
Battishill, Attwood and Stainer. |
25.00 eur Buy |
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