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KENNY, Elizabeth - Interpreti

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Dialogues of Sorrow - Passions on the Death of Prince Henry (1612) - Gallicantus - Elizabeth Kenny, lute - Gabriel Crouch, director

Dialogues of Sorrow - Passions on the Death of Prince Henry (1612) - Gallicantus - Elizabeth Kenny, lute - Gabriel Crouch, director
ID: SIGCD210
Disk: 1
Type: CD
Kolekce: Choral CollectionPodkolekce: Choir

In 1612, Prince Henry Frederick, son of James I and heir to the thrones of England and Scotland, died from a suspected bout of typhoid fever. His untimely death inspired a massive outpouring of artistic tributes in both verse and music, reflecting the mood of a nation mourning the loss of this popular future king at just 18 years of age.

'Dialogues of Sorrow' is the second disc from early music consort group Gallicantus, here joined by lutenist Elizabeth Kenny to perform familiar masterpieces and undiscovered treasures of the late English Renaissance, composed at the time of the young prince's death. The release follows the group's critically acclaimed debut recording, 'Hymns, Psalms and Lamentations' - music by Robert White.

Reviews for Gallicantus’s 2009 disc, Hymns, Psalms and Lamentations: Sacred Music by Robert White (SIGCD134)

“Taste the final amens in Exaudiat te, Dominus, where imitative exchanges spiral in ecstasy. Impassioned, exciting music.” The Times

“What an outstanding disc … never once is there a loss of clarity, a hint of muddiness.” The Gramophone
18.00 eur Buy

QUEEN MARYS BIG BELLY - Hope for an heir in Catholic England - GALLICANTUS

QUEEN MARYS BIG BELLY - Hope for an heir in Catholic England - GALLICANTUS
ID: SIGCD464
Disk: 1
Type: CD


Gallicantus perform music surrounding the fascinating yet tragic story of Queen Mary Tudor’s ‘phantom pregnancy’. On 30th April 1555 the city of London celebrated the birth of a healthy male heir, but abruptly ceased the next day after the news was revealed to be nothing but rumour. There was to be no heir, with gossip and speculation surrounding the tale of Mary’s pregnancy from that day onwards.
The music performed here resonates with the circumstances of the mid-1550s, including items composed outside of Mary’s reign; from the royal ceremonies in which Mary participated as queen, and music directly tied to the specific events of 1554-5. This includes a newly-reconstructed Litany which was performed during Mary’s assumed pregnancy. The viewpoint shifts from the streets of London and its suburbs, through the ceremonial grandeur of the royal palaces and their chapels, to the intimacy of the Privy Chamber itself.
18.00 eur Temporarily out of stock

 
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