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Russian and World music CD DVD shop and Classic distribution

 

Quartet

   Les titres retrouvé: 171
 

Wolfgang Rihm - Sotto Voce

Wolfgang Rihm - Sotto Voce
ID: KAI0012952
CDs: 1
Type: CD
Subcollection: Piano

9.00 eur Buy

Jigs, Airs and Reels - Music for recorder and string quartet - John Turner with the Camerata Ensemble

Jigs, Airs and Reels - Music for recorder and string quartet -  John Turner with the Camerata Ensemble
ID: CAMEO2034
CDs: 1
Type: CD
Collection:
British Composer Series
Subcollection: Chamber Ensemble

9.00 eur Buy

Charles Uzor -Quartets/Quintet

Charles Uzor -Quartets/Quintet
ID: NEOS10714
CDs: 1
Type: SACD
Collection:
World Premiere Recording
Subcollection: Quartet

9.00 eur Buy

Erhard Grosskopf - String Quartets Nos. 1-3

Erhard Grosskopf - String Quartets Nos. 1-3
ID: NEOS10706
CDs: 1
Type: SACD
Collection:
World Premiere Recording
Subcollection: Quartet

9.00 eur Buy

Alberto Posadas - Liturgia fractal - Quatuor Diotima

Alberto Posadas - Liturgia fractal - Quatuor Diotima
ID: KAI0012932
CDs: 1
Type: CD
Collection:
Chamber Music
Subcollection: Quartet

9.00 eur Buy

Olga Neuwirth - Chamber Music - Akroate Hadal, Quasare/Pulsare; ...?risonanze!...; etc.

Olga Neuwirth - Chamber Music - Akroate Hadal, Quasare/Pulsare; ...?risonanze!...; etc.
ID: KAI0012462
CDs: 1
Type: CD
Subcollection: Piano

Olga Neuwirth’s music is full of shifts, ruptures, deformations and associative relationships. Her works build upon a various materials of sound, image and language taken from highly diverse backgrounds, which she interconnects without evening out their intrinsic characteristics. Usually marked by unpredictable transformations during which the music branches out like lush organic growth, the composition comes to reflect the heterogeneous starting materials.
These also include a special way of handling the musical instruments - the composer manipulates the tone colors, usually through untypical tuning and preparation, thus providing the groundwork for the creation of highly differentiated musical situations. This roughening of sounds cannot be taken as a mere rejection of conventional euphony. Rather, it articulates a need to capture the potential that lies dormant in these sound producers and harness it for the process of composition thus creating a means of expression based on these unusual ways of sound production in order to formulate contemporary musical figures. Although the composer always traces her vocabulary back to the process of generation that begins with the acoustics and resonance of the instruments used, the process can be understood most clearly in her chamber music instrumentation, especially in the works composed for strings. (Stefan Drees)

Includes booklet with text by Stefan Drees
9.00 eur Buy

John Cage - Seven - Quartets I-VIII

John Cage - Seven - Quartets I-VIII
ID: NEOS10720
CDs: 1
Type: SACD
Collection:
New Talents
Subcollection: Quartet

9.00 eur Buy

Haydn: String Quartets No. 82 Op. 77, No. 5 Op. 64 D Major

Haydn: String Quartets No. 82 Op. 77, No. 5 Op. 64 D Major
ID: TUXCD1012
CDs: 1
Type: CD
Collection:
Chamber Music
Subcollection: Quartet

9.00 eur Buy

Hymnos - Roger Heaton - Chamber Music for clarinet

Hymnos - Roger Heaton - Chamber Music for clarinet
ID: CC0019
CDs: 1
Type: CD
Subcollection: Music for Clarinet

9.00 eur Buy

Mathias Spahlinger - Furioso

Mathias Spahlinger - Furioso
ID: KAI0012692
CDs: 1
Type: CD
Subcollection: Chamber Ensemble

1 - 3 Ensemble Modern - Hans Zender, conductor
4 - 6 Ensemble Recherche
7 - 9 Arditti String Quartet

Arditti String Quartet:
Irvine Arditti, violin
Ashot Sarkissjan, violin
Ralf Ehlers, viola
Lucas Fels, cello

Furioso. The ensemble is conceived as open, as in flux, the musicians and instrumental tones as coming and going. Ideally, if the procedure wouldn’t be too obtrusive and apt to distract from the music, the musicians, each at their own tempo could be drawn across the stage on podiums on wheels, so that they would appear with the first note and disappear with the last - apart from the violoncello, which must be silently present and apart from the piccolo, which can be heard in part IIa, but which should also be visible in IIb. (Mathias Spahlinger)

Includes booklet with texts by Frank Hilberg, Peter Niklas Wilson and Mathias Spahlinger
9.00 eur Buy

 
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