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Early Romantics

   Found CDs: 3
 

F. Xaver (1786-1868) Schnyder von Wartensee: Symphony No. 3, "Militärsinfonie'; Overture in C minor

F. Xaver (1786-1868) Schnyder von Wartensee: Symphony No. 3, "Militärsinfonie'; Overture in C minor
ID: CDS1073-2
CDs: 1
Type: CD
Collection: Early Romantics
Subcollection: Orchestra

Schnyder von Wartensee was an early romantic, and a good friend of Beethoven. His music is typical early romantic - perhaps more like Haydn and Schubert than like Beethoven.
Some rather weird twists in the symphony makes one believe that there was perhaps stronger stuff than milk in that "suppe". Lovely, engaging performance typical of Fifield and the Württembergische Philharmonie.
15.00 eur Buy

A Grand Duo - The Clarinet and Early Romantics

A Grand Duo - The Clarinet and Early Romantics
ID: CC0015
CDs: 1
Type: CD
Subcollection: Music for Clarinet

Composer: (August Joseph) Norbert Burgmüller (1810 - 1836); Franz (Ignaz) Danzi (1763 - 1826); Anton (Paul) Stadler (1753 - 1812); (Johann) Carl (Gottfried) Loewe (1796 - 1869); Carl Maria (Friedrich Ernst) von Weber (1786 - 1826)

Played on original instruments by Colin Lawson - the highly distinguished early clarinet specialist - this programme features highly attractive, wonderfully melodic repertoire.
Main Performer: Colin Lawson (Clarinet); Neal Peres da Costa (Piano)

A fascinating collection of Classical and Romantic clarinet music - collected on one CD for the first time.

Full listing
Weber Grand - Duo Concertant, Stadler - Three Caprices, Burgmuller - Duo, Danzi - Sonata in B flat, Loewe - Three Scottish Pictures.
15.00 eur Buy

Harmonia Caelestis - Caprice & Conceit from Seicento Italy

Harmonia Caelestis - Caprice & Conceit from Seicento Italy
ID: SIGCD049
CDs: 1
Type: CD
Collection: Early Romantics
Subcollection: Chamber Ensemble

Signum Classics is delighted to present Charivari Agreable's tenth disc: Caprice and Conceit in Seicento Italy.

This disc explores the overlap of repertory for the cornett and the violin (occasioned by their frequent interchangeability), and in the marriage of both instruments. Of the two, the cornett’s particular appeal, according to Girolamo Dalla Casa (1584), lies in its tonal similarity to the human voice, an attribute poetically likened by Marin Mersenne (1636) to ‘a brilliant ray of sunshine piercing the shadows’.

The juxtaposition of wind and strings is most vividly enhanced by the pairing of a violin with a cornett in small-scale vocal and instrumental works. The most beautiful is arguably the sonata by Cima, one of the earliest trio sonatas.

It is hoped that our conceit of re-lighting the cornett’s gleam will find favour among those who delight in the capriciousness of the music of the Seicento.

An innovative programme by the award-winning Charivari Agreable, exploring historical and celestially beautiful combinations of cornett, violin and viol via works of a wide range of Italian composers of the seventeenth century.
18.00 eur Buy

 
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