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ID: SIGCD384 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Piano and Clarinet Debussy:
Rhapsody for clarinet & piano (or orchestra), L. 116 'Première rapsodie'
Françaix:
Tema con variazioni for clarinet & piano
Glinka: arr. Bliss
Viola Sonata in D minor
Milhaud:
Sonatina for clarinet and piano, Op. 100
Prokofiev: arr. Bliss
Flute Sonata in D major, Op. 94
Nearly 10 years after his debut recital recording, virtuoso clarinettist Julian Bliss returns to disc with a new programme alongside pianist Bradley Moore. Their recital combines great works (and some new arrangements) from great Russian and French composers.
"I first heard the Prokofiev a number of years ago and what struck me was not only the virtuosity required by both musicians to play it, but how intricate and beautiful it was. I knew straight away that I had to make my own arrangement of it, and after sight reading it through with Bradley there was no question about including it on this album. To me, the third movement in particular has a very French and jazzy feel to it. You could be fooled into thinking it was a piece of Debussy!" Julian Bliss |
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ID: SIGCD371 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Piano Bach, J S:
Partita No. 1 in B flat major, BWV825
Beethoven:
Piano Sonata No. 15 in D major, Op. 28 'Pastorale'
Chopin:
Ballade No. 3 in A flat major, Op. 47
Scherzo No. 2 in B flat minor, Op. 31
Schumann - Liszt:
Frühlingsnacht (after Schumann, Op. 39 No. 12), S568
Gluck - Sgambati:
Melodie from Gluck's 'Orfeo ed Euridice'
Five years on from his debut recording, James Rhodes has firmly established himself in the classical world as a pioneering figure - reaching out through concerts, recordings and television documentaries to create new classical music fans whilst remaining unabashedly dedicated to the core repertoire that he performs.
In his fifth recital album from his new label Instrumental Records, he returns with a sumptuous programme of works of Bach, Beethoven and Chopin, the Gluck-Sgambatti „Orfeo Melody“, and Liszt’s arrangement of Robert Schumann’s „Frühlingsnacht“. |
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ID: SIGCD365 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Piano Brahms:
Waltzes (16), Op. 39
Piazzólla: arr. Bax & Chung
Lo que vendra
Milonga del ángel
Tango No. 2
Libertango
Stravinsky:
Petrushka
The real life marriage of two great concert pianists, Alessio Bax and Lucille Chung, has led to one of the leading piano duos of their generation. To cite the UK magazine Music and Arts, “Theirs is a marriage of wondrous colours and dextrous aplomb, subtly balanced to make a musical performance sound as one.”
Stavinsky’s Pétrouchka was originally arranged for four-hands by the composer as a rehearsal score for the Ballet Russes production of the same name, but in this stripped-down it brings Stravinsky’s melodic, rhythmic and harmonic inventiveness to the fore. Brahms’s 16 Waltzes Op.39 are an enchanting collection of Romantic miniatures that simultaneously nod to the musical lineage of the composer’s home in Vienna whilst asserting his own flair and individuality. The final four tangos by Piazzolla are a full of Argentine flair and vigour, and were arranged especially for this recording by Bax and Chung. |
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ID: SIGCD324 CDs: 1 Type: CD |
Kolektion: Instrumental1 Etude-Tableau, Op. 39 No. 9 [4.21]
2 Variations on a theme of Corelli, Op. 42 [20.26]
3 Fugue (1891) [3.30]
4 Prelude in B major, Op. 32 No. 11 [2.28]
5 Vocalise, Op. 34 No. 14 (transcribed by Nigel Potts) [6.11]
Symphonic Dances, Op. 45
6 I. Non allegro [13.15]
7 II. Andante con moto (Tempo di valse) [10.00]
8 III. Lento assai - Allegro vivace - Lento assai. [16.29]
Come prima - Allegro vivace
Total timings: [76.43] |
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ID: CDMAN410-10 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Piano To the 180 Anniversary A.G. Rubinstein |
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ID: CDMAN342-08 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Quartet 1. Intro
2. I.Stravinskiy. «Plyaski shchegolikh» iz baleta «Vesna svyashchennaya»
3. A.Ponk'yelli. «Tanets chasov» iz opery «Dzhokonda»
4. D.Shostakovich. Pol'ka iz baleta «Zolotoy vek»
5-7. M.Svetlov. Syuita «Vizit staroy damy»
I. Vstupleniye i val's
II. Tango i galop
III. Rekviyem
8. G.Fore. Pavana
9. A.Bendzhamen. Yamayskaya rumba
10. M.Ravel'. Fokstrot «Five o'clock»
11. O.Pane. Dialog i tango
12. V.Chernikov. Vechernyaya |
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ID: STR33915 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Guitar Stefano Grondona (guitar)
1. Moment musical for piano in F minor ("Air russe"), D. 780/3 (Op. 94/3)
2. Song Without Words for piano No. 9 in E major, Op. 30/3
3. Song Without Words for piano No. 39 in E flat major, Op. 85/3
4. L' Arlésienne, incidental music for voices & orchestra for the play by Alphonse Daudet: Melodrama
5. Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109
6. Prelude for piano No. 6 in B minor, Op. 28/6, CT. 171
7. Prelude for piano No. 7 in A major, Op. 28/7, CT. 172
8. Douze morceaux (difficulté moyenne), pieces (12) for piano, Op. 40: 5. Mazurka
9. Pas des écharpes (Scarf Dance), air de ballet for piano, Op. 37
10. Romance for piano in F major, Op. 26/1
11. Album für die Jugend No. 6 ("Armes Waisenkind") for piano in A minor, Op. 68/6
12. Kinderszenen No. 4 ("Bittendes Kind"), for piano, Op. 15/4
13. Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7
14. Album für die Jugend (Album for the Young) for piano, Op. 68: 5. Pequeña pieza
15. Kinderszenen No. 2 ("Curiose Geschichte"), for piano, Op. 15/2
16. Album für die Jugend No. 17 ("Kleiner Morgenwanderer") for piano in A major, Op. 68/17
17. Album für die Jugend No. 4 ("Ein Choral") for piano in G major, Op. 68/4
18. Bunte Blätter No. 5 ("Albumblatt II") for piano ("Fata Morgana"), Op. 99/5
19. Albumblätter No. 18 ("Botschaft") for piano, Op. 124/18:
20. Berceuse (Canción leonesa), for guitar
21. Ballade for piano in G minor ("In the Form of Variations on a Norwegian Melody"), Op. 24: Melodia Noruega
22. Aire popular argentino, for guitar
23. L'emigrant, for chorus |
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ID: ACDBR071-2 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Clarinet Debut album by Sven Van De Voorde and ensemble TetraGonist expected Soon!
Presentation Concert March 16 Conservatory Ghent.
January 15th 1941: The premiere of Messiaen’s most performed work ‘Quatuor pour la fin du Temps’ in the theatre shed of Stelag
VIIa, a German work camp near the Polish border.
This work, which consists of 8 parts, centralizes the Apocalypse as it is portrayed in the Gospel of John. The musical language is essentially ‘immatériel, spirituel et catholique’. Messiaen dubbed himself a ‘compositeur- rythmicien’ and, alongside his preoccupation with harmonic development reflected in his wayward use of several modes, he was mainly concerned about the auditor’s listening experience. This concern was expressed , on the one hand, through added values and rhythmical palindromes, and on the other, through his often extremely low paces, always aiming to express the Christian mystical experience that results in eternity.
The ‘Quator pour la fin du Timps’ by O. Messiaen with its unique formation, is the central work around which the young TetraGonist Ensemble has taken shape…Which music, however, could function alongside this masterpiece
and maybe even shed a new light on it? |
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ID: ACDBN093-2 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Piano In Greek, the word signifies the reshaping (ana) of a form or image (Morfe). Since the Renaissance, artists have reshaped and experimented with perspectives on images. However, such reshaping can also occur in music, and this idea constitutes the concept of this album. The starting point of this album are compositions by Chopin (I) and Ravel (II), which are subsequently transformed into contemporary idiom and “perspective”, in the Chopiniata by Clément Doucet (I/1) or Anamorfosi by Salvatore Sciarrino (II/1). |
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ID: ACDBA088-2 CDs: 1 Type: CD |
Kolektion: InstrumentalSubkolektion: Piano Trio Antonín Dvořák, Josef Suk and Bohuslav Martinů. Three big names in the world of classical music, three generations of Czech composers, from romanticism to modernism. But also three masterpieces lesser known to the larger audiences. Besides the most played repertoire for a piano trio, we see it as a challenge to try and find works that are played less often in public. This is how the program grew for this CD full of Bohemian colours, to which we added the famous ‘Gypsy’ trio by Haydn as a precursor from the classical period. We hope you can enjoy it as much while listening as we did during the recordings. |
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