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World music CD DVD shop and Classic distribution
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ID: SIGCD001
CDs: 1
Type: CD
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Kolektion: Choral CollectionThis disc is the first in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" - with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today.
Volume one in the series of nine contains much of the music that Tallis wrote during the reign of Henry VIII. The two early votive antiphons Ave Dei and Ave Rosa open the disc and it concludes with one of Tallis's masterpieces Salve Intemerata.
Unusually for an English composer of the time, Tallis wrote a "parody" mass based on material from Salve Intemerata. Also included are two beautiful miniatures not previously recorded Alleluia: Ora pro nobis and Euge celi porta. This was the first disc to be recorded by Chapelle du Roi and was Signum Records' debut disc in February 1997. |
| 18.00 eur Buy |
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ID: SIGCD002
CDs: 1
Type: CD
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Kolektion: Choral CollectionThis disc is the second in a series of nine covering the complete works of Thomas Tallis.
As the 1540s developed, the Reformation began to take hold and the style of music required from composers such as Tallis altered radically. The large-scale melismatic votive antiphons (for example those on disc 1) were no longer required; the emphasis moved away from Marian devotion to a more syllabic and compact style and, eventually, to settings of English rather than Latin texts. Disc two traces this development from the Jesus antiphon Sancte Deus, to the mass for four voices, the three early English anthems including If ye love me, the Te Deum for meanes and the Elizabethan Magnificat and Nunc dimittis. |
| 18.00 eur Buy |
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ID: SIGCD003
CDs: 1
Type: CD
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Kolektion: RenaissanceThis disc is the third in a series of nine covering the complete works of Thomas Tallis. Not for nothing is Tallis known as the "father of church music" - with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today.
In chronological terms Volume 3 follows on quickly from the Edwardine music of volume 2 with repertoire written for the Marian reversion to Catholicism in 1553. Here we meet Tallis the composer of music for the old English liturgy in both a modern “continental” style and a self-consciously old fashioned English style.
The music includes the extraordinary seven part mass Puer natus est nobis of 1554 and the similarly-scored motet Suscipe Quaeso. A speculative reconstruction Beati immaculati opens the disc and it concludes with the monumental six part votive antiphon Gaude Gloriosa. |
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ID: SIGCD005
CDs: 1
Type: CD
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Kolektion: Choral CollectionPhillip II of Spain died at first light on Sunday 13th September, 1598. In this anniversary year we commemorate the death of this most catholic king with music associated with him during his lifetime, and with the sumptuous six part Requiem mass of Jean Richafort that may well have been used at his obsequiries
The programme begins with a motet written by Gombert for the birth of Philip; other motets include one of Infantas' finest works Domine Ostende, and within the context of the mass is included the celebrated Versa est in luctum by Lobo. |
| 18.00 eur Buy |
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ID: SIGCD010
CDs: 1
Type: CD
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Kolektion: RenaissanceThis disc is the fourth in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" - with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today.
Volumes 4 and 5 both focus on music written for the office hours - the daily services found mainly in the monasteries that eventually suffered at the hands of Henry VIII’s dissolution. Here we have a selection of hymns and Responds from the Henrician and Marian periods, each matched with their accompanying plainchant taken from contemporary sources. |
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ID: SIGCD017
CDs: 1
Type: CD
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Kolektion: Choral CollectionSubkolektion: Choir
Music to commemorate the 400th anniversary of the death of Francisco Guerrero.
This recording celebrates the music of Francisco Guerrero and presents music form his collection of music written for the office of Vespers. The second half of the disc consists of Guerrero's Requiem mass in its original form.
The style of plainchant heard and performed in Spain was rather different from that heard in other European territories. On this recording Chapelle du Roi has followed the instructions for semi-mensural performance given by Guerrero's colleague at Seville, Villafranca. |
| 18.00 eur Temporarily out of stock |
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ID: SIGCD019
CDs: 1
Type: CD
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Kolektion: Choral CollectionSubkolektion: Choir
Signum Records is delighted to present Chapelle du Roi’s eleventh release with the label. This recording offers a selection of music spanning the life and reign of Charles V, undoubtedly the most powerful man in 16th-century Europe, from his early teenage years to his death in 1558.
Charles was a devout Catholic, and maintained a chapel employing some of the most notable composers of the period, including Nicolas Gombert and Thomas Crecquillon, who Charles referred to as ‘the truest Opheus of the age’. Closely identified with the Order of the Golden Fleece, which gave rise to the L’homme armé tradition, Charles V was said to have a musical ear. A great deal of music survives that is associated directly with him and his patronage - a selection of which is presented on this recording.
The music composed for rulers frequently mixed the heavenly with the secular, and a great many pieces were written to celebrate political conquests and occasions within the court. For example, Cristóbal Morales possibly wrote his Missa L'homme armé as an offering for Charles’s wedding to Isabella of Portugal.
Near the end of Charles’s reign, the young composer Orlandus Lassus was just starting his career, and seeking preferment. He offered his secular motet, Heroum Soboles to Charles in the hope that he would join the prestigious Capilla Flamenca. He was unsuccessful, however Charles’s minister, Bishop Granvelle of Arras helped Lassus to secure his position at the court of Duke Albrecht of Bavaria - a musical establishment that was no less magnificent.
The last years of Charles life were troubled by his failure to convert the Protestants back into the Roman Catholic Church, and to lead a universal Catholic empire. His death resounded throughout the Empire, and Don Fernando de las Infantas marked his passing with a setting of Parce Mihi Domine, the best-known of the texts from Matins pro defunctis. |
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ID: SIGCD022
CDs: 1
Type: CD
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Kolektion: RenaissanceChapelle du Roi devote this latest volume to music which was composed by Tallis for use during the reformed services announced in The booke of the common prayer which came into effect on Whitsunday (9th June) 1549. Tallis’s music, together with the associated intonations and Collects (for Easter Day at Mattins and for Christmas Eve), is presented for this recording in the normal liturgical sequence for the day; Mattins, Holy Communion, and Evensong. The recording concludes with Tallis’ nine psalm-tune harmonisations which he contributed to Archbishop Matthew Parker’s Psalter, published in 1567.
Chapelle du Roi give an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. |
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ID: SIGCD029
CDs: 1
Type: CD
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Kolektion: RenaissanceSubkolektion: Choir
Signum Records are delighted to release the seventh volume of their celebrated nine-disc series, presenting the Complete Works of Thomas Tallis (1505 - 1585).
Queen Elizabeth’s reign (1558-1603) was a golden age for the arts. England enjoyed a growing cultural exchange with continental Europe. England’s rich, but essentially conservative pre-Reformation heritage was infused with increasing continental influence and innovations.
Elizabeth I was the fourth monarch to sit on the throne in Thomas Tallis’s lifetime. From the outset of her reign Elizabeth allowed considerable freedom of practice and belief. She was firmly in favour of a vernacular liturgy for the general population, although in her own chapels she preferred a more lavish ceremony to music.
Tallis had witnessed the wholesale destruction of much of England’s church music tradition, however the ever adaptable composer met the challenges of a new liturgy, its new styles and genres, with the imaginative force of a man half his age.
The years of Reformation, and Elizabeth’s protestant settlement, freed the Latin-texted tradition of liturgical propriety, allowing composers to reinvigorate the language and harness it to new, expressive and personal ends. This recording presents Tallis’s Elizabethan Latin motets (which number fifteen). The mighty occasional piece, the forty-voice motet Spem in alium, concludes the disc. |
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