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Royal Philharmonic Orchestra - Uskupení

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Dvorák - The Great Composers

Dvorák - The Great Composers
ID: BRIL92349
Disk: 3
Type: 2CD + 1DVD5
Kolekce: The Great Composers

1 DVD+2 CD's
1 DVD 4:3
Region: (All) PAL
Total time: 00:52:00 Sound Tracks: Dolby Digital 5.1
Subtitles: English, Nederlands, Deutsch, French
35.00 eur Buy

Beethoven - The Great Composers

Beethoven - The Great Composers
ID: BRIL92351
Disk: 3
Type: 2CD + 1DVD5
Kolekce: The Great Composers

1 DVD+2 CD's
1 DVD 4:3
Region: (All) PAL
Total time: 00:52:50 Sound Tracks: Dolby Digital 5.1
Subtitles: English, Nederlands, Deutsch, French

Staatskapelle Dresden, Herbert Blomstedt (conductor)
Berliner Symphoniker, Peter Wohlert (conductor)
Royal Philharmonic Orchestra, Hans Vonk (conductor)
Berliner Symphoniker, Gerard Oskamp (conductor)
35.00 eur Buy

The Best of Tchaikovsky (2 CD Set)

The Best of Tchaikovsky (2 CD Set)
ID: BRIL92363
Disk: 2
Type: CD
Podkolekce: Klavír

25.00 eur Buy

Dvořák - The Great Composers

Dvořák - The Great Composers
ID: BRIL92409
Disk: 3
Type: 2CD + 1DVD5
Kolekce: The Great Composers

1 DVD+2 CD's
1 DVD 4:3
Region: (All) PAL
Total time: 00:52:00 Sound Tracks: Dolby Digital 5.1
Subtitles: English, Nederlands, Deutsch, French

This DVD-documentary introduces us to the music and life of one of the best loved classical composers, Antonin Dvorak. In his immortal melodies and rhythms his beloved Bohemian country comes to full life. The film features documentary episodes interwoven with music and dance tableaux shot among the fairylike forests and countryside. These scenes represent a poetic illustration of the composer’s music and evoke his passion for trains and boats, as well as the Slavic myths and landscapes that inspired his works.
35.00 eur Buy

J. Darias - Obra Sinfónica - Victor Pablo Perez, conductor

J. Darias - Obra Sinfónica - Victor Pablo Perez, conductor
ID: E032
Disk: 1
Type: CD
Kolekce: SymphonyPodkolekce: Orchestr

15.00 eur Temporarily out of stock

Mozart: Le nozze di Figaro, K492

Mozart: Le nozze di Figaro, K492
ID: GFO00162
Disk: 3
Type: CD
Podkolekce: Opera

Recorded live at Glyndebourne on 9 June 1962. A rare recording of a Glyndebourne signature piece from the 1962 Festival with a vintage cast.

3 discs in 300-page hard-bound book.


Mirella Freni (Susanna), Heinz Blankenburg (Figaro), Gabriel Bacquier (Il Conte), Leyla Gencer (La Contessa), Edith Mathis (Cherubino), Carlo Cava (Bartolo), Hugues Cuénod (Basilio), John Kentish (Curzio), Derick Davies (Antonio), Maria Zeri (Barbarina)

Royal Philharmonic Orchestra & The Glyndebourne Chorus, Silvio Varviso

Product Description
Le nozze di Figaro has been Glyndebourne's `signature' opera since the company was founded in 1934. To the social satire of Beaumarchais's original play da Ponte added the sparkling bustle of Italian intrigue, and Mozart a miraculous, fizzing score whose music rings variations on the pains, pleasure and follies of the human heart. This recording of the 1962 Glyndebourne production features a vintage cast with Heinz Blankenburg in the title role, Mirella Freni as Susanna, who had made her international breakthrough at Glyndebourne the previous summer.
**Rare recording of a Glyndebourne signature piece from the 1962 Festival with a vintage cast. **Le nozze di Figaro opened the first Glyndebourne Festival in 1934 and continues to be one of the most performed works at Glyndebourne. **Libretto translated from original Italian into English, French and German. **Extensive accompanying booklet including a commissioned article about the opera and a synopsis in English, French and German. **3 discs in 300-page hard-bound book.

Track list:
CD1
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492
1. Overture
2. Act 1. No. 1. Duettino. Cinque... dieci... venti...
3. Act 1. Recitative. Cosa stai misurando
4. Act 1. No. 2. Duettino. Se a caso madama la notte ti chiama
5. Act 1. Recitative. Or bene; ascolta e taci!
6. Act 1. Recitative. Bravo, signore padrone!
7. Act 1. No. 3. Cavatina. Se vuol ballare, signor contino
8. Act 1. Recitative. Ed aspettaste il giorno fissato alle sue nozze
9. Act 1. No. 4. Aria. La vendetta, oh, la vendetta
10. Act 1. Recitative. Tutto ancor non ho perso
11. Act 1. No. 5. Duettino. Via, resti servita, madama brillante
12. Act 1. Recitative. Ah! Son perduto!
13. Act 1. Recitative. Susanna, il ciel vi salvi...
14. Act 1. No. 7. Trio. Cosa sento! Tosto andate
15. Act 1. Recitative. Basilio, in traccia tosto di Figaro volate
16. Act 1. No. 8. Chorus. Giovani liete, fiori spargete
17. Act 1. No. 9. Chorus. Giovani liete, fiori spargete
18. Act 1. Recitative. Evviva!
CD2
1. Act 2. No. 11. Cavatina. Porgi, amor
2. Act 2. Recitative. Vieni, cara Susanna
3. Act 2. Recitative. Quanto duolmi, Susanna
4. Act 2. No. 12. Canzona. Voi, che sapete
5. Act 2. Recitative. Bravo! Che bella voce!
6. Act 2. No. 13. Aria. Venite, inginocchiatevi
7. Act 2. Recitative. Quante buffonerie!
8. Act 2. No. 14. Trio. Susanna, or via sortite
9. Act 2. Recitative. Dunque, voi non aprite?
10. Act 2. No. 15. Duettino. Aprite, presto, aprite
11. Act 2. Recitative. Oh guarda il demonietta!
12. Act 2. No. 16. Finale. Esci omai, garzon malnato
13. Act 2. No. 16. Finale. Scene 9. Susanna!... Susanna!... Susanna!
14. Act 2. No. 16. Finale. Scene 12. Voi signor, che giusto siete
CD3
1. Act 3. Recitative. Via, fatti core...
2. Act 3. Recitative. Ehi Susanna, ove vai?
3. Act 3. No. 19. Sextet. Riconosci in quest'amplesso
4. Act 3. Recitative. Eccovi, oh caro amico
5. Act 3. Recitative. Andiam, andiam, bel paggio
6. Act 3. Recitative. E Susanna non vien!...
7. Act 3. No. 20. Aria. Dove sono i bei momenti
8. Act 3. Recitative. Io vi dico, signor
9. Act 3. Recitative. Cosa mi narri!
10. Act 3. No. 21. Duettino. Sull'aria
11. Act 3. Recitative. Piegato è il foglio...
12. Act 3. No. 22. Chorus. Ricevete, o padroncina
13. Act 3. Recitative. Eh cospettaccio!
14. Act 3. Recitative. Signor... se trattenete tutte queste ragazze...
15. Act 3. No. 23. Finale. Ecco la marcia, andiamo!
16. Act 3. No. 23. Finale. Scene 14. Amanti costanti
17. Act 4. No. 24. Cavatina. L'ho perduta, me meschina!
18. Act 4. Recitative. Barbarina, cos'hai?
19. Act 4. Recitative. Madre! Figlio!
20. Act 4. Recitative. Presto, avvertiam Susanna
21. Act 4. Recitative. Ha i diavoli nel corpo!
22. Act 4. Recitative. Tutto è disposto
23. Act 4. No. 27. Aria. Aprite un po' quegli occhi
24. Act 4. Recitative. Signora, ella mi disse che Figaro verravi
25. Act 4. Recitative. Madama, voi tremate
26. Act 4. Recitative. Giunse alfin il momento...
27. Act 4. No. 28. Aria. Deh vieni, non tardar
28. Act 4. Recitative. Perfida! E in quella forma meco menti?
29. Act 4. No. 29. Finale. Pian pianin, le andrò più presso
30. Act 4. No. 29. Finale. Scene 12. Ecco qui la mia Susanna!
31. Act 4. No. 29. Finale. Scene 14. Non la trovo
32. Act 4. No. 29. Finale. Final Scene. Gente, gente, all'armi, all'armi!
35.00 eur Buy

Debussy - Pelléas et Mélisande

Debussy - Pelléas et Mélisande
ID: GFO00363
Disk: 3
Type: CD
Podkolekce: Opera

Michel Roux (Golaud), Denise Duval (Mélisande), Anna Reynolds (Geneviève), Guus Hoekman (Arkel), Hans Wilbrink (Pelléas), Rosine Brédy (Yniold) & John Shirley-Quirk (A Doctor)

The Royal Philharmonic Orchestra & The Glyndebourne Chorus, Vittorio Gui

3 discs in 200-page hard-bound book.

Pelléas et Mélisande was Claude Debussy’s only completed opera and the fantastical, imaginary world in which it is set, shimmers with Impressionist colour brought alive by his orchestral sound-world. The opera was first produced at Glyndebourne in 1962 as a tribute to Debussy’s centenary.
The highly acclaimed cast is led by Denise Duval, the pre-eminent French soprano of the day and artistic muse of Poulenc. The renowned conductor, Vittorio Gui, had known Debussy well - indeed Debussy’s stepdaughter attended the first night - and his performances attracted glowing reviews.
This recording is taken from the 1963 revival of the production and was to be the last time Artistic Director, Carl Ebert directed at Glyndebourne. Ebert worked at Glyndebourne for 30 years and of the vast body of his work, this production of Pelléas et Mélisande was considered, by many, to be his best ever.
Previously unreleased recording of Pelléas et Mélisande from the 1963 Glyndebourne Festival conducted by Vittorio Gui with Denise Duval.
This production was the last that Carl Ebert directed at Glyndebourne.
Recorded live at Glyndebourne in the summer of 1963.
Reviews and publicity expected in national newspapers, radio and specialist music magazines.
The first two Glyndebourne releases, Prokofiev’s Betrothal in a Monastery and Mozart’s Le nozze di Figaro, were greeted with critical acclaim.
The 3 CDs are packaged as a hard bound book containing a full libretto translated from the original language in English, Italian and German along with a commissioned article about the opera, and a synopsis in English, French and German.

Track list:
Pelléas et Mélisande, Opera in 5 acts, L. 88
1. Act 1. Scene 3. Il fait sombre dans les jardins
2. Act 1. Scene 3. Hoé! Hisse Hoé! Hoé! Hoé!
3. Act 2. Scene 1. Vous ne savez pas où je vous ai menée?
4. Act 2. Scene 1. C'est au bord d'une fontaine
35.00 eur Buy

Donizetti - L'elisir d'amore, Opera, Op. 72

Donizetti - L'elisir d'amore, Opera, Op. 72
ID: GFO00562
Disk: 2
Type: CD
Podkolekce: Opera

Mirella Freni (Adina), Luigi Alva (Nemorino), Enzo Sordello (Belcore), Sesto Bruscantini (Dulcamara), Emily Maire (Giannetta)

The Royal Philharmonic Orchestra & The Glyndebourne Chorus, Carlo Felice Cillario

Recorded live at Glyndebourne at one performance during June 1962.

The 2CD set is packaged as a 150 page hard bound book containing a full libretto translated into English, French and German along with a commissioned article about the opera, and synopsis in English, French and German.

Designed and Directed by Franco Zeffirelli.

Glyndebourne Opera has a history of trend setting and pioneering opera productions and Donizetti’s opera L’elisir d’amore is no exception. Popular in Donizetti’s own lifetime, L’elisir faded into relative obscurity until the 1890s when Caruso championed the role of Nemorino: his dedication and conviction were such that Covent Garden arranged a production of the opera in 1902. L’elisir was a personal favourite of Caruso’s, so much so that in 1920 he played Nemorino in his last appearance with the Metropolitan Opera. Almost 60 years later, in 1961, it was Glyndebourne who staged a production of L’elisir d’amore designed and directed by Franco Zeffirelli. Such was the success and acclaim for this production that Glyndebourne revived it in 1962, enhancing the production with the addition of the lively and capricious Mirella Freni.

As the press noted: ‘Her [Freni's] looks and her cantabile singing melt, so to speak, on the tongue, and she acts her teasing charades with Sergeant Belcore as if nothing were farther from her mind than cruelty.’ (The Times, August 1962) and ‘Mirella Freni, the sparkling new Adina, rightly allowed real tenderness to shine through vanity and caprice.’ (The Sunday Times, August 1962)

Mirella Freni was first engaged by Glyndebourne in 1960 (and sings Susanna in Glyndebourne’s own recording of Mozart’s Le nozze di Figaro GFOCD00162).

Previously she had also performed at the opera house in Torino in the late 50s and sung with Netherlands Opera in 1959-60 season, but her international break and recognition came by virtue of her role as Adina in this 1962 production.

This recording, released here for the first time, precedes Freni’s EMI recording of L’elisir d’amore with Nicolai Gedda as Nemorino in a Rome Opera production by some 5 years. In this recording, Freni has a cast of equals around her. As the besotted Nemorino, Luigi Alva vividly portrays the wounded innocent with The Daily Telegraph noting in August 1962 that ‘Alva’s Nemorino is a wonderful combination of rustic clowning and exquisitely finished bel canto’, with Enzo Sordello a baritone voice big enough to fill a stadium, providing a fresh virile and bold Belcore. Conductor Carlo Felice Cillario enjoyed a 60 plus year career and is remembered for his masterful interpretations of Puccini, Verdi and Donizetti operas and stands as one of the most singer-friendly conductors of all time.

Track list:
CD:1
L'elisir d'amore, opera
1. No. 1. Preludio
2. Act 1. Coro d'introduzione. Bel conforto al mietiore
3. Act 1. Cavatina. Benedette queste carte!
4. Act 1. Cavatina. Marziale
5. Act 1. Cavatina. Come Paride vezzoso
6. Act 1. Cavatina. Orse m'ami, com'io t'amo
7. Act 1. Recitativo. Intanto, o mia ragazza, occuperò la piazza
8. Act 1. No. 2. Scena. Una parola, o Adina
9. Act 1. Duetto. Chiedi all'aura lusinghiera
10. Act 1. No. 3. Coro. che vuol dire codesta sonata?
11. Act 1. Cavatina. Udite, udite, o rustici
12. Act 1. No. 4. Recitativo. Ardir! Ha forse il cielo mandato
13. Act 1. Scena e Duetto. Voglio dire... Io stupendo Elisir
14. Act 1. No. 5. Recitativo. Caro Elisir! sei mio!
15. Act 1. Duetto. Lallarallara, la, la, la
16. Act 1. Terzetto. Tran, tran... In guerra, ed in amor
17. Act 1. Finale. Quartetto. Signor sargente
18. Act 1. Finale. Quartetto. Adina, credimi, te ne scongiuro...
19. Act 1. Finale. Quartetto. Andiam, Belcore
CD:2
1. Act 2. No. 6. Coro d'introduzione. Cantiamo, cantiam
2. Act 2. Barcaruola a due voci
3. Act 2. Le feste nuziali!
4. Act 2. Ai perigli della guerra
5. Act 2. Qua la mano, giovinotto
6. Act 2. No. 8. Coro. Saria possibile?
7. Act 2. No. 9. Quartetto. Dell'elisir mirabile
8. Act 2. Come sen va contento!
9. Act 2. No. 10. Duetto. Quanto amore!
10. Act 2. No. 11. Romanza. Una furtiva lagrima
11. Act 2. No. 12. Recitativo ed Aria. Prendi, prendi, per me sei libero
12. Act 2. No. 13. Aria e Finale. Marziale
13. Act 2. Finale. Ei corregge ogni difetto
25.00 eur Buy

Bellini - I Puritani

Bellini - I Puritani
ID: GFO00960
Disk: 2
Type: CD
Podkolekce: Opera

Recorded live at Glyndebourne on 5 June 1960.
Includes 3 discs in a 80 page hard-bound book.

Italian conductor Vittorio Gui was Glyndebourne’s musical director from 1951 - 1963, and introduced a strong Italian theme in his programming - Rossini and Bellini amongst them. Bellini’s last and arguably richest opera I Puritani, comes from Glyndebourne’s recording archive, dated 1960 and was the first performance of this opera in Britain since 1887.

This is Joan Sutherland’s debut in the role of Elvira. This young and extraordinary bel canto talent is the heroine in this production. She has a beauty of tone, her voice fluent and eloquent, the intimate confines of the Glyndebourne opera house allowing the warm glowing colour in Sutherland’s voice to radiate.

So acclaimed was this production that it was selected for Glyndebourne’s return to the Edinburgh Festival after a 4 year absence and Sutherland, so in love with her Glyndebourne costumes was she, that she borrowed them from the production for her performances as Elvira at the Gran Teatro del Liceo in Barcelona in December 1960.

Joan Sutherland (Elvira), Nicola Filacuridi (Arturo), John Kentish (Bruno), Giuseppe Modesti (Giorgio), Ernest Blanc (Riccardo), David Ward (Valton) & Monica Sinclair (Enrichetta)

The Royal Philharmonic Orchestra & The Glyndebourne Chorus, Vittorio Gui


Track list:
CD: 1
I Puritani, opera
1. Act 1. Introduzione
2. Act 1. All'erta! All'erta! L'alba apparì,
3. Act 1. O di Cromwell guerrieri
4. Act 1. A festa!
5. Act 1. Recitativo ed Aria. Or dove fuggo io mai?
6. Act 1. Recitativo ed Aria. Ah! per sempre io ti perdei
7. Act 1. Recitativo ed Aria. T'appellan le schiere
8. Act 1. Scena e Duetto. O amato zio, o mio secondo padre!
9. Act 1. Scena e Duetto. Chi mosse a' miei desir il genitor?
10. Act 1. Coro e Quartetto. Ad Arturo onore
11. Act 1. Coro e Quartetto. A te, o cara
12. Act 1. Finale primo. Il rito augusto si compia senza me
13. Act 1. Finale primo. Cavalier
14. Act 1. Finale primo. Figlia a Enrico, a Carlo sposa
15. Act 1. Finale primo. Son vergin vezzosa
16. Act 1. Finale primo. Sulla virginea testa
17. Act 1. Finale primo. Ferma! Invan rapir pretendi
18. Act 1. Finale primo. Dov'è Arturo?
19. Act 1. Finale primo. Oh vieni al tempio, fedele Arturo
20. Act 1. Finale primo. Ma tu già mi fuggi?
CD: 2
1. Act 2. Introduzione e Romanza. Ah dolor! Ah terror!
2. Act 2. Introduzione e Romanza. Cinta di fiori e col bel crin disciolto
3. Act 2. Introduzione e Romanza. E di morte lo stral non sarà lento
4. Act 2. Scena ed Aria. O rendetemi la speme...
5. Act 2. Scena ed Aria. Qui la voce sua soave mi chiamava e poi sparì
6. Act 2. Scena ed Aria. Vien, diletto, è in ciel la luna
7. Act 2. Duetto - Finale secondo. Il rival salvar tu dêi
8. Act 2. Duetto - Finale secondo. Se tra il buio un fantasma vedrei bianco, lieve...
9. Act 2. Duetto - Finale secondo. Riccardo! Riccardo!
10. Act 2. Duetto - Finale secondo. Suoni la tromba
11. Act 3. Uragano
12. Act 3. Romanza e Duetto. Son salvo, alfin son salvo
13. Act 3. Romanza e Duetto. A una fonte afflitto e solo
14. Act 3. Romanza e Duetto. Qual suon!
15. Act 3. Romanza e Duetto. Son già lontani
16. Act 3. Romanza e Duetto. Finì... me lassai
17. Act 3. Romanza e Duetto. Che provò lontan da me?
18. Act 3. Romanza e Duetto. Vieni, vieni fra queste braccia
19. Act 3. Finale terzo. Arturo? Lo sciagurato!
20. Act 3. Finale terzo. Cavalier, ti colse il Dio
21. Act 3. Finale terzo. Credeasi, misera!
22. Act 3. Finale terzo. Suon d'araldi?
25.00 eur Buy

Verdi - Falstaff

Verdi - Falstaff
ID: GFO01260
Disk: 2
Type: CD
Podkolekce: Opera

Recorded live at Glyndebourne in June 1960.
Includes 2 discs in a 153 page hard-bound book.


Glyndebourne’s association with Falstaff commenced in 1955 for a production staged at the Edinburgh Festival, directed by Carl Ebert, designed by Osbert Lancaster and conducted by the great Carlo Maria Giulini.
Falstaff quickly proved to be a favourite and enjoyed 5 revivals in quick succession. This recording comes from Glyndebourne Festivals’ 1960 season, conducted by Vittorio Gui, in what was Geraint Evan’s third outing as Falstaff.
Evans sung in the 1957 and 1958 Glyndebourne restagings, in a role that was to go on and have a role in defining him as a singer, performing Falstaff in numerous productions including Covent Garden and the Metropolitan Opera, and on record under Georg Solti.
On this recording, Geraint Evans is joined by Sesto Bruscantini as Ford, Juan Oncina as Fenton, Ilva Ligabue as Alice Ford, a role she is most remembered for having recorded it twice: under George Solti and Leonard Bernstein, this (new/archive) recording predating both these.
The remaining classic cast member is the Swiss tenor Hugues Cuénod as Dr Caius, his glorious sense of the role's comedy beautifully portrayed here. Hugues Cuénod passed away in December 2010 at the age of 108, having a career that spanned 66 years. He was something of an institution at Glyndebourne, walking the Glyndebourne stage for over 30 years and involved in some 470 performances. At the age of 82 he appeared in Glyndebourne’s production of Le nozze di Figaro and in 1990, at the age of 87, was offered the role of Monsieur Taupe in Capriccio, a role he had sung previously at Glyndebourne, but declined.

Geraint Evans (Sir John Falstaff), Ilva Ligabue (Alice), Anna Maria Rota (Meg), Oralia Dominguez (Mistress Quickly), Sesto Bruscantini (Ford), Mariella Adani (Nannetta), Juan Oncina (Fenton) & Hugues Cuénod (Dr Caius)

The Royal Philharmonic Orchestra, Vittorio Gui



Track list:
CD: 1
Falstaff, opera
1. Act 1. Scene 1. Falstaff!
2. Act 1. Scene 1. Sss. Sei polli: sei scellini
3. Act 1. Scene 1. So che se andiam
4. Act 1. Scene 1. V'è noto un tal
5. Act 1. Scene 1. L'Onore! Ladri!
6. Act 1. Scene 2. Alice, Meg, Nannetta
7. Act 1. Scene 2. 'Fulgida Alice! Amor t'offro...'
8. Act 1. Scene 2. Quell'otre! Quel tino!
9. Act 1. Scene 2. È un ribaldo, un furbo, un ladro
10. Act 1. Scene 2. Psst, Psst. Nannetta, Vienqua
11. Act 1. Scene 2. Falstaff m'ha canzonata
12. Act 1. Scene 2. Torno all' assalto
13. Act 1. Scene 2. Udrai quanta egli sfoggia
14. Act 1. Scene 2. Del tuo barbaro diagnostico
15. Act 1. Scene 2. Qui più non si vagoli
16. Act 2. Scene 1. Siam pentiti e contriti
17. Act 2. Scene 1. Alice è mia!
18. Act 2. Scene 1. Padron; di la cè un serto Maestro Fontana
19. Act 2. Scene 1. Signore, v'assista il cielo!
20. Act 2. Scene 1. Io l'amo e lei non m'ama
21. Act 2. Scene 1. Il diavolo Se lo porti all' inferno
22. Act 2. Scene 1. È sogno? O realtà?
23. Act 2. Scene 1. Eccomi qua. Son pronto.
CD: 2
1. Act 2. Scene 2. Presenteremo un bill, per un tassa
2. Act 2. Scene 2. Giunto all' albergo della Giarrettiera
3. Act 2. Scene 2. Gaei comari di Windsor!
4. Act 2. Scene 2. 'Alfint'ho colto'
5. Act 2. Scene 2. Quand'ero paggio
6. Act 2. Scene 2. Mia signora!
7. Act 2. Scene 2. Il diavolo cavalca
8. Act 2. Scene 2. Vien qua. Che chiasso!
9. Act 2. Scene 2. Al ladro! Al pagliardo!
10. Act 2. Scene 2. Se t'aguanto! Se ti piglio!
11. Act 2. Scene 2. Ned! Will! Tom!
12. Act 3. Scene 1. Ehi! Taverniere!
13. Act 3. Scene 1. Reverenza. La bella Alice!
14. Act 3. Scene 1. Legge. Legge
15. Act 3. Scene 1. Quando il rintocco della mezza notte
16. Act 3. Scene 2. Dal labbro il canto est a siato vola
17. Act 3. Scene 2. Nossignore!
18. Act 3. Scene 2. Una, due, tre, Quattro
19. Act 3. Scene 2. Odo un soave passo!
20. Act 3. Scene 2. Ninfe! Elfi! Silfi!
21. Act 3. Scene 2. Sul fil d'un soffio etesio
22. Act 3. Scene 2. Alto là! Chi va là? Pietà!
23. Act 3. Scene 2. Ruzzola, ruzzola
24. Act 3. Scene 2. Naso vermiglio!
25. Act 3. Scene 2. Ogni sorta di gente dozzinale
26. Act 3. Scene 2. Ah! Ah! Ah! Ah!
27. Act 3. Scene 2. Tutto nel mondo è burla
25.00 eur Buy

 
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