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World music CD DVD shop and Classic distribution
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Compositeur: Anonymous (mid-16th century) |
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ID: ACDBH052-2
CDs: 1
Type: SACD
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Collection:
Instrumental
Subcollection: QuartetWorld renowned recorder quartet, Bassano, take us on a whirlwind tour of Spanish consort music, performed on some remarkable instruments. All exceptionally recorded and available in up to Studio Master 192 quality.
The Bassano Quartet is formed by recorder players Adriana Breukink, Ronald Moelker, Sanne Vos and Wolf Meyer. The quartet plays on historically built consort recorders with a length up to almost 3 meters (worlds largest recorder). These hand built instruments come from the workshop of Adriana Breukink. Her instruments are played by famous players and ensembles all over the world. |
| 18.00 eur Buy |
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ID: ART230
CDs: 1
Type: CD
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Subcollection: Organ1 - Victor Sych (percussions)
3, 4, 17 - Ivan Vikharev (trombone)
7, 18, 19 - Anton Skiba, Filipp Chumaev (saxophones) |
| 17.00 eur Buy |
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ID: IMLCD157
CDs: 1
Type: CD
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Collection:
Vocal Collection
Subcollection: Voice and OrganDaniel Dvortsov, organ
Konstantin Kotelnikov, tenor (3, 5, 6, 10 - 13, 18 - 20)
Еlena Pukhlova, violin (1 - 3, 5, 6, 10 - 20) |
| 15.00 eur Buy |
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ID: IMLCD163
CDs: 1
Type: CD
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Collection:
Organ Collection
Subcollection: OrganIsaiah BRAUDO on the E.F. Walcker organ of the Grand Hall of the Leningrad Philharmonic
Live archival recordings made in 1950-1960" from Anastasia Braudo's archive |
| 15.00 eur Temporarily out of stock |
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ID: IMLCD167
CDs: 1
Type: CD
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Collection:
Organ Collection
Subcollection: OrganLive archival recordings made in the1960th at the Grand Hall of the Leningrad Philharmonic
Anastasia Braudo, harpsichord (1-14), organ (15-25)
Leningrad Chamber Orchestra conducted by Lazar Gozman (1-3) |
| 15.00 eur Buy |
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ID: LIR005
CDs: 1
Type: CD
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Collection:
Instrumental
150 years of English virginals music
Classical Periods: Baroque, Medieval, Renaissance
For this CD David has chosen a programme which reflects the social and political changes taking place in Britain through the 16th and 17th centuries, and which explores the different influences on the repertoire of the virginal, an instrument which was a major part of musical life at that time. Through a chronological survey, he also focuses our attention on the development of the instrument itself and how it adapted to the demands of the changing repertoire.
David makes particular use of the Arpichordium, or ‘bray’ stop: a batten parallel with the bridge, in which are fixed a set of metal hooks that touch the strings when the stop is engaged, resulting in a colourful ‘buzzing’ sound.
The instrument used in this recording was made by Ian Tucker, and is a Muselar virginal, an exact replica of one made in Antwerp in 1620, by Andreas Ruckers.
(English repertoire played on a Ruckers reproduction). |
| 15.00 eur Buy |
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