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KHACHATURIAN, Aram Il'yich - Les compositeurs

   Les titres retrouvé: 29
 

Compositeur: KHACHATURIAN, Aram Il'yich ((1903-1978))
Son vie:
Khachaturian was an Armenian; the son of a poor family living in Georgia.

Alexander Baturin, bass-baritone - Songs and Romances

Alexander Baturin, bass-baritone - Songs and Romances
ID: AQVR369-2
CDs: 1
Type: CD
Collection:
Songs and Romances
Subcollection: Voice, Piano and Orchestra

L. Alemasova, soprano (23)
Folk Orchestra of All-Union Radio, conductor - P. Alekseyev (11, 12)
The chorus and orchestra of the Bolshoi Theatre, conductor - S. Samosud (13)
Chorus master: I. Yukhov, All-Union Radio Symphony Orchestra, conductor - A. Orlov (14, 15)
Chorus master: A. Krynkin, National Symphony Orchestra, conductor - S Sakharov (22, 23)
Piano - S. Stuchevsky (1, 4, 5), A. Mosolov (9, 10), G. Bergholz (2, 3, 6-8, 16-21)

Recorded in: 1936 (3, 11, 12), 1937 (7, 8, 13), 1938 (14-21), 1939 (2, 6, 9, 10), 1940 (22-24), 1946 (1) 1948 (4, 5)
16.00 eur Buy

BASSIONA AMOROSA - Das Besondere Streich Quartett - Virtuoses und Populäres für Vier Kontrabässe

BASSIONA AMOROSA - Das Besondere Streich Quartett -  Virtuoses und Populäres für Vier Kontrabässe
ID: AV2100256
CDs: 1
Type: CD
Collection:
Chamber Music
Subcollection: Piano and Double-bass

Bassiona Amorosa, double bass ensemble
15.00 eur Buy

Felicja Blumental - solo piano - The Spinning Girl - Piano works by Moniuszko, Szymanowski, etc...

Felicja Blumental - solo piano  - The Spinning Girl - Piano works by  Moniuszko,  Szymanowski, etc...
ID: BR0014
CDs: 1
Type: CD
Collection:
Great Performers
Subcollection: Piano

Album Notes:
Includes work(s) by various composers. Soloist: Felicja Blumental.
15.00 eur Buy

THE CLARINET - Historical Recordings - Volume 2

THE CLARINET - Historical Recordings - Volume 2
ID: CC0010
CDs: 1
Type: CD
Subcollection: Music for Clarinet

In the second volume of the well-received series of historical clarinet recordings there are some rare and some well-known gems.

Full listing
La Garde Republicaine: Weber - Concertino
Frederick Thurston: Philip Browne - A Truro Maggot; Charles Lloyd - Gigue; Boldassare Galuppi arr Harold Craxton - Sonata in A minor Op.1 No.3 Largo; Sonata in C major Op.1 No.1 Allegro-Giocoso
Reginald Kell: Schubert - Der Hirt auf dem Felsen
Philip Dreisbach: Spohr - Concerto No.2 Adagio; Mozart - Clarinet Concerto KV622 Adagio
Rene Verney: Graffeuil - Fignolette
Louis Cahuzac: Magani - Mazurka-Caprice
Benny Goodman: Debussy - Premiere Rapsodie
Phil Cardew: Khachaturian - Trio (1st Movt)
Auguste Perier: Bournonville - Fantasie-Impromptu
Prof. Cicotti: Donizetti - Concerto-Maria Padilla
Paolo del Pistoia: Mozart - Quintet KV581 Larghetto
Charles Draper: Brahms - Quintet Op.115 Allegro & Adagio-piu lento. Payne/Bishop: Variations on Home Sweet Home.

Reginald Kell, Benny Goodman, Charles Draper etc. (all clarinet)
15.00 eur Buy

Gulli Björnsson: Arctic Sonata - Steve Cowan guitar

Gulli Björnsson: Arctic Sonata - Steve Cowan guitar
ID: E137
CDs: 1
Type: CD
Collection:
Instrumental
Subcollection: Guitar

15.00 eur Temporarily out of stock

MASTERPIECES OF RUSSIAN MUSIC - KHACHATURIAN - TCHAIKOVSKY - GLINKA - PROKOFIEV

MASTERPIECES OF RUSSIAN MUSIC - KHACHATURIAN - TCHAIKOVSKY - GLINKA - PROKOFIEV
ID: GD254
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

While 19th century Western Europe music includes different styles and schools, there is no such division among Russian composers. During that time Russia marks a period of real national upsurge in enhancing the Russian nation. For this reason, the Russian composers turn back to the traditional village folklore and consider it basic for the future development of Russian musical culture. Glinka was the first to look back to the Russian musical heritage. His works provide a basis for the Russian classical music school. The realistic traditions in his music are followed also by the next generation of composers.
At the end of the 50s and the beginning of the 60s a group of composers (Balakirev, Borodin, Mussorgsky, Rimsky-Korsakov, Cui) created the group “The Five”, dedicated to the production of a specifically Russian brand of music and truthful representation of real life. They follow the path of Glinka and Dargomizhsky in creating works which are closely connected to folk art. However, they also stand out with their brilliant artistic talent and the innovations they made in opera, symphonic and chamber music. Tchaikovsky also shares their outlook. He often uses Russian folklore, but is interested mainly in the inner life of man, and not in large-scale historical dramas. In this sense, his music is more closely related to everyday romance, than to the traditional folklore. Tchaikovsky also creates a new type of ballet music. Music had mainly accompaniment functions before him. He makes it stand on its own in the whole performance. By employing the expressive means of symphonic music, the composer reveals the dramatic content of the work.
20th century composers are also influenced by their predecessors. They develop the folk traditions and enrich them with the expressive means of their time.
15.00 eur Buy

Dancing Pipes Classic Highlights For Organ (Hielscher)

Dancing Pipes Classic Highlights For Organ (Hielscher)
ID: IFO00026
CDs: 1
Type: CD
Collection:
The Great Composers
Subcollection: Dance Music

Bearbeitungen berühmter und heiterer Werke aus Konzert und
Oper:
Saint-Saens: Bacchanale aus "Samson und Dalila; Le Cygne
aus "Karneval der Tiere"
Bizet: Einleitung aus "Carmen"
Tschaikowsky: Tanz der Zuckermandelfee aus
"Nußknacker-Suite"
Grieg: Anitras Tanz aus "Peer-Gynt-Suite" Nr. 1
Pascagni: Intermezzo sinfonico aus "Cavalleria rusticana"
Rossini: Die diebische Elster-Ouvertüre
Mozart: Alla Turca
Schubert: Marche Militaire
Falla: Danse rituelle du feu
Ketelbey: Auf einem persischen Markt
Rimsky-Korsakoff: Der Hummelflug
Elliot: Love song "A toi"
A. Khachaturian: Säbeltanz
Joplin: The Strenuous life (Ragtime); Bethena
(Concert-Waltz)
J. Strauss: Tritsch-Tratsch-Polka

Hans Uwe Hielscher / Orgel der Marktkirche Wiesbaden
21.00 eur Buy

Aram Khachaturjan - Suites from the Ballets Spartacus & Gayane

Aram Khachaturjan - Suites from the Ballets Spartacus & Gayane
ID: MELCD1000649
CDs: 1
Type: CD
Collection:
Ballet Music
Subcollection: Orchestre

16.00 eur Temporarily out of stock

Victor Pikaizen Violin Solo - Weinberg - Levitin - Khachaturian - Mostras - Paganini - J.S. Bach

Victor Pikaizen Violin Solo - Weinberg - Levitin - Khachaturian - Mostras - Paganini - J.S. Bach
ID: MELCD1001000
CDs: 5
Type: CD
Collection:
Instrumental
Subcollection: Violin

Recorded 1958-1983

Bach, J S:
Viola da Gamba Sonatas Nos. 1-3, BWV1027-1029
Partita for solo violin No. 1 in B minor, BWV1002
Partita for solo violin No. 2 in D minor, BWV1004
Partita for solo violin No. 3 in E major, BWV1006

Khachaturian:
Sonata-monologue for violin solo

Levitin:
Variations, Op. 45

Mostras:
Caprice

Paganini:
Caprices for solo violin, Op. 1 Nos. 1-24 (complete)
Variations on 'God save the King', Op. 9
Variations on "Pria ch’io l’impegno"
Introduction & Variations on 'Non piu mesta' from Rossini's 'La Cenerentola'

Weinberg (VAINBERG, Moisei):
Sonata for Solo Violin No. 3, Op. 126
51.00 eur Temporarily out of stock

Khachaturian - Piano Concertо in D-Flat Major & Symphony No. 3 - Yakov Flier (piano)

Khachaturian - Piano Concertо in D-Flat Major & Symphony No. 3 - Yakov Flier (piano)
ID: MELCD1001006
CDs: 1
Type: CD
Collection:
Piano Concerto
Subcollection: Piano and Orchestra

In Khachaturian’s first masterpiece, the outstahding Piano Concerto in D flat major, composed in 1936, his own personal style is organically intertwined with the groundwork of the genre’s history. A priority for the composer was the romantic model of the piano concerto. The key, the sound image and the textural aspect of the concerto’s initial theme are close to the theme of the introduction of Tchaikovsky’s First Piano Concerto, whereas the general principles of the dialogue between the piano and the orchestra are similar to Rachmaninov’s Piano Concertos. That for Khachaturian the main sense for utilizing sonata form is, first of all, in establishing the contrast between the themes-images, we are convinced by the first movement of the Concerto Allegro ma non troppo e maestoso, in D flat major. The monumental romantic main theme, endowed with a flavor of Eastern exoticism, is stated in the first movement three times: at the beginning of the exposition, at the beginning of the recapitulation and after a spacious cadenza, in the place of the coda. Its middle section presents itself as a concentration of piano virtuosity.
16.00 eur Temporarily out of stock

 
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