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Skladatel: SCHUBERT, Franz (Peter) ((1797-1828)) |
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ID: 5060192780017
Disk: 1
Type: CD
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Podkolekce: Vocal and Piano
This debut recital disc from violinist Kaoru Yamada and pianist Sholto Kynoch is a breathtaking performance of a fascinating and beautiful programme based around the Fantasy repertoire for violin and piano. For Schubert’s song Sei mir gegrüsst, they are joined by rising stars of the singing world, soprano Rhona McKail and tenor Nicky Spence. |
| 18.00 eur Buy |
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ID: ACDBH049-2
Disk: 1
Type: SACD
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Kolekce: InstrumentalPodkolekce: Saxophone
Internationally renowned Dutch classical saxophonist performs works by Fauré, Schuber, Scriabin and Folkert Buis.
There is often a thin line between composed and improvised music, and this recording mosaics the two styles to create a cross-section that is beautifully effective in its simplicity - often dramatic and melancholy but also light-footed and assured.
Since Guido of Arrezzo laid the basis for musical notation in the 11th Century, music aficionados have challenged each other with the question: Who is the best composer of all time? Although the answer is normally someone like Bach, Mozart or Schönberg, the composer Shane Fage has offered the most original answer: The writer Charles Dickens. “Your first job is that of the story teller. Owing to the power of Dickens’ language, one could see the room, smell the stale cigar in the ashtray, feel the warmth of the fire, everything.......And that is why Dickens is the best composer I have ever heard.”
Telling stories as the basis for music. An art form from long before Guido of Arrezzo, and one that is effective in all genres. The story behind El Cant dels Ocells (Song of the Birds) is the birth of Christ, until the legendary cellist Pau Casals transformed it into the epitome of the Catalonian soul, “The birds in this piece sing “Peace, Peace, Peace!” And the music is a music that Bach and Beethoven and all the greats would have loved and admired. It is so beautiful, and it is also the soul of my country, Catalonia.” If you compare Schubert’s Adagio, Fauré’s Nocturne and the fourth Prelude of Scriabin with the ancient traditional Catalonian folksong, it is apparent that both Fage and Casals are right. For centuries the craftmanship of composers has been defined by the ability to base music on a simple but very effective melody.
A craft that is being carried on by Folkert Buis. In his “The Devil and the Deep Blue Sea” the requisite beautiful melody is constantly interrupted by cold dissonance and the violence of blows on the piano. In the middle of the piece it seems that peace and quiet have triumphed, but it quickly becomes apparent that this is no more than the eye of the storm.
That the craft is genre-free is obvious in Kirkland’s Dienda. Even in improvised music simplicity is often the trump card, but sometimes a masterwork can be brought to a higher plain by Jazz musicians. uch as Branford Marsalis’ version on his album Royal Garden Blues. His brilliant phrasing of this melody is only surpassed by the story that he brings to it with his own improvisation.
The final composition by Paquito D'Rivera, a musician who has based his carrer on a perfect mix of musical tradition and enjoyment of performance. Ultimately it is all about emotion. |
| 18.00 eur Buy |
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ID: ACDBL081-2
Disk: 1
Type: CD
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Kolekce: Vocal CollectionPodkolekce: Vocal and Piano
The joined forces of music and literature can lift up both arts beyond themselves. It is this promise that impelled many composers throughout the centuries to transcend their talents in the own musical discipline to create a higher reality - whether in the intimate atmosphere of the Lied or in the exhilarating publicity of the opera. A late seventeenth-century testimony of this is the semi-opera King Arthur (1691) by Henry Purcell: In What Power art thou, who from below… chills run down the spine when the allegorical figure Cold Genius shakes off the snow from his cloak at the request of Cupid, who wants to incite a new spring with his love. |
| 18.00 eur Buy |
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ID: AQVR249-2
Disk: 2
Type: CD
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Kolekce: InstrumentalPodkolekce: Klavír
Live in Kiev Philharmonic Society 04. 04. 01954 |
| 28.00 eur Buy |
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ID: AQVR259-2
Disk: 1
Type: CD
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Kolekce: Songs and RomancesPodkolekce: Voice, Piano and Orchestra
The Russian folk instruments orchestra, conductor - Victor Smirnov (1)
Bolshoi theatre orchestra. Conductors: Kirill Kondrashin (21), Vassily Nebolsin (22, 23)
Piano: Abram Makarov (2, 4, 7, 11, 13-17), Naum Walter (3, 5, 6, 12, 19, 20),Sergei Stuchevsky (8-10), Vera Vladimirova (18).
Flute: Alexander Korneev (13, 14)
Recorded in: 1946 (22, 23), 1947 (8-10), 1948 (21), 1949 (7, 13-15, 18), 1952 (4),
1953 (1, 2, 5, 6, 11, 12, 16, 17, 19, 20), 1954 (3) |
| 16.00 eur Buy |
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ID: AQVR260-2
Disk: 1
Type: CD
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Kolekce: Vocal and Opera CollectionPodkolekce: Vocal and Piano
"Leise flehen meine Lieder "
Composers: L. Beethoven, E.Grieg, F. Liszt, S. Moniuszko, F.Schubert,
Piano - A.Makarov (1-3, 20-23, 25), S.Stuchevsky (7, 17-19, 24), N.Walter (4-6, 14-16), D.Lerner (8-13)
Year of recording - 1947 (24), 1948 (1-3, 25), 1952 (22, 23), 1953 (4-6, 14-16, 20, 21), 1954 (7, 17-19), 1963 (8, 9), 1972 (10-13) |
| 16.00 eur Temporarily out of stock |
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ID: AQVR311-2
Disk: 1
Type: CD
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Kolekce: Vocal RecitalPodkolekce: Voice, Piano and Orchestra
Recorded in:
1946 (9), 1947 (6, 7), 1948 (1-3, 12), 1949 (11), 1951 (4, 10), 1952 (5, 8)
Orchestra of All-Union Radio Committee, conducted by Sergey Gorchakov (1 -3)
Piano: Andrey Mytnik (4, 5, 8), Boris Abramovich (10), Matvey Sakharov (6, 7, 9, 11, 12)
TRIO: Matvey Sakharov -piano, Igor Soloduev - violin (24-26), Boris Reentovich - cello (24-26) |
| 16.00 eur Buy |
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ID: AQVR321-2
Disk: 5
Type: CD
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Kolekce: Vocal and Opera CollectionPodkolekce: Voice, Piano and Orchestra
5CD BOX
CD1: AQVR 286-2 - Obukhova Nadezhda - Opera Arias and duets
Composers: Rimsky-Korsakov N. A., Tchaikovsky P. I.
N.Ozerov, tenor (5); An.Ivanov, baritone (Gryaznoy); V.Shevtsov, tenor (Bomeliy) (8);
I.Kozlovskiy, tenor (10) Orchestras of the Bolshoi Theater and All-USSR Radio
Conductors: S.Samosud (2, 3), L.Shteinberg (4, 5), A.Melik-Pashaev (8, 10)
K.Kondrashin (9), A.Orlov (12-16)
Piano: M.Sakharov (1, 11);
Violoncello: F.Luzanov (11)
Recordings dating 1937-1947
CD2: AQVR 287-2 - Obukhova Nadezhda - Italian Songs
Nadezhda Obukhova mezzo-soprano
Composers:Leoncavallo, Tosti
Instruments Ensemble, N.Misailov artdirector
N.Sheremetev violin, V.Bochkov, N.Alexeyev guitar
M.Koreneva, M.Sakharov, O.Boshnyakovich piano
F.Luzanov cello
CD3: AQVR 288-2 - Nadezhda Obukhova, mezzo-soprano - Russian Folk Songs
Composers: (Glinka, Dargomyzhsky, Yakovlev, Gliere, Rimsky-Korsakov, Rubinstein, Mussorgsky, Grechaninov, Ippolitov-Ivanov etc.)
Piano: M. Sakharov (1-5, 7-10, 16, 17, 19, 20); O.Boshnyakovich (18)
Guitar: A.Ivanov-Kramskoi (11, 14)
Trio: L.Furer (violoncello), B.Fishman (violin), M. Sakharov (piano) (6, 15);
I.Soloduev (violin), F.Luzanov (cello), M. Sakharov (piano) (12, 19)
Recorded 1940s-1950s
CD4: AQVR 289-2 - Nadezhda Obukhova, mezzo-soprano - Romances and songs
Composers: (Brahms, Massenet, Pergolesi, Gounod, Schubert, Schumann, Faure, Wagner, Godart etc.)
Piano: M.Sakharov; Violoncello: F.Luzanov (2)
Instrumental trio: I.Soloduev (violin), B.Reentovich (violoncello), M.Sakharov (piano) (15);
I.Soloduev (violin), F.Luzanov (violoncello), M.Sakharov (piano) (18, 19)
Neapolitan ensemble, conducted by N.Misailov (20)
Recordings dating 1930-50’s.
CD5: AQVR 290-2 - Nadezhda Obukhova, mezzo-soprano - Russian romances
Composers: (Melio, Curtis, Denza, Tosti, Leoncavallo etc.)
Piano: M.Sakharov; Violoncello: F.Luzanov (2)
Instrumental trio: I.Soloduev (violin), F.Luzanov (violoncello), M.Sakharov (piano) (17)
Recordings dating: 1930-50’s. |
| 55.00 eur Buy |
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