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TRUSLER, Matthew - Interprets

   Found CDs: 3
 

Carl Davis: Heroines in Music

Carl Davis: Heroines in Music
ID: CDC010
CDs: 1
Type: CD
Subcollection: Orchestra

1. THE FRENCH LIEUTENANT’S WOMAN
Carl Davis’s score for The French Lieutenant’s Woman won both BAFTA and Novello Awards in 1981. The film made international stars of Meryl Streep and Jeremy Irons, supported by the soaring romanticism of the music. This new suite runs the full gamut of emotions : despair to its ecstatic conclusion.
2. HOTEL DU LAC
Anita Brookner’s 1983 Booker Prize winning award was the inspiration for this 1986 BBC dramatization starring Anna Massey and Denholm Elliott. This new ‘Nocturne’ takes the raw materials of Carl Davis’s original score and shapes them into a touching and moody distillation of the original novel. Features Amy Dickson (alto saxophone).
3. PRIDE AND PREJUDICE
Voted No. 1 in the Radio Time’s ‘People’s Favourite Competition’, this 1995 series changed the face of dramatizations of classic novels. Carl Davis’s witty and expressive score matched the brilliance of Jane Austen’s scintillating text. His new suite in three movements introduces the family, their critics, and the fabulous love story of Elizabeth Bennett and Mr Darcy. Melvyn Tan who played the forte piano on the original soundtrack repeats his stunning performance on a full scale Steinway.
4. CRANFORD
This delightful series, filmed in 2007 and 2009 starring Judi Dench and Eileen Atkins, is the source for this new suite of selections from Carl Davis’s panoramic score based on Mrs Gaskell’s charming novel. From the high life of Hanbury Castle to the gossiping ladies of Cranford, all held together by Carl Davis’s spellbinding music.
18.00 eur Buy

ID:

eur Temporarily out of stock

Julian Dawes - Chamber Works

Julian Dawes - Chamber Works
ID: CC5004
CDs: 1
Type: CD
Subcollection: Piano and Cello

The chamber works on this CD by Julian Dawes give a representative sample of a compelling selection from his uniquely wide-ranging and varied output,the continuing traditional English style of Elgar, Vaughan Williams and Finzi but with its own individual voice and orchestral sound.

Amongst his 20th century English influences are the pastoralism and extended tonality of Herbert Howells, the richness of Walton, the elegant delicacy of Berkeley and the jazzy impetus of Rodney Bennett; wider European influences include the caustic irony of Shostakovich and Kurt Weil, and the rhythmic impetus of Prokofiev and Stravinsky. Yet Dawes welds from these influences an individual voice that is both distinctive and refreshing, displaying assured craftsmanship and characterful invention. (Malcolm Miller 2008)
15.00 eur Buy

 
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