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World music CD DVD shop and Classic distribution
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ID: SIGCD018 CDs: 1 Type: CD |
Kolektion: Sacred MusicSubkolektion: Sacred Songs of Sorrow Sacred songs from Protestant Germany of the late 16th and early 17th century
In Lutheran music the viol became particularly associated with the affect of lamento. This finds its roots in the string accompaniments to Italian operatic laments-a genre which had become much in vogue after Monteverdi’s second opera Arianna.
On this disc of music from Protestant Germany Charivari Agréable is joined by the distinguished tenor, Rodrigo del Pozo. |
18.00 eur Buy |
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ID: SIGCD018 CDs: 1 Type: CD |
Kolektion: Sacred MusicSubkolektion: Sacred Songs of Sorrow Sacred songs from Protestant Germany of the late 16th and early 17th century
In Lutheran music the viol became particularly associated with the affect of lamento. This finds its roots in the string accompaniments to Italian operatic laments-a genre which had become much in vogue after Monteverdi’s second opera Arianna.
On this disc of music from Protestant Germany Charivari Agréable is joined by the distinguished tenor, Rodrigo del Pozo. |
18.00 eur Buy |
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ID: SIGCD007 CDs: 1 Type: CD |
Kolektion: BaroqueSubkolektion: String instruments Two Upon a Ground explores the peculiarly English approach to writing instrumental variations known as 'divisions'. The style is principally known for the way it enables a player to demonstrate both a virtuosic command of the instrument and an imaginative understanding of the musical possibilities inherent in a short musical phrase.
The repertoire heard here is begins with the undisputed ,aster of the genre, Christopher Simpson, and continues with further virtuosic duets and divisions by Jenkins, Lawes, Tomkins and Purcell. |
18.00 eur Buy |
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ID: SIGCD007 CDs: 1 Type: CD |
Kolektion: BaroqueSubkolektion: String instruments Two Upon a Ground explores the peculiarly English approach to writing instrumental variations known as 'divisions'. The style is principally known for the way it enables a player to demonstrate both a virtuosic command of the instrument and an imaginative understanding of the musical possibilities inherent in a short musical phrase.
The repertoire heard here is begins with the undisputed ,aster of the genre, Christopher Simpson, and continues with further virtuosic duets and divisions by Jenkins, Lawes, Tomkins and Purcell. |
18.00 eur Buy |
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ID: SIGCD020 CDs: 1 Type: CD |
Kolektion: Chamber MusicSubkolektion: Chamber Ensemble "Her Majesty lay upon her back, with one hand in the bed and the other without. The bishop kneeled down by her, and examined her first of her faith: and she so punctually answered all his several questions by lifting up her eyes and holding up her hand, as it was a comfort to all beholders. Then the good man told her plainly, what she was and what she was to come to, and though she had been long a great Queen here upon earth, yet shortly she was to yield an account of her stewardship to the King of Kings. Between one and two of the clock on Thursday morning, he brought me word the Queen was dead."
Thus wrote the queen’s cousin Sir Robert Carey, recording in his memoirs the events of March 23rd-24th 1603, and the end of an era in England’s history. Earlier, as Elizabeth I lay dying she called for her musicians to play around her bed so that “she may die gaily as she had lived, and that the horrors of death might be lessened; she heard the music tranquilly until her last breath”.
As the 400th anniversary of her death approaches, The Queen’s Goodnight commemorates the music of the court of Queen Elizabeth I. The queen’s professional musical establishment was in some ways more modest than that of her father, Henry VIII, but she brought together the finest talent in the land and created collections of consort, lute and keyboard music that is still renowned today.
charivari agréable demonstrate representative facets of this wonderful 16th century repertory. The pieces are selected with a passionate attention to detail and charivari agréable have included music that depicts the life of the queen: music from the court, an exhilarating depiction of a hunt, celebrations from the queen’s coronation and the moving laments on her death. |
18.00 eur Temporarily out of stock |
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ID: SIGCD026 CDs: 1 Type: CD |
Subkolektion: Chamber Ensemble The paintings of Thomas Gainsborough (1727-88) constitute one of the most poignant and evocative icons of Georgian England; he painted supremely accomplished portraits of a wide social spectrum, and landscapes which capture the verdancy of England prior to the Stygian advance of the Industrial Revolution.
Gainsborough’s own creativity sought expression in music as much as in painting, which was unusual in an age when musical ability was mainly considered the preserve of the ladies.
For this musical tribute to Gainsborough, we have gathered together pieces by several of his friends; Abel, J.C. Bach, Giardini, Linley & Straube. |
18.00 eur Buy |
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ID: SIGCD008 CDs: 1 Type: CD |
Kolektion: Chamber MusicSubkolektion: Chamber Ensemble Orchestral transcriptions and chamber music by Jean-Baptiste Forqueray (1699-1782), taken from Pičces de viole (Paris 1747) and inspired in part by the Roman God, Jupiter
Charivari Agréable Simfonie:
Susanne Heinrich - Pardessus de Viole
Oliver Webber - Violon
Rachel Stott - Alto
Susanna Pell - Basse de Viole
Gareth Deats - Violoncelle
Lynda Sayce - Théorbe
Kah-Ming Ng - Clavecin |
18.00 eur Buy |
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ID: SIGCD008 CDs: 1 Type: CD |
Kolektion: Chamber MusicSubkolektion: Chamber Ensemble Orchestral transcriptions and chamber music by Jean-Baptiste Forqueray (1699-1782), taken from Pičces de viole (Paris 1747) and inspired in part by the Roman God, Jupiter
Charivari Agréable Simfonie:
Susanne Heinrich - Pardessus de Viole
Oliver Webber - Violon
Rachel Stott - Alto
Susanna Pell - Basse de Viole
Gareth Deats - Violoncelle
Lynda Sayce - Théorbe
Kah-Ming Ng - Clavecin |
18.00 eur Buy |
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