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NESTERENKO, Eugene - Interpreti

   Nalezeno titulů: 6
 

Russian and Bulgarian Spiritual Music - Chesnokov - Christov - Dinev and etc... (Live)

Russian and Bulgarian Spiritual Music - Chesnokov - Christov - Dinev and etc... (Live)
ID: MELCD1001701
Disk: 1
Type: CD
Kolekce: Sacred MusicPodkolekce: Voice and Choir

16.00 eur Temporarily out of stock

Russian Troika (Vot Mchitsja Trojka) - E. Nesterenko (bass) - Russian Folk Instruments Orchestra -N. Nekrasov, conductor

Russian Troika (Vot Mchitsja Trojka) - E. Nesterenko (bass) - Russian Folk Instruments Orchestra -N. Nekrasov, conductor
ID: MELCD2000520
Disk: 1
Type: CD
Kolekce: Ruská lidová hudba

16.00 eur Temporarily out of stock

FROM THE HISTORY OF THE TCHAIKOVSKY COMPETITION. PHONODOCUMENTS

FROM THE HISTORY OF THE TCHAIKOVSKY COMPETITION. PHONODOCUMENTS
ID: MELCD1002349
Disk: 10
Type: CD
Podkolekce: Piano and Orchestra

BOX set
Firma Melodiya presents a boxed set titled “International Tchaikovsky Competition. Phonographic Documents (1958-1986)”.
The first ever Soviet music tournament instantly became one of the world’s most prestigious competitions. The piano jury was chaired by Emil Gilels for many years, while David Oistrakh and Mstislav Rostropovich headed the violin and cello juries, respectively. Alexander Sveshnikov, an outstanding choirmaster and chancellor of the Moscow Conservatory, was a chairman of the vocal jury. For the fifty years of its existence, the Tchaikovsky Competition discovered numerous distinguished performers such as Van Cliburn, Vladimir Ashkenasi, Grigory Sokolov, Eliso Virsaladze, John Lill, Michail Pletnev, Viktor Tretiakov, Gidon Kremer, Vladimir Spivakov, Oleg Kagan, Natalia Gutman, Elena Obraztsova, Maria Gulegina, Vladimir Atlantov, Yevgeny Nesterenko and Paata Burchuladze to name but a few. The set captures the brightest moments of eight Tchaikovsky Competitions in all categories. The recordings, including a number of never-before-released ones, were made immediately during the competition auditions
and at the prize-winners’ recitals. The release is dedicated to the 175th anniversary of the great Russian composer.
48.00 eur Buy

Mussorgsky - Without Sun - Songs and Dances of Death - Vocal Art Masterpieces - E. Nesterenko, bass - V. Krainev, piano

Mussorgsky - Without Sun - Songs and Dances of Death - Vocal Art Masterpieces - E. Nesterenko, bass - V. Krainev, piano
ID: MELCD1001401
Disk: 1
Type: CD
Kolekce: Vocal CollectionPodkolekce: Vocal and Piano

The great Russian bass Eugene Nesterenko sings Mussorgsky’s timeless song cycles. Possibly the greatest cycles for the bass voice ever composed, Nesterenko gives full blooded Russian performances. He is joined by pianist Vladimir Ktaninev.

1, 15 - Text by Modest Mussorgsky
2 - Text by Aleksey Koltsov
3 - Text by Nikolai Nekrasov
4 - Text by Alexander Strugovshchikov
5 - 14 - Text by Arseny Golenishchev-Kutuzov
16.00 eur Temporarily out of stock

NIKOLAI RIMSKY-KORSAKOV - MOZART AND SALIERI - THE NOBLEWOMAN VERA SHELOGA

NIKOLAI RIMSKY-KORSAKOV - MOZART AND SALIERI - THE NOBLEWOMAN VERA SHELOGA
ID: MELCD1002344
Disk: 1
Type: CD
Kolekce: Opera CollectionPodkolekce: Opera

Firma Melodiya presents an album with two rare operas of Nikolai Rimsky-Korsakov - The Noblewoman Vera Sheloga and Mozart and Salieri.
Both of the one-act operas were written in the second half of the 1890s, in the period of the great Russian composer’s new heyday. Mozart and Salieri continued a peculiar tradition that was begun by Alexander Dargomyzhsky in The Stone Guest, a musical incarnation of Alexander Pushkin’s Little Tragedies. Similar to its predecessor, Rimsky-Korsakov did not change anything in Pushkin’s text turning the opera into a continuous dialogue of two characters. The citation from Mozart’s Requiem wonderfully fits into the musical development of the opera that is based on a striking contrast between the descriptions of the symbolically generalized figures - the Genius and the Envious One.
The Noblewoman Vera Sheloga emerged as an addition (prologue) to Rimsky Korsakov’s opera The Maid of Pskov that he worked on in those years. The scale and certain independence of this musical and dramatic picture that tells a story of secret love between the young Ivan the Terrible and a young boyarynia, as well as the difference in the author’s musical style that evolved over twenty years of his artistic career, induced him publish The Noblewoman Vera Sheloga as an individual work.
Rimsky-Korsakov’s operas were recorded in 1986 by the company of the USSR Bolshoi Theatre led by the prominent conductor Mark Ermler starring Tamara Milashkina, Nina Grigorieva, Evgeny Nesterenko, Alexander Fedin and other leading soloists of the theatre.


Characters and performers:
Mozart - Alexander Fedin, tenor
Salieri - Evgeny Nesterenko, bass
A blind fiddler
S. Girshenko, violin solo
V. Chasovennaya, piano
The USSR State Choir conducted by I. Agafonnikov
The Orchestra of the USSR StateAcademic Bolshoi Theatre
Conductor - Mark Ermler
Recorded in 1986.


Characters and performers:
Boyar Ivan Semyonovich Sheloga -Vladimir Karimov, bass
Vera Dmitriyevna, his wife - Tamara Milashkina, soprano
Nadezhda Nasonova, Vera’s sister -Olga Teryushnova, mezzo-soprano
Prince Yuri Ivanovich Tokmakov -Vladimir Karimov, bass
Vlasyevna, Nadezhda’s nurse -Nina Grigorieva, contralto
The Orchestra of the USSR StateAcademic Bolshoi Theatre
Conductor - Mark Ermler
Recorded in 1985.
16.00 eur Buy

N. Rimsky-Korsakov - The Tsar's Bride, Opera in Four acts - Fuat Mansurov, conductor

N. Rimsky-Korsakov - The Tsar's Bride, Opera in Four acts - Fuat Mansurov, conductor
ID: MELCD1001876
Disk: 2
Type: CD
Kolekce: Opera CollectionPodkolekce: Voices and Orchestra

In 1849, the translator, poet and playwright Lev Mey (1822-1862) wrote a drama The Tsar’s Bride based on one of the passages from the era of Ivan the Terrible’s reign. In 1868, Mily Balakirev drew Nikolai Rimsky-Korsakov’s attention to Mey’s work. However, the composer set to creating an opera based on the plot of The Tsar’s Bride only thirty years later. He began his work in February 1898 and completed it in ten months. Almost without changing Mey’s plot, Rimsky-Korsakov enhanced the dramatic qualities of The Tsar’s Bride with his musical means. The opera was premiered in the autumn of 1899 at a Moscow theatre of the industrialist and patron Savva Mamontov with Mikhail Ippolitov-Ivanov being the conductor. The Tsar’s Bride, a sample of realistic drama, is one of the most popular works for musical theatre at the present time. The performance of 1973 presented on these CDs brought together great artists of Russian stage - Evgeny Nesterenko, Galina Vishnevskaya, Vladimir Atlantov, Irina Arkhipova and others.
29.00 eur Temporarily out of stock

 
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