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Renaissance, page 9

   Les titres retrouvé: 92
 

The Delightful Companion - Jan Devlieger -Marcel Ketels

The Delightful Companion - Jan Devlieger -Marcel Ketels
ID: ACDBE070-2
CDs: 1
Type: CD
Collection:
Renaissance
Subcollection: Flute

At the end of the seventeenth century, Delightful, Genteel and Most Pleasant were used to describe the company
of the Pipe Recorder or Commen Flute in many English manuals with solo music for lovers of the recorder. What can increase musical pleasure more than playing the beloved recorder? Playing the recorder with someone very dear to you. So The Delightful Companion has a double meaning for me …
For this CD, we chose duets that were originally composed for two recorders and music that mentions the recorder as one of the possible instruments. The CD opens with a piece for only two recorders, An Italian Ground from The Delightful Companion (Londen, 1686). Its recurring bass theme was usually richly elaborated, so that, paradoxically, the abbreviation arr. (arrangement) features in the CD’s table of contents.
15.00 eur Buy

Bassano Quartet - Torres del Alma

Bassano Quartet - Torres del Alma
ID: ACDBL025-2
CDs: 1
Type: CD
Collection:
Renaissance
Subcollection: Quartet

Tracklisting
1. Riu, riu, chiu 01:30
2. Amor con Fortuna 01:30
3. Con Amores, la mi Madre 01:59
4. Pase el agua, ma Julieta / Oy comamos y bebamos 02:18
5. Danza Alta 03:05
6. Ay triste que vengo 02:21
7. Triste Espagna 01:43
8. Ay linda Amiga 02:35
9. Diferentias sobre la Pavana Italiana 01:58
10. Pavana con su glosa 02:06
11. Sancta et immaculata virginitas 05:08
12. Una Canzon Francese doulce memoire 02:55
13. Dulce memoire (glosado a cuatro) 02:56
14. Nino Dios dámor herido 02:18
15. Desde las torres del alma 02:38
16. Hespanoleta 02:05
17. Tiento XVII De Pange Lingua punto alto 03:41
18. Tiento de Segundo tono 03:46
19. Un Sarao de la Chacona 01:29
20. Canto Llano de la Inmaculada de la Virgen Maria 03:12
21. Folias con 20 diferencias 05:12
15.00 eur Buy

Her Heavenly Harmony - Profane Music from the Royal Court - The Queen's Six

Her Heavenly Harmony  - Profane Music from the Royal Court - The Queen's Six
ID: RES10164
CDs: 1
Type: CD
Collection:
Renaissance
Subcollection: Choir

The Queen's Six - Daniel Brittain & Timothy Carleston (countertenors), Nicholas Madden & Dominic Bland (tenors), Andrew Thompson & Simon Whiteley (basses)
Following on from their acclaimed debut album (Music of the Realm - RES10146), a capella vocal sextet The Queen’s Six return with a captivating exploration of secular jewels by the same six composers associated with the Tudor and Jacobean royal courts featured on that earlier recording - Thomas Tomkins, William Byrd, Thomas Morley, Thomas Weelkes, William Byrd & Thomas Tallis.

Themes as diverse as royalty, balletts, birds, the natural world, dedications and love & death serve to celebrate the immense range of this golden age of English music.

Following the critical acclaim of their debut album ‘Music of the Realm’, The Queen’s Six return to Resonus with a programme of secular madrigals from the same six English Renaissance composers all associated with the royal court of Queen Elizabeth I, from whom the group take their name.

Entitled ‘Her Heavenly Harmony: Profane Music from the Royal Court’, The Queen’s Six present a recital of well- and lesser-known works by Morley, Weelkes, Tomkins, Byrd, Tallis and Gibbons, with various themes of ‘Royalty’, ‘Planets’, ‘Ballets’, ‘Birds and Flowers’, ‘Dedications’ and ‘Love and Death’.
15.00 eur Buy

As our sweet Cords with Discords mixed be - English Renaissance Consort Music - Consortium5

As our sweet Cords with Discords mixed be - English Renaissance Consort Music - Consortium5
ID: RES10155
CDs: 1
Type: CD
Collection:
Renaissance
Subcollection: Quintet

Consortium5 (Oonagh Lee, Kathryn Corrigan, Gail Macleod, Roselyn Maynard, Emily Bloom)
Making their Resonus debut is the unique and innovative recorder consort Consortium5.

Presenting a diverse and compelling programme of consort music from the English Renaissance period, the group chart the early development of instrumental music in England, with a plethora of both well and lesser-known composers from the period including such luminaries as Robert Parsons, William Byrd, John Dowland & Christopher Tye alongside Edward Blankes, Jerome Bassano, William Brade and Antony Holborne among many others.

This fascinating programme is performed on the group’s exquisite matching set of ten Bassano recorders by Adriana Breukink.
15.00 eur Buy

Philippus de Monte - Ensemble Orlando Fribourg - Laurent Gendre

Philippus de Monte - Ensemble Orlando Fribourg - Laurent Gendre
ID: CLAVES502712
CDs: 1
Type: CD
Collection:
Chamber Music

Philippus (or Philippe) de Monte and Roland de Lassus are considered the two central figures in the golden age of Franco-Flemish polyphony that originated at the beginning of the 15th century and that determined stylistic trends in Western Europe for nearly two centuries. De Monte was Kapellmeister at the Habsburg court in Vienna from 1568 until his death in 1603 (at the very respectable age of 82); before that he had made a name for himself in Italy and in England - where he met William Byrd but was unhappy working at the court. Extremely prolific, his madrigals are characterized not only by an exquisite mastery of polyphony but also by a special attention to the sung text - he was a disciple of the humanist movement and put particular emphasis on the rhetorical resources of language. His sacred music, also of great import, consists primarily of masses and motets and is comparable to Palastrina’s music. His some 250 motets were written in a style that could be described as typically “Renaissance”. His chansons, fewer in number, took their texts from brilliant Pierre de Ronsard, the preferred poet of the time. The Ensemble Orlando from Fribourg under the direction of Laurent Gendre on their first recording for Claves render homage to all the contrasting facets of Philippus de Monte’s works. Richly documented, the booklet was prepared under the direction of Ignace Bossuyt, professor in Louvain and renowned expert for Franco-Flemish polyphonic music.
16.00 eur Temporarily out of stock

P. Aretino - Curtisanengespräche (I Ragionamenti) - Freche Erotik der Renaissance

P. Aretino - Curtisanengespräche (I Ragionamenti) - Freche Erotik der Renaissance
ID: AV2200105
CDs: 2
Type: CD
Collection:
Renaissance

Regie: Siegfried Wittlich
Hildegard Alex (Performer), Ursula Werner (Performer), Barbara Dittus (Performer)
17.00 eur Buy

C. Monteverdi - Vespro della Beata Vergine

C. Monteverdi - Vespro della Beata Vergine
ID: RK9605
CDs: 2
Type: CD
Subcollection: Cantatas

Late Renaissance and Early Baroque

Die »Marienvesper« gehört zu den meistaufgeführten Werken Monteverdis - so ist diese Produktion nicht die erste und wird auch nicht die letzte Aufnahme der gewaltigen frühbarocken Vespermusik zum Lobe Marias sein. Was die vorliegende Einspielung auszeichnet, ist die unvergleichliche Konzertatmosphäre, die durch den Livemitschnitt einer Aufführung im Meißner Dom entstand - gleichwohl mit höchster technischer Perfektion und musikalischem Glanz seitens der Sänger und Musiker. Der Hörer erhält ein plastisches Bild des konzertierenden Miteinanders von Vokal- und Instrumentalstimmen, der hochvirtuosen Stücke für Solosänger, der großartigen doppelchörigen Partien und nicht zuletzt der reichen Farbigkeit des historischen Blas-, Streich- und Zupfinstrumentariums. Vom ersten bis zum letzten Ton ist man gefesselt vom starken musikalischen Zug der Aufführung, der durch nichts gebremsten Ekstase der polyphonen Sätze und der äußerst sinnlichen Darstellung der solistischen Stücke.
Die Akustik des Meißner Doms trägt der Vielschichtigkeit des Werkes Rechnung und läßt die überwältigende Klangfülle des Markusdoms in Venedig erahnen, wo Monteverdi bis zu seinem Tode Kapellmeister war und wo mit großer Sicherheit auch seine »Marienvesper« erklang.

CD 1
I. Intonatio
Deus in adjutorium
Domine ad adjutorium
Antiphona ad Psalmum 109
II. Psalmus 109
Dixit Dominus
III. Concerto
Nigra sum, sed formosa
Antiphona ad Psalmum 112
IV. II. Psalmus 112
Laudate pudru Dominum
V. Concerto
Pulchra es, amica mea
Antiphona ad Psalmum 121
VI. Psalmus 121
Laetatus sum
VII. Concerto
Duo Seraphim
Antiphona ad Psalmum 126
VIII. Psalmus 126
Nisi Dominus
IX. Concerto
Audi coelum
Antiphona ad Psalmum 147
X. Psalmus 147
Lauda Jerusalem Dominum

CD 2
XI. Sonata sopra 'Sancta Maria, ora pro nobis'
XII. Hymnus
Ave Maris Stella
XIII. Magnificat
19.00 eur Temporarily out of stock

Luys de Narvaez - Los seys libros del delphin de musica de cifra para taner vihuela

Luys de Narvaez - Los seys libros del delphin de musica de cifra para taner vihuela
ID: E100-101
CDs: 2
Type: CD
Collection:
Renaissance
Subcollection: Voices

22.00 eur Buy

This World's Globe - With the Musicians and Actors of Shakespeare's Globe Theatre London

This World's Globe - With the Musicians and Actors of Shakespeare's Globe Theatre London
ID: SIGCD077
CDs: 2
Type: CD
Collection:
Renaissance
Subcollection: Historical Instruments

This selection recreates the sounds of the Globe Theatre of London with spoken word material from Shakespeare and seventeenth-century music, both performed in the manner of the era.

Celebrating Elizabethan and Jacobean Theatre brought to life by the actors and musicians of Shakespeare's Globe Theatre London, with words and music recreating the unique Globe experience. Actors Liam Brennan, Tom Burke, John McEnery and Mark Rylance are featured in their performances as Romeo, Orsino, John of Gaunt and King Richard II.

Also featuring material from Twelfth Night, Measure for Measure and Much Ado About Nothing with introductions in the original pronounciation of Shakespeare's time, all music played on period instruments plus the special treat of excerpts of live performances on the Globe stage.

Disc 1 - The Play's The Thing is a whistle-stop journey, a sampler and guide to 'hearing at the Globe' - words and music combining to tell tales of adrent lovers, noble men, earthy peasants and bitter kings. Audience and actor can be heard together in some rare recordings of live performances from the Globe stage itself.
Disc 2 - Groundlings to Gods assembles a wide range of music from Shakespeare's time. The collection reflects the hierarchy of Elizabethan and Jacobean society, which the Globe's architecture itself embodies - music of the gods, tears of the muses, fanfares for kings and princes, courtly dances, music for banquets, songs, exuberant jibs and bawdy entertainment for taverns and brothels.

William Shakespeare's original playhouse is brought to life on disc with music and words recreating the unique Globe experience. With a wealth of historical fanfares, dances and songs played by the Mucicians of Shakespeare's Globe on period instruments, the company performs material from acclaimed productions including Romeo and Juliet, Richard II, Twelfth Night, Measure for Measure and Much Ado About Nothing.
25.00 eur Buy

Thomas Tallis: The Complete Works - Vol. - The Instrumental Music and Songs

Thomas Tallis: The Complete Works - Vol. - The Instrumental Music and Songs
ID: SIGCD042
CDs: 2
Type: CD
Subcollection: Songs

The final release explores the most obscure and enigmatic corner of Tallis’s output - his secular music. His profession as church musician and member of the Chapel Royal did not require him to write secular songs or pieces, yet some works may have been written for the Tudor court. Other works are thought to have been written for generations of choir boys, who were assisted with their training by the composer. Plays and performances outside of the choirboy’s obligation were popular, as well as instrumental consort music and keyboard pieces associated with their training. Tallis is likely to have been given the opportunity to write his secular works for these occasions.

Tallis’s music was admired and used by others far beyond the Chapel Royal and the court. Some of his intended sacred choral works are included on this recording in other guises, arranged by musicians with performance intentions very different to that of the church. His reputation of greatness amongst his friends and contemporaries is reflected in William Byrd’s elegy Ye sacred muses, where he echoes the sentiments of others with the words "Tallis is dead, and Music dies". This musical tribute has justifiably become one of Byrd’s most popular works.

Volume 9 of The Complete Works is a double CD release, marking the end of this popular series. Alistair Dixon has realised the project, and directed his choir Chapelle du Roi throughout the earlier volumes. Musicians featured on this final disc are: Andrew Benson-Williams (organ), Laurence Cummings (virginals), the ensemble Charivari Agréable, Lynda Sayce (lute), and Stephen Taylor (counter tenor)
25.00 eur Buy

 
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