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ID: SN8812 Disk: 1 Type: CD |
Podkolekce: Voices |
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ID: DCD34115 Disk: 1 Type: CD |
Kolekce: RenaissanceThe Marian Consort
Rose Consort of Viols
Rory McCleery, conductor
For its second Delphian recording, The Marian Consort have leafed through the beautifully calligraphed pages of the partbooks compiled in Oxford between 1581 and 1588 by the Elizabethan scholar Robert Dow, to present a deeply satisfying sequence of some of their brightest jewels. Sumptuous motets, melancholy consort songs and intricate, harmonically daring viol fantasies are seamlessly interwoven, all brought to life by seven voices and the robust plangency of the Rose Consort of Viols in the chapel of All Souls College, Oxford - where Dow himself was once a Fellow.
The Marian Consort is a young, dynamic early music vocal ensemble founded in Oxford in 2007. Combining academic insight with high levels of performance practice, the ensemble predominantly explores the repertoire of Renaissance and early Baroque music with its director Rory McCleery. They are joined by the Rose Consort of Viols, which takes its name from the celebrated family of viol makers, whose work spanned the development of the English consort repertoire.
Track listing
1 William Mundy (c.1528-c.1591)
Sive vigilem
2 Nicholas Strogers (fl. 1560-75)
A doleful deadly pang
3 Nicholas Strogers
In Nomine a 5 (No. 2)
4 (?)Robert Mallory (d. 1572)
Miserere a 5
5 Nathaniel Giles (c.1558-1633/34)
Vestigia mea dirige
6 Robert White (c.1538- 1574)
In Nomine a 5
7 William Byrd (1539/40-1623)
O Lord, how vain
8 Robert White
Justus es, Domine
9 Christopher Tye (c.1505-1572/73)
In Nomine
10 Thomas Tallis (c.1505-1585)
O salutaris hostia
11 Robert Parsons (c.15351572)
Retribue servo tuo
12 anon.
Come Holy Ghost
13 Vincenzo Ruffo (c.15081587)
La gamba
14 William Byrd
La verginella
15 anon. ['Roose']
Dum transisset Sabbatum
16 Jean Maillard (c.1515-after 1570)
Ascendo ad Patrem meum
17 Nicholas Strogers
Non me vincat, Deus meus
18 (?)Philippe Verdelot (1480s-c.1530)
Madonna somm'acorto
19 Philip van Wilder (c.15001553)
Je file quand Dieu me donne de quoy
20 Philip van Wilder
Pour vous aymer j'ay mis toute ma cure
21 Robert Parsons
Ave Maria
Total playing time [72:49] |
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ID: BG0106 Disk: 1 Type: CD |
Podkolekce: Voices Rondeaux e Ballate contenute anche nel codice 1411 della Biblioteca dei
Duchi di Urbino (Sec. XV)
Ensemble BELLA GERIT - Ensemble LAUS VERIS - FIFFARO CONSORT
ILARIA SEVERO, voce
SIMONE SORINI, voce, liuto
DAVID MONACCHI, voce, liuto, viola da mano
ENEA SORINI, voce, salterio, naqquara, tamburo, tamburello
GIORDANO CECCOTTI, viola da gamba, ribeca, ribecone
DANIELE BERNARDINI, fl. con tamburo. fl. doppio, altobasso, fl. dritti, bombarda, cromorno
Con la partecipazione di:
ANGELIKA MOTHS, organo portativo
CRISTINA TERNOVEC, viola da gamba, ribecone
NICOLAS SANSARLAT, lira da braccio
MAURO MORINI, trombone
LUIGI GERMINI, trombone
CRISTINA BERNARDINI, cromorno, flauti dritti
GIOVANNI BRUGNAMI, cromorno, flauti dritti, flauto con tamburo
DIR. PIERCARLO FONTEMAGI, coro della Cappella Musicale SS. Sacramento |
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ID: DCD34086 Disk: 1 Type: CD |
Kolekce: RenaissanceThe Marian Consort:
Gwendolen Martin & Emma Walshe - Sopranos
Rory McCleery Countertenor / Director
Nicholas Scott - Tenor
Steffan Jones, Baritone / Christopher Borrett -Bass
For their debut recording, the six-strong Marian Consort explores music from late sixteenth and early seventeenth-century Spain. This fascinating programme celebrates the rich compositional fruits of the Siglo de Oro’s intensely competitive musical culture. These luminary works - all dedicated to the Virgin Mary - demand performances of great intelligence and vocal commitment. The youthful Marians respond absolutely, bringing hushed intimacy and bristling excitement to some of the most gorgeously searing lines in the history of European polyphony.
1 Regina caeli - Juan Navarro
2 Maria Magdalene - Francisco Guerrero
3 Kyrie from Missa Maria Magdalene - Alonso Lobo
4 Ave Virgo sanctissima - Francisco Guerrero
5 Gloria from Missa Ave Virgo sanctissima - Juan Esquivel
6 O Virgo benedicta - Rodrigo Ceballos
7 Credo from Missa Ave Virgo sanctissima - Juan Esquivel
8 Ave Regina caelorum - Alonso Lobo
9 Sanctus from Missa Maria Magdalene - Alonso Lobo
10 O sacrum convivium - Sebastián de Vivanco
11 Benedictus from Missa Maria Magdalene - Alonso Lobo
12 Magnificat Primi Toni - Sebastián de Vivanco
13 Pastores loquebantur - Francisco Guerrero
14 Agnus Dei from Missa Sancta et immaculata - Francisco Guerrero |
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ID: DCD34063 Disk: 1 Type: CD |
Kolekce: RenaissanceAmid religious strife and social turmoil, the 16th century also saw France emerge as a humanist culture with a unique musical voice.This world of contrasts provided the perfect setting for Adrian Le Roy to flourish as a composer, performer, and publisher. Scottish ensemble Fires of Love vividly recreate the many facets of his musical world, from vivacious dances to songs of utmost sorrow.
anon.:
Une jeune fillette
Arcadelt:
Il Bianco e Dolce Cigno
Attaingnant:
Fortune, laisse moy la vie / Pavane & Galliarde
Blanc:
Qui prestera la parole
Certon:
J'ay le rebours
Crecquillon:
Cessez mes yeulx
Morlaye:
Les Buffons
Padvane
Conte Clare
Branle & Galliard
Roy, A Le:
Laissez la verte couleur
O combien est heureuse
Puis que vivre
L'ennuy que me tormente
Oyez tous amoureux
Pavanne
Si je m'en vais
Branle de Poitou
Pimontoyse
Prelude & Fantasie
Branle simple
Sermisy:
J'atens secours
Joyssance vous donneray
Vivray je toujours
Il me souffit
Frances Cooper (soprano), Gordon Ferries (baroque guitars), Jo Hugh Jones (baritone & guitars) & Marcus Claridge (percussion) and Fires of Love, ensemble |
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ID: DCD34068 Disk: 1 Type: CD |
Kolekce: Sacred MusicAbout.Not since the early 1600s have the refulgent strains of John Mundy's Lamentations setting been heard in Windsor. It has been reconstructed especially for this recording, made in Windsor Castle's Albert Memorial Chapel by gracious permission of Her Majesty The Queen.The men's voices resonate in the resplendent chapel acoustic, transcending the desolation of the texts' anguished laments in singing of extraordinary conviction and certainty.
Byrd:
Lamentatione Jeremiae Prophetae
Ferrabosco, A II:
Lamentations -Premiere Recording
Mundy, J:
De Lamentatione Jeremiae - Premiere Recording
Parsley:
Lamentationes (for 5 voices)
Tallis:
Lamentations of Jeremiah I & II
Lay Clerks of St George's Chapel, Windsor Castle, Timothy Byram-Wigfield |
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ID: CDM00022-10-1 Disk: 1 Type: CD |
Kolekce: RenaissancePodkolekce: Dance Music Gloria et Malum. Musica e Danza del Quattrocento nelle corti italiane
Patrizia Bovi - canto e arpa gotica
Adolfo Broegg - liuto
Goffredo Degli Esposti - tamburino, bombarda, piffero, organo portativo
Gabriele Russo - viola, liuto, cornamusa
Daniele Bocchini - trombone
Massimiliano Dragoni - dolcimelo
Luigi Germini - trombone, tromba a tiro
Marta Graziolino - arpa
Gabriele Miracle - dolcimelo
Alessio Nalli - cornamusa
Stefano Vezzani - cennamella, bombarda
Tracks:
01. J’ay pris amour, chanson a 3 v. (strumentale)
02. De tous biens plaine, rondeau a 3 v. di H. van Ghiseghem
03. Grolia (Gloria), bassadanza su mottetto a 4 v. Bella gerit
04. Belreguardo, ballo di Domenico da Piacenza
05. Marchexana, ballo di Domenico da Piacenza
06. Malum, bassadanza su De tous biens plaine
07. La reale, bassadanza su La Spagna di F. de la Torre
08. Amoroso, ballo di Guglielmo Ebreo da Pesaro
09. La fia guielmina/guilmin, ballo di Domenico da Piacenza
10. La crudele, bassadanza a 4 v. su O partita crudele
11. Amors, amors, rondeau a 3 v. di H. van Ghiseghem
12. Prexonera, ballo di Domenico da Piacenza
13. Colonnese, ballo di Johanne Ambrosio/Guglielmo
14. La ingrata, ballo di Domenico da Piacenza
15. Belfiore, ballo di Domenico da Piacenza
16. Francho cuore gentile, ballo su Franc cuer di G. Dufay
17. Legiadra, ballo di Guglielmo Ebreo da Pesaro
18. Voltati in ça Rosina, ballo di Johanne Ambrosio/Guglielmo
19. Rotibolo/Rostibuli gioioso, ballo di Domenico da Piacenza
20. Petit vriens, ballo di Domenico da Piacenza
21. J’ay prins amour, chanson a 3 v. |
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ID: BG0207 Disk: 1 Type: CD |
Kolekce: RenaissancePodkolekce: Sbor Brani scelti dal Medici Codex 1518. Libro corale di Mottetti dedicato a Lorenzo De Medici
Duca di Urbino.
Ensemble BELLA GERIT
SIMONE SORINI. voce, liuto
DAVID MONACCHI. voce, viola da mano
ENEA SORINI. voce, tamburo
ANGELIKA MOTHS. organo, organo portativo
ALESSANDRO CIOFINI. voce
MAURO BORGIONI. voce
GIORDANO CECCOTTI. viola da gamba
DANIELE BERNARDINI. bombarda
MASSIMO CIALFI. trombone
MAURO MORINI. trombone |
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ID: SMCCD0160 Disk: 1 Type: CD |
Kolekce: RenaissancePodkolekce: Vocal Ensemble Live in Grand Hall of the Moscow Tchaikovsky Conservatory, April 22, 2013
This recorded concert was the final event of an international musicological conference with concerts and workshops entitled “The Unknown Renaissance: Jan Pieterszoon Sweelinck’s 450th Anniversary». The Russian audience had the opportunity to listen to the vocal music of the “last great Dutch composer": Jan Pieterszoon Sweelinck (1562-1621), as well as the music of his contemporaries. The compact disc opens with Sweelinck’s Christmas motet “Hodie Christus natus est”, SwWV 163 from the collection “Cantiones sacrae” published in 1619. It is followed by the motet “Ascendit Deus” by Peter Philips (c.1560/61-1628), an English composer who spent the most fruitful part of his life in the Spanish Netherlands. In 1593 Philips made a special trip to Amsterdam in order to meet Sweelinck, who previously, in 1580, had written a cycle of variations on Philips’s Pavane. Philips’s motet “Ave verum corpus” is followed by a composition set to the same text by one of his teachers, William Byrd (c. 1540/1543-1623). |
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