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ID: RK9403
Disk: 1
Type: CD
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Kolekce: Chamber Music1. Preise, Jerusalem, den Herren
Komponiert von Hammerschmidt, Otto, Various, Daniel Selichius
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
2. Weil die Stunde da ist
Komponiert von Hammerschmidt, Otto, Various, Stephan Otto
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
3. Paduana und Galliard
Komponiert von Hammerschmidt, Otto, Various, Andreas Hammerschmidt
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
4. Christ ist erstanden
Komponiert von Hammerschmidt, Otto, Various, Hermann Finck
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
5. Führwahr, er trug unsere Krankheit
Komponiert von Hammerschmidt, Otto, Various, Samuel Seidel
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
6. Paduana und Galliard
Komponiert von Hammerschmidt, Otto, Various, Johann Ghro
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
7. Wie ein Rubin in feinem Golde leuchtet
Komponiert von Hammerschmidt, Otto, Various, Anton Colander
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
8. Ich suchte des Nachts in meinem Bette
Komponiert von Hammerschmidt, Otto, Various, Stephan Otto
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
9. Paduana und Galliard
Komponiert von Hammerschmidt, Otto, Various, Andreas Hammerschmidt
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy
10. Wie lieblich sind deine Wohnungen
Komponiert von Hammerschmidt, Otto, Various, Esaias Hickmann
mit Constanze Backes, Maria Jonas, Eric Menzel, Michael Schaffrath, Reinhard Decker, Bläser-Collegium Leipzig, Alte Musik Dresden
Dirigiert von Ludger Remy |
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ID: VVCD-00177
Disk: 1
Type: CD
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Kolekce: Chamber MusicPodkolekce: Chamber Ensemble
Conductors:
Gennadi Rozhdestvensky (1-2)
Valeri Poliansky (3-6, 13-15)
Lev Markiz (7-12)
Recorded: 31.10.1979 (1-2); 02.11.1979 (3-6); 1979 (7-15) |
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ID: RRC1362
Disk: 1
Type: CD
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Podkolekce: Klavír
Classic Brendel recordings of Liszt’s two piano concertos and the three popular movements of the Harmonies Poétiques et Religieuses.
Newly re-mastered.
Liszt:
Piano Concerto No. 1 in E flat major, S124
Piano Concerto No. 2 in A major, S125
Cantique d'amour (Harmonies poétiques et religieuses, S. 173 No. 10)
Benediction de Dieu dans la solitude (Harmonies poétiques et religieuses, S. 173 No. 3)
Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7)
Alfred Brendel (piano)
Pro Musica Orchestra Vienna, Michael Gielen |
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ID: STR33986
Disk: 1
Type: CD
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Kolekce: Chamber MusicPodkolekce: Sbor
Orchestra “I Pomeriggi Musicali” di Milano
Ensemble Nuovo Ricercare
Ensemble Phonè
Camerata Musicale Ambrosiana
Carlo Alessandro LANDINI (1954)
Two More Steps Towards Uncertainty (2007) for symphonic orchestra
Ecco il giorno (1998) for 4 female voices and 13 performers
Coming to Life. Generation, Transition, Interlocking of Phases (2006 - rev. 2009) for 7 performers
Limen (2010) for 16 string instruments
From the liner notes by Ettore Napoli: “This Cd contains works written by Carlo Alessandro Landini (1954) for orchestra and is being released seven years after the previous one published by Tactus (TC951201), a Cd which already included some of the most interesting pages of contemporary Italian music, among the few capable of standing up to the quality of coeval international production. In fact, it is not by chance that this Milanese composer ends up being more appreciated abroad than he is in Italy, as validated - citing in random order - by the “Fulbright Award” granted by the United States Department of Education in 1981 and the numerous prizes he was later on awarded: among many others, the Warsaw’s “K. Serocki” (2002 and again 2004) Competition, the renowned “W. Lutosławski” Prize (2008) and the Saint Petersburg’s “S. Prokof ’ev” International Contest (2012). In November 2013 Landini represented Italy as the sole Italian participant in the World New Music Days held in Vienna and Bratislava by the ISCM. A complementary aspect of Landini’s internationalism is exemplified by his teaching in some of the most prestigious American Universities (University of California at San Diego, New York State University at Buffalo, Eastman School of Music, Columbia University in New York, University of Maryland) as well as throughout Europe, including the Musikhochschule in Trossingen (Germany) and Hamu in Prague (Czech Republic). The four works presented in this Cd verify the widely reaching cultural breeze spread by Landini’s music [...]” |
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ID: RK9906
Disk: 1
Type: CD
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Kolekce: BaroqueMusicke & Mirth (»Musik und fröhlicher Schalk«) wurde 1997 von Jane Achtman und Irene Klein in Basel gegründet. Der Titel eines Stückes von Tobias Hume inspirierte das Ensemble, und die spannende Musik für zwei (und mehr) Gamben zu erforschen, ist sein erklärtes Ziel. Es widmet sich hauptsächlich der Wiederentdeckung unbekannteren Repertoires. Von ersten Notendrucken aus Nürnberg um 1440 über die englische Lyra-Viol-Musik des 17. Jahrhunderts bis hin zum galanten, »empfindsamen« Stil der Berliner Schule spannt sich der Bogen der verschieden besetzten Programme. Musicke&Mirth spielt dabei immer auf originalgetreuen Instrumenten und nach originalen Quellen. Mit seiner auf diese Weise geschulten Wahrnehmung, zugleich mit Virtuosität und Zusammenspiel auf höchstem Niveau, erschafft das Ensemble erfrischende und packende Darbietungen der »Alten« Musik und entzückt das Publikum und internationale Juroren. Auf mehreren Wettbewerben war das Gambenduo erfolgreich: 1997 gewann Musicke&Mirth den dritten Preis beim Dorian/EMA Recording Competition (USA), den zweiten Preis 1998 im Ensemblewettbewerb Premio Bonporti in Rovereto (Italien), und ebenso den zweiten Preis 2000 im Van Wassenaer Concours in Den Haag (Niederlande). Seit seiner Gründung konzertierte Musicke&Mirth mit seinen vielfältigen Programmen in Deutschland, Italien, der Schweiz und Tschechien und erhielt Einladungen zu internationalen Fernsehauftritten. 1999 nahm das Ensemble seine erste CD auf: »Musicke & Mirth, Music for Two Lyra Viols« Englische Musik des 17. Jahrhunderts (erschienen bei Raumklang). Ein neues CD-Projekt Deutsche Tenorlieder und Instrumentalmusik der Renaissance ist in Arbeit. »Geh, Philostrat, Berufe die junge Welt Athens zu Lustbarkeiten! Erweck' den raschen leichten Geist der Lust!« William Shakespeare, »A Midsummer Night's Dream«
Jane Achtman - Viola da gamba
Irene Klein - Viola da gamba
Silvia Tecardi - Diskant- und Bassgambe
01. Musicke of Sundrie Kindes Cate of Bardie - The Queenes Jig (Ford)
02. Musicke of Sundrie Kindes Paven IV - M. Maynes Choice
03. Lessons for 1, 2 and 3 viols: Almaine (Ferrabosco II)
04. Lessons for 1, 2 and 3 viols: Coranto
05. Musicke of Sundrie Kindes And if you do touch me ile crie - Sir Richard Tichbournes toy
06. Captain Humes Poeticall Musicke: A Spanish Humour - The Lord Hayes favores (Hume)
07. Captain Humes Poeticall Musicke: The Virgines muse - The Lady Arbellaes favores
08. Captain Humes Poeticall Musicke: Musicke and Mirth - The Lady Hattons delight
09. Musicke of Sundrie Kindes Paven I - M. Southcotes Paven (Ford)
10. Musicke of Sundrie Kindes Galiard II - M. Westovers farewell
11. Lessons for 1, 2 and 3 viols: Almaine (Ferrabosco II)
12. Musicke of Sundrie Kindes The wild goose chase - Sir John Philpots delight (Ford)
13. Musicke of Sundrie Kindes The Baggepipes - Sir Charles Howards delight
14. Captain Humes Poeticall Musicke: The pashion of Musicke - Sir Christopher Hattons choice (Hume)
15. Captain Humes Poeticall Musicke: A mery conceit - The Q, delight
16. Captain Humes Poeticall Musicke: The King of Denmarkes health
17. Musicke of Sundrie Kindes Paven VII - Sir Richard Westons delight (Ford)
18. Lessons for 1, 2 and 3 viols: Galiard (Ferrabosco II)
19. Musicke of Sundrie Kindes A Pill to purge Melancholie - M. Richard Martins Thumpe (Ford)
20. Musicke of Sundrie Kindes A Snatch and away - Sir John Paulets toy
21. Oh the bonny Christ - Church Bells (Anonymous) |
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ID: DCD34055
Disk: 1
Type: CD
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Kolekce: Chamber MusicPodkolekce: Quartet
All world premiere recordings
The elder statesman in Scotland's music scene, Robert Crawford has throughout his life lavished intense care over every one of his compositions. The Edinburgh Quartet and pianist Nicholas Ashton are intimately acquainted with Crawford's music and mirror the composer's attention to detail in a long overdue survey of this lovingly-crafted music.
Track listing
1. Sonata Breve (1991)
2. Quintet (2005) Sonata No. 2, Op. 5 (1951)
3. Allegro e caloroso
4. Prestissimo, scherzo
5. Arioso, poco lento
6. Finale, vivace Six Bagatelles, Op. 3 (1947)
7. Allegretto scherzando
8. Dirge, Grave
9. Scherzo, Prestamente
10. Alla marcia
11. Tempo di menuetto, poco lento
12. Allegretto scherzando
13. A Saltire Sonata (1991)
Total playing time [64.44] |
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ID: CC2007
Disk: 1
Type: CD
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Podkolekce: Oboe
The CD booklet contains a 2,000-word essay by Diana Ambache on the music in the CD in English, Italian and German. The photos include more from the K452 recording session and two entries from Mozart's Catalogue written in his own hand.
Human feeling is always at the centre of Mozart's music, and the collection of oboe works here illustrates this with colour and variety. As ever, Mozart excpresses everything from exuberant joy to deep melancholy, with a profound understanding of the expression of emotion. His paradoxes intrigue us; his humour entertains us; he seduces us with his beauty -and the oboe is an excellent vehicle for all this. The five works on the CD include three originally written for the oboe and two fine adaptations.
The year 1781 was an eventful one for Mozart. As well as having the première of 'Idomineo' on his 25th birthday, he also wrote the Oboe Quartet and Sonata featured here, as well as the Concerto for Two Pianos, K365. In May he had the now famous row with his patron Archbishop Collerado, which resulted in his move to Vienna and a new life as a freelance musician.
© 2003 Diana Ambache
Jeremy Polmear (oboe, cor anglais), the founder of Oboe Classics, is a freelance musician who has performed as a guest player with a number of London's chamber and ballet orchestras including the City of London Sinfonia, the London Mozart Players, Lontano, English National Ballet and The Ambache. He was a member of the National Youth Orchestra of Great Britain, and after a Science degree at Cambridge University he spent some time with IBM before turning to music as a career.
AMBACHE CHAMBER ENSEMBLE
Sophie Langdon (violin) is a professor at the Royal Academy of Music, and leader of the Fourth Dimension String Quartet. She has played concertos with the BBC Symphony Orchestra, among others.
Martin Outram (viola) is a member of the celebrated Maggini String Quartet and a Professor of the Royal Academy of Music. He has given important broadcast premières of works for solo viola by Benjamin Britten and Peter Maxwell-Davis.
Susan Dorey (cello) is principal cello with the City of London Sinfonia, and a member of the Academy of St Martin-in-the-Fields. Previously she played with Trio Zingara and Kent Opera.
Helen Keen (flute) is a founder member of the Endymion Ensemble, and a member of the London Mozart Players and the Orchestra of St John's. She plays frequently as guest principal flute with the London Sinfonietta, and the RPO and the BBC Symphony Orchestra.
Joan Enric Lluna (clarinet) has recorded the Mozart Clarinet Concerto with the English Chamber Orchestra and other European Orchestras. He has performed at Festivals in Bath, London, Paris and Perth.
Brian Sewell (bassoon) played for 30 years as Principal Bassoon of the Orchestra of St John's. He has performed on over 250 recordings with all the major London symphony, chamber and period orchestras. He is also a founder member of the Professional Speakers Association.
Susan Dent (horn) specialises in all types of early horns. She is principal horn of the Orchestra Revolutionnaire et Romantique and the English Baroque Soloists. Outside period performance, Susan plays in the Academy of St Martin-in-the-Fields and the Endymion Ensemble. |
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ID: VVCD-00131
Disk: 1
Type: CD
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Kolekce: Chamber MusicPodkolekce: Harp
B. Britten (1913-1976). Suite, op. 83
1 Ouverture
2 Toccata
3 Nocturne
4 Fuga
5 Hymn
6 P.Creston (1906-1985). Rhapsody "Olympia", op. 94
7 A. Jolivet (1905-1974). Prelude
S. Natra (b. 1924). Sonatina (1964)
8 Allegretto semplice
9 Lento rubato
10 Moderato ben ritmato
11 M. Durand (1830-1909). Waltz
12 J.Guridi (1886-1961). Improvisation on Basque folk songs
13 E. Lecuona (1896-1963). "Malaguenia" from Spanish Suite "Andalusia"
R. Leparra (1876-1943). Cycle of pieces "Rhythms of Spain"
14 Abalornos
15 Tyentos
16 Trianarros
17 m. de Falla (1876-1946). Spanish Dance
C.Salzedo (1885-1961) 18 Rumba
19 Whirlwind
20 Grand Concert Fantasie on Spanish themes
21 M. Ravel (1875-1937). Introduction and Allegro for harp, flute, clarinet and string quartet (1905)
Total time: 76.24
Emilia Moskvitina, harp
Soloists of the Tchaikovsky Grand Symphony Orchestra
Recorded: 1985 - 1995 |
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