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World music CD DVD shop and Classic distribution
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ID: IFO03002
CDs: 1
Type: CD
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Kolektion: Choral CollectionChristian Ridil
1. Erhalt uns, Herr, bei deinem Wort (4:05)
Martin Luther
2. Non moriar sed vidam (1:05)
Lukas Osiander
3. Nun komm, der Heiden Heiland (2:17)
Johann Sebastian Bach
4. Vom Himmel hoch, da komm ich her (3:09)
5. Christe, du Lamm Gottes (1:29)
6. Christ lag in Todesbanden (3:22)
Balthasar Resinarius
7. Komm, Gott Schöpfer, Heiliger Geist (:46) Johann Sebastian Bach
8. Komm, Heiliger Geist, Herre Gott (6:04)
Johann Herrmann Schein
9. Christ unser Herr zum Jordan kam (2:12)
Heinrich Scheidemann
10. Jesus Christus, unser Heiland (4:08)
Felix Mendelssohn Bartholdy
11. Aus tiefer Not schrei ich zu Dir (4:54)
Max Reger
12. Ein feste Burg ist unser Gott (2:07)
13. Mitten wir im Leben sind (2:00)
Abbing
14. Verleih uns Frieden gnädiglich (18:41)
Jörg Abbing Organ
Angelika Steinki Organ
Frankfurter Blechbläserquintett Quintett
Christian Ridil Dirigent
Kammerchor der J. W. Goethe-Universität Frankfurt am Main Gemischter Chor |
| 18.00 eur Buy |
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ID: ORG72032
CDs: 1
Type: CD
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Kolektion: Organ CollectionSubkolektion: Organ
Historische Originalaufnahmen (Erstveröffentlichungen) des Deutschen Rundfunkarchivs |
| 18.00 eur Buy |
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ID: SIGCD245
CDs: 1
Type: CD
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Kolektion: Organ CollectionSubkolektion: Voice and Organ
Naji Hakim has established himself as a performer and composer whose works are indelibly tied to his Christian faith. Recognized with a papal medal for his activities, these pieces are drawn from the span of his compositional career, combining organ music with string quartet and solo soprano. |
| 18.00 eur Buy |
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ID: SIGCD266
CDs: 1
Type: CD
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Kolektion: Organ CollectionSubkolektion: Organ
Robert Quinney performs a stunning recital of works by Elgar on the organ of Westminster Abbey. Quinney has been Sub-Organist there since 2004, performing for a variety of celebrated occasions including the Royal Wedding in April this year. |
| 18.00 eur Buy |
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ID: ORG72402
CDs: 1
Type: CD
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Kolektion: Organ CollectionSubkolektion: Organ
Klangdokumente mit den Michaelis-Organisten Alfred Sittard (um 1928), Gerhard Dickel (2001), Christoph Schöner (2002/10/11)
Interpret: Alfred Sittard 1878 - 1942
Interpret: Gerhard Dickel 1938 - 2003
Interpret: Christoph Schoener geb. 1953 |
| 18.00 eur Buy |
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ID: ORG72092
CDs: 1
Type: CD
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Kolektion: Organ CollectionSubkolektion: Organ
Spielt an der großen Johann-Ignaz-Egedacher-Orgel (1731) der Zistezienserabtei Zwettl |
| 18.00 eur Buy |
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ID: ORG72392
CDs: 1
Type: CD
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Kolektion: Organ CollectionGawain Glenton, Zink (Cornetto)
Daniel Hauptmann, Barockvioline in alter Mensur
Frans Berglund, Naturtrompete & Zugtrompete in alter Mensur
Thilo Muster, Orgel
Orgel von Jürgen Ahrend (1985: II/30/P) nach Gottfried Silbermann (Orgel
in Glaucha/Sachsen, 1730) in der ehemaligen Jesuitenkirche zu Porrentruy,
Kanton Jura/Schweiz |
| 18.00 eur Buy |
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ID: RK2205
CDs: 1
Type: CD
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Kolektion: BaroqueJan Pieterszoon Sweelinck is one of the principal composers in the 16th- and 17th-century Holland. As far as we know, Sweelinck only left Holland on one time. Nevertheless his works show Italien/Venetian influences, English/virginalist elements and knowledge of spanish composers. The growing cultural importance of Amsterdam in Sweelinck´s day probalbly explain his knowledge of contemporary European music. At the beginning of the 17th century, many organists travelled not only from Germany but also Poland and Sweden to Amsterdam to study under the famous Sweelinck. Later his Hamburg pupils Heinrich Scheidemann and Jacob Praetorius founded a sort of ‘Sweelinck outpost’ in Hamburg. They passed on their pupils what they have learned in Amsterdam. Léon Berben plays the pieces of Sweelincks und his pupils brilliantly at St. Jaque’s Church in Liège. This organ was reconstructed in the style of the late 16th century, following Sweelinck´s large organ in Amsterdam. RK 2205 | edition raumklang | Total: 67:32 |
| 18.00 eur Buy |
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ID: ACDBO063-2
CDs: 1
Type: CD
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Kolektion: BaroqueThere are a number of recordings of the choral partita ‘Ach wie nichtig, ach wie flüchtig’ by Georg Böhm (1666-1733), including one on the great Arp Schnitger city organ in Hamburg (1693), 57 voices, beautifully played by Stef Tuinstra. The version heard here is played on Arp Schnitger’s smallest organ positiv, 8 voices, but it offers enough variation to register the 8 variations in a diverse manner. The suite in A Minor ‘Melpomene’ by Johann Kaspar Ferdinand Fischer (1665-1746) is taken from his Musikalischer Parnassus (1738). Melpomene was the muse of song and tragedy. The stylised dances are a slow Allemande, the fast Passepied, a Rondeau, alternately a refrain and a verse, a Chaconne, variations based on a descending series of 4 tones and finally a fast Gigue. The Fantasia on the hexachord Vt Re Mi Fa Sol La by Johann Jakob Froberger (1616-1667) was already a famous work during his lifetime., Athenasius Kirchner mentions the work in his Masurgia (1646) and it was published in an autograph in 1649. The seven parts of the work bring the hexachord in various rhythms and with various second voices. In the sixth and seventh parts he adds chromatic tones, thus deftly exploiting the meantone temperament in the strong effect of dissonants and consonants. A true masterpiece. Johann Jakob Froberger (1616-1667) wrote the Tombeau on the death of the lute player Blancheroche in Paris and added the following remark: ‘fait à Paris sur la mort de Monsieur Blancheroche: lequel se joue fort lentement à la discretion sans observer aucune mesure.’ The improvisational character of the piece strongly resembles the Preludes non mésuree by Louis Couperin, whom Froberger met in Paris in 1652. A striking feature of this work is its exploitation of the meantone temperament, e.g. Froberger twice prescribes a D flat for where a C sharp is tuned, using the dissonant here as an expressive device. The Preludium is one of the great free forms in keyboard music. Of Hans Kotter (1485-1541) we hear an early example, here called Proömium in re. Kotter was a pupil of Paulus Hofhaymer, the most important ‘Organistenmacher’ of the 16th century, just as Sweelinck was in the 17th century. The original of the Giusti instrument is now in the Tagliavini collection in Bologna/Italy. |
| 18.00 eur Buy |
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