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Vocal Collection, page 61

   Titels gefunden: 645
 

J.S. Bach - Markuspassion BWV 247 - Volker Bräutigam: Evangelienmusik zu Bachs Markuspassion

J.S. Bach - Markuspassion BWV 247 - Volker Bräutigam: Evangelienmusik zu Bachs Markuspassion
ID: RK2307
CDs: 2
Type: CD
Subkolektion: Voices

Leipziger Vocalensemble
Leipziger Barockorchester
Ulrike Staude - Sopran/soprano
Klaudia Zeiner - Alt/alto
Martin Petzold - Tenor/tenor
(Leitung/direction: David Timm)

cantores lipsienses
Hermann Oswald - Tenor/tenor
Wolf Matthias Friedrich - Bass/bass
Christiane Bräutigam - Orgel/organ
Stephan Stopora - Schlagzeug/percussion
(Leitung/direction: Volker Bräutigam)
19.00 eur Buy

Simon Mayr: Sisara - Franz Hauk, Vanessa Barkowski

Simon Mayr: Sisara - Franz Hauk, Vanessa Barkowski
ID: GMCD7288_9
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Oper

Abra, Dina - Claudia Schneider, soprano
Sisara - Vanessa Barkowski, mezzo-soprano
Debbora, Thamar - Stefanie Braun, soprano
Barac, Elcana - Petra van der Mieden, soprano
Jahel - Talia Or, soprano
20.00 eur Temporarily out of stock

W. A. Mozart - Divertimenti & Notturni - Complete Works for Basset-Horns

W. A. Mozart - Divertimenti & Notturni - Complete Works for Basset-Horns
ID: CNT2023-2
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Quartet

Even that which is light can be great if it is written in a fluent and easy style and if at the same time, it is based on a solid composition. (Letter from Leopold Mozart to his son, August 13, 1788).

Mozart's predilection for the amber tones of the clarinet and its darker cousin, the basset horn dates mostly to his last creative season. Contributing to this passion was the fact that at that time he was frequently in the company of the clarinetist, Anton Paul Stadler, the person to whom he dedicated many of the pieces he wrote for this instrument and who inspired some of them as well. Another contributing factor was the carefree and refined atmosphere experienced at the Baron Nikolaus Joseph von Jacquin's Wednesdays when the illuminati of the enlightenment and Viennese freemasonry met in the botanical garden of the palace at the very end of the 1800's.
On these occasions, in addition to discussions of philosophy, art, science - and in addition to amusing table games - very high-level music was played. Even Stadler himself was practically a permanent guest of these evenings along with several other clarinet virtuosos. It is in this framework that both Notturnos KV 437 and 439 for three voices, two clarinets or three basset horns, on text by Metastasio, as well as the five Divertimenti for the same instruments, without voices KV439b were written.
Mozart' s interest for the clarinet family, of which the basset horn is part, is also evident by their being increasingly present in the composer's mature work: besides these famous masterpieces there is the Clarinet Quintet (for clarinet and strings) in A major, KV 581, called the "Stadler Quintet" and the Clarinet Concerto in A major KV 622 (his last composition written for a solo instrument two months before his death). The clarinet and the basset horn also figure very prominently in the corpus of work referred to as the "Masonic music". His encounter with Freemasonry in their lodge in Vienna (Zur Wohltätigkeit - Beneficence) and Mozart's initiation in 1784 seem to have induced the Salzburg composer to prefer the lower, more masculine timbres of these instruments, according to some commentators. These instruments, along with the "heroic" tone of E flat, became a sort of musical symbol of the rituals of the Freemasons from that time on. Whatever the intentions were, the musical result ranges from the extraordinarily high level entertainment of the Divertimenti to the throbbing and melancholic tenderness of the Notturni, a true synthesis of an epoch and an incomparable stylistic signature.

Iconography: Gianluca Corona, Fragole e Lamponi, 2000, oil on wood, private collection
20.00 eur Temporarily out of stock

Mahler - Symphony No. 2 - 'Resurrection'

Mahler - Symphony No. 2 - 'Resurrection'
ID: MELCD1002253
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voice and Choir

Evgenia Gorokhovskaya (mezzo-soprano) & Galina Kovalyova (soprano)

Choir of the Leningrad State Academic, Kirov Opera and Ballet Theatre, The Symphony Orchestra of the Leningrad State Academic Kirov Opera & Ballet Theatre, Yuri Temirkanov
20.00 eur Buy

Alexander Goehr - Sing, Ariel/ The Death of Moses

Alexander Goehr - Sing, Ariel/ The Death of Moses
ID: NMCD096
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Chamber Ensemble

Sing, Ariel sets a patchwork of texts, ranging from Milton to Wallace Stevens, for 3 solo sopranos; it is coupled with The Death of Moses, a vast choral exploration of Hebrew myth.
Originally released on Unicorn-Kanchana in 1993/4.
Reissued with funding from Arts Council England.
20.00 eur Buy

G. Verdi - Complete Chamber Songs

G. Verdi - Complete Chamber Songs
ID: STR11017
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Chamber Ensemble

Disc 1:
1 - Lo spazzacamino, 1845
2 - Brindisi, 1845 (II versione)
3 - Il mistero, 1845
4 - Perduta ho la pace, 1838
5 - In solitaria stanza, 1838

Disc 2:
1 - Nell'orror di notte oscura, 1838
2 - La zingara, 1845
3 - Deh, pietoso, oh addolorata, 1838
4 - More, Elisa, lo stanco poeta, 1838
5 - Il tramonto, 1845
6 - Ad una stella, 1845
7 - Non t'accostare all'urna, 1838
20.00 eur Temporarily out of stock

Schubert: Die Winterreise -Hans Zender - Eine komponierte Interpretation

Schubert: Die Winterreise -Hans Zender - Eine komponierte Interpretation
ID: KAI0012002
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Chamber Ensemble

In this "composer's interpretation" Hans Zender takes on the sacred cow that is Franz Schubert's song cycle "Die Winterreise" and reconstructs it, much in the way a modern stage director might recontextualize an opera by changing its setting. The words and melodies remain and the sequence of songs is intact, but the accompaniments are rendered with a sense of fantasy, varying from a folksy guitar-and-harmonium background or the parlor intimacy of a string quartet to a completely modern percussion ensemble. At moments it sounds as if the poor love-forsaken traveler has wandered into a scene from Strauss or Berg, but what prevails above all is the haunted atmosphere of the original, the tandem vision of Schubert and the poet Muller that takes the listener from the pointed immediacy of heartbreak to the blurred numbness of insanity.
22.00 eur Buy

Hans Zender - Shir Hashirim

Hans Zender - Shir Hashirim
ID: KAI0012612
CDs: 2
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Orchestra

Lied der Lieder (Canto VIII), oratorio for soli, choir, orchestra and live-electronic music
Michael Alber, chorus master

“Shir hashirim ashira li shlomo”, the “Song of Songs” is heard at the beginning, sung in Hebrew, the title. At first, written in the score, a Koan, a Zen Buddhist maxim.... The composition Shir Hashirim is basically open, but it is not undefined. It is a result of Hans Zender‘s reflections over a period of many years concerning technical, compositional questions, which have led to an independent system of harmonics, here carried out for the first time. His works since then all have an unmistakable compositional stamp. (Isabel Mundry)

Includes booklet with text by Isabel Mundry
22.00 eur Buy

Luigi Nono:Caminantes Tryptichon - No hay caminos, hay que caminar ...; Etc.

Luigi Nono:Caminantes Tryptichon - No hay caminos, hay que caminar ...; Etc.
ID: KAI0012512
CDs: 2
Type: CD
Kolektion: Vocal Collection

Luigi Nono No hay caminos, hay que caminar … Andrej Tarkowskij (1987) “Wayfarer, there is no path. Yet you must walk”, in Spanish: “Caminante, no hay caminos. Hay que caminar.” These words are the contents of an inscription, which Luigi Nono read on the wall of a monastery in Toledo in the middle of the 1980s. They must have affected him most deeply, since in the last three years of his life he made them the basis of the titles of a trio of works. In “Hay que caminar” he surely recognized his own lifelong principle of continual creative restlessness, of perpetually being en route, which guided him from the outset. For a long time this was perhaps unconscious, but during the several years’ incubation of Prometeo it took conscious shape in the presentation of a route-less wayfaring that directs everything. An observation from 1981 is characteristic of this consciousness. For him it was primarily to do with the attempt “to find something, but not something certain.” The central piece of the trilogy mentioned above is No hay caminos, hay que caminar … Andrej Tarkowskij.
Nono dedicated the piece to the Russian film director Andrej Tarkowskij, outlawed from his own country, perhaps in view of the film Nostalghia, which has as its theme the search “for something, which perhaps doesn’t exist”... (Josef Häusler)

Includes booklet with text by Josef Häusler
22.00 eur Buy

Luys de Narvaez - Los seys libros del delphin de musica de cifra para taner vihuela

Luys de Narvaez - Los seys libros del delphin de musica de cifra para taner vihuela
ID: E100-101
CDs: 2
Type: CD
Kolektion: RenaissanceSubkolektion: Voices

22.00 eur Buy
Kunde: ungemeldet

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