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World music CD DVD shop and Classic distribution
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ID: STR33937 CDs: 1 Type: CD |
Subcollection: HarpsichordSoloist - Antonio Mosca, violin |
18.00 eur Temporarily out of stock |
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ID: ACDHJ040-2 CDs: 1 Type: SACD |
Collection: Baroque Subcollection: VoicesThis CD is an anthology of the Dutch contrafact and contains poetry set to music.
These are not original songs but texts written on already existing and well-known melodies. These songs are sometimes called contrafacts: contra: against or at, factum: written on an already existing melody. Between 1550 and 1750 this was a much loved and much practised genre in the Netherlands. Numerous songbooks appeared, booklets in pocket format which could be easily produced from your pocket when you wanted to sing. They contained the texts and the melodies to which they should be sung, with a tune reference: wyse, voys, stemme, vpden voix, op de wyse van etc. We have to retrace these melodies to be able to sing the songs. Fortunately some songbooks have survived with the tunes added in musical notation. A great many other melodies can be traced back to the international song repertoire of the period. Other sources are for instance lute tablatures, dance books, etc.
It is remarkable how many tunes originate from outside the Netherlands. Many are French, English or Italian; fewer are German and Spanish. These must have been popular - or at least known - in the Netherlands, beside the familiar Dutch tunes.
Including works by Jan vander Noot, Coornhert, Vallet, Jan van Hoot, Bredero, Camphuysen, Hooft & Weyerman |
18.00 eur Buy |
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ID: STR33867 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Lute |
18.00 eur Temporarily out of stock |
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ID: STR33781 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Lute |
18.00 eur Temporarily out of stock |
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ID: RK2203 CDs: 1 Type: CD |
Collection: Baroque Subcollection: LuteJohann Sebastian Bach himself did not play the lute. Could his lute music really have been played on the lute as specified - or was it intended all along for a lute harpsichord of the type found in Bach`s estate? Two of the suites of this recording are expressly stated „pour la Luth“ or „pour la luth o cembal“. However, some notes were not feature of the common solo instrument of the era, the 13-string lute with a D minor tuning. Axel Wolf performs Bach`s lute music on a 14-string archlute, a theorbo lute - an instrument which could well have been played by one of the Italians employed at the court orchestra in Dresden. This recording is full of tranquility and intimacy found by Axel Wolf prior to the recording in the little Johann Sebastian Bach.
Axel Wolf studied the guitar and lute under Hans Michael Koch. After attending master classes held by Nigel North and Hopkinson Smith, he also studied under Rolf Lislevand. Since completing his degree course in the guitar in 1986, Axel Wolf has taught at Hanover Academy of Music and Theatre. In 1988 he teamed up with Simone Nill (recorder) and Robert Sagasser (viola da gamba)to form the ensemble La Sfondrata. Four years later, La Sfondrata won a prize at the Festival of Early Music in Utrecht. Axel Wolf played the lute in a number of wellknown ensembles such as Musica Fiata (Cologne), Ars Antiqua Austria, and the London-based Gabrieli Consort &Players. Axel Wolf has appeared at numerous international festivals,including inBoston, Bruges, New York and Tel Aviv. Axel Wolf is a frequent guest at the Bavarian State Opera in Munich, performing under the baton of Harry Bicket and Ivor Bolton. He has also worked with conductors such as Peter Schreier, PaulMcCreesh,Lajos Rovatkay and Alan Curtis on opera, concert and CD productions. village church in Polditz/Saxony RK 2203 | edition raumklang | Total: 74:45 |
18.00 eur Buy |
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ID: RK2005 CDs: 1 Type: CD |
Subcollection: LuteLes Flamboyants:
Michael Form - flute, artistic leader
Silvia Tecardi - fidel, viola d’arco
Irene Klein - viola d’arco
Romina Lischka - viola da gamba
Giovanna Pessi - harp
Michael Form - flute, clavicytherium
Marc Lewon - lute, vihuela, viola d´arco
Rogério Gonçalves - dulzian, perkussions |
18.00 eur Buy |
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ID: STR33994 CDs: 1 Type: CD |
Subcollection: Lute |
18.00 eur Temporarily out of stock |
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ID: RK2301 CDs: 1 Type: CD |
Subcollection: LuteLieder aus französischen Handschriften des späten 15. Jahrhunderts (von Johannes Ockeghem, Guillaume Dufay, Walter Freye und anderen)
Ensemble La Morra
Giovanni Cantarini, tenor
Corina Marti, flute and harpsichord
Michal Gondko, viola da mano
Elizabeth Rumsey, viola del arco
Tore Eketorp, viola del arco
Named after Heinrich Isaac's famous instrumental piece, Ensemble La Morra performs European music of from the 14th and 15th centuries-a period often referred to as “late Medieval” or “early Renaissance.”
Mit »Jardin de Plaisance« ist die erste CD der schola cantorum basiliensis edition bei Raumklang erschienen. In dieser Reihe werden viel versprechende junge Musiker und Ensemble vorgestellt, die an der Schola Cantorum Basiliensis ihre Ausbildung erhalten haben. Gleichzeitig werden spannende Programme abseits der Hauptstraßen der Alten Musik repräsentiert.Die Musiker-Generation nach Guillaume Dufay und Gilles Binchois begann um 1450 mit neuen Kompositionstechniken zu experimentieren, die zu einem sehr fortschrittlichen und eigenständigen Repertoire von weltlichen Liedern führten. Gesammelt und überliefert wurden diese Werke nach 1460 in mehreren Handschriften aus Kreisen des französischen Hochadels. Das junge Basler Ensemble La Morra präsentiert eine Anthologie dieser höchst verfeinerten Kunst instrumentalen und vokalen Musizierens in der Frische und Unmittelbarkeit eines »Gartens der Freude«. Eine Koproduktion von Raumklang, Schweizer Radio DRS2 und der Schola Cantorum Basiliensis. |
18.00 eur Buy |
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ID: RK2406 CDs: 1 Type: CD |
Subcollection: Chamber EnsembleThe origins of the chaconne as a dance melody can be traced to Latin America.
Der Ursprung der Chaconne als Tanzlied liegt in Lateinamerika. Sowohl humoristischen als auch zotigen Charakters wird die Chaconne von Gitarre und Percussion begleitet. Die meisten der überlieferten Texte enthalten im Refrain das Wort "chacona" und den Begriff "vida bona" (=gutes Leben). Rasch erfolgte die Verbreitung in Spanien und Italien.
Alessandro Piccinini, ein Zeitgenosse Monteverdis und Frescobaldis, gibt 1623 nach langer Vorbereitung sein erstes Werk "Intavolatura di Liuto et di Chitarrone, libro primo" heraus. Dieses Buch enthält ein detailliertes Vorwort mit Hinweisen zur Spieltechnik, den Instrumenten und der Interpretation, sowie diverse Stücke wie Chiacconen, Toccaten, Gagliarden und Correnten. In den beiden Lautenbüchern Piccininis lassen sich keine Noten für die Begleitung finden. Der Lautenist Axel Wolf ergänzte sie und besetzte das Continuo entsprechend dem Charakter der Stücke: Violone und Truhenorgel liefern das klangvolle Fundament, über dem sich die Laute in einer Toccata frei bewegt und in den Chiacconen, Gagliarden und Correnten akzentuieren Barockgitarre und Percussion wirkungsvoll die rhythmische Komponente der Stücke. |
18.00 eur Buy |
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