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Harpsichord, page 7

   Les titres retrouvé: 85
 

The Bach's Court in Leipzig - Daccapo - italian harpsichord duo

The Bach's Court in Leipzig - Daccapo - italian harpsichord duo
ID: STR37012
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Harpsichord

Daccapo - Italian harpsichord duo: Luigi Accardo, Enrico Bissolo
18.00 eur Temporarily out of stock

Wired - Works for Harpsichord and Electronics

Wired - Works for Harpsichord and Electronics
ID: NMCD145
CDs: 1
Type: CD
Collection:
Instrumental
Subcollection: Harpsichord

Jane Chapman, described as "Britain’s most progressive harpsichordist" (The Independent on Sunday) and "a fearless contemporary music performer" (The Guardian), performs new works for harpsichord and electronics by Paul Dibley, James Dillon, Sam Hayden, Paul Newland, Roger Redgate, Sohrab Uduman, Mike Vaughan and Paul Whitty.
18.00 eur Buy

The Oriental Miscellany - Airs of Hindustan - Jane Chapman - Yu-Wei Hu

The Oriental Miscellany - Airs of Hindustan - Jane Chapman - Yu-Wei Hu
ID: SIGCD415
CDs: 1
Type: CD
Collection:
Classical Period
Subcollection: Harpsichord

Harpsichordist Jane Chapman explores The Oriental Miscellany - William Hamilton Bird’s 1789 collection and arrangement of Hindustani airs for harpsichord. Bird’s collection, which was the first ever publication of Indian music notated for Western instruments, also features his own Sonata, incorporating original Indian tunes with flute accompaniment (here performed by baroque flautist Yu-Wei Hu).
18.00 eur Temporarily out of stock

From Leipzig to London - Duo Sonatas from the 18th and 20th Centuries

From Leipzig to London - Duo Sonatas from the 18th and 20th Centuries
ID: CC2013
CDs: 1
Type: CD
Subcollection: Oboe

The 24-page CD booklet has a 3,000 word programme note in English and German, detailing the origins of both the Bach and the 20th Century works, with a description of the performers, and many photographs.


The oboe played an important role in eighteenth-century musical society, with composers such as Handel, Vivaldi and Telemann making wide use of it as a solo, chamber and orchestral instrument. A favourite with J.S. Bach, the oboe and its family featured significantly in the composer's life in Leipzig where many of his large scale choral works were produced.

During the nineteenth century, the instrument was almost entirely relegated to the orchestra; only a handful of composers regarded it as a suitable solo instrument. However it was revived in the twentieth century by pioneers such as Léon Goossens and Janet Craxton studying, performing and teaching in London. Other players helping to reaffirm the musical capabilities of the oboe as a solo instrument included Evelyn Rothwell (Lady Barbirolli), who with her duo partner Valda Aveling (harpsichord) realized the potential of combining these two instruments. They encouraged some of England's most respected composers to use the harpsichord in duo sonata form for the first time since the eighteenth century, and this CD presents four pieces which were written for them in 1963 and 1972. Copyright Althea Ifeka and Katharine May 2005

As of 2008, Althea Ifeka is changing her name to Althea Talbot-Howard.

Althea Ifeka and Katharine May began their association in 1994 as scholars on the Countess of Munster Musical Trust Recital Scheme, and have given numerous recitals at music clubs, festivals and universities throughout the United Kingdom. In 1996 they broadcast for both Classic FM and RTE Ireland, and also undertook a concert tour of Eire, co-sponsored by the British Council. This is their first CD.
18.00 eur Temporarily out of stock

Music Of West European Baroque. Compilation

Music Of West European Baroque. Compilation
ID: CDMAN145
CDs: 1
Type: CD
Subcollection: Harpsichord

1-2. Antonio Vivaldi.
Sonata No.3 in A minor for Violoncello and basso continuo.

5-11. Henrich Ignaz Franz Biber
Trio-Sonata in D minor for 2 violins, trombone and basso continuo.

12. Johann Ludwig Krebs
Fantasy for Oboe and Organ

13-19. Georg Philipp Telemann
Partita No.5 in E minor for Flute and Harpsichord.

20. Johann Joahim Quantz
Sonata No.3 for Flute and basso continuo.

Georgy Ginovker, cello (1-4)
Yury Semenov, organ (1-4)
Grigory Kneller, Mikhail Estrin, violin (5-11)
Victor Venglovsky, trombone (5-11)
Nina Oxentyan, organ (5-11)
German Lukianin, double bass (5-11)
Vladimir Kurlin, oboe (12)
Sergei Tsatsorin, organ (12)
Vladimir Fedotov, flute (13-22)
Lev Boldyrev, cembalo (13-22)
Victor Sobolenko, cello (20-22)
18.00 eur Buy

J.S. Bach - The Art of Fugue, BWV1080. - P. Kofler (harpsichord & organ)

J.S. Bach - The Art of Fugue, BWV1080. - P. Kofler (harpsichord & organ)
ID: RK3004
CDs: 1
Type: CD
Subcollection: Organ

The Art of the Fugue marks a monument of compositional mastery. For Peter Kofler, the priorities are the sound of the music and its sensual vitality. He performs on a harpsichord made by Karl August Gräbner in Dresden in 1782.
18.00 eur Buy

Jacques Martin Hotteterre «Le Romain» (1673 - 1763) - La Flûte du Roy

Jacques Martin Hotteterre «Le Romain» (1673 - 1763) - La Flûte du Roy
ID: RK2207
CDs: 1
Type: CD
Subcollection: Flute

Michael Form (recorder), Rebeka Rusó (treble & bass viol), Dolores Costoyas (theorbo), Dirk Börner (harpsichord)

Jacques Martin Hotteterre’s compositions are among the most substantial works of French chamber music from the early 18th Century. The two volumes of Pieces pour la flûte-traversiere have particular significance within his wide-ranging œuvre, much of which reveals didactic intent. Never before had a musical language of such expressiveness and sublime intimacy been realised in composition for a wind instrument. Aside from this multifaceted suites, the Airs et brunettes -with a bounty of original ornamentation- and the Sonates en trio -based on Arcangelo Corelli’s triosonatas- provide a particularly good impression of Hotteterre’s stylistic diversity. Michael Form has chosen the recorder for the interpretation of Hotteterres flute music. Alternative arrangements were of course a welcome means of ensuring a wider dissemination of musical works - and a common practice among composers of the time. For the majority of the suites which descend below the range of the treble recorder in f’, Michael Form decide to use a flûte de voix in d’ -with his warm timbre this instrument gives the pieces a special charm. Contenu: Les compositions de Jacques Hotteterre font partie des plus riches œuvres de musique de chambre française des premières décennies du 18ème siècle. Au sein de son œuvre variée, les deux tomes des Pièces pour la flûte traversière tiennent une place à part, également sous des aspects didactiques. Jamais auparavant, une langue sonore aussi expressive, aussi sublime de ferveur, ne fut inventée pour un instrument à vent. Au-delà de cettes suites aux nombreuses facettes, les Airs et brunettes (croulant sous les ornements originaux) ainsi que les Sonates en trio (prenant appui sur les sonates en trio d’Arcangelo Corelli) offrent une bonne impression de la diversité stylistique de Hotteterre. Pour interpreter cette musique Michael Form a choisi la flûte à bec. Pour les suites qui descendent en-dessous du registre de la flûte à bec alto en fa’ - presque toutes -, Michael Form a décidé d’utiliser une flûte de voix en ré’. Avec son doux timbre cet instrument donne la musique une charme exeptionelle.
18.00 eur Buy

Music from The Dresden Castle Chapel

Music from The Dresden Castle Chapel
ID: RK2702
CDs: 1
Type: CD
Subcollection: Organ

Sebastian Knebel plays on the seventeenth-century Coswig organ of the beautiful Alte Kirche. Since this is the only surviving organ of its type Knebel has chosen a programme of music written in the period the organ was built. This is a well thought out programme which explores the tonal nuances of the restored Coswig organ and rounds off with selected pieces for harpsichord.
18.00 eur Buy

Marchand - Clérambault - Complete Harpsichord Works - Luca Oberti, harpsichord

Marchand - Clérambault - Complete Harpsichord Works - Luca Oberti, harpsichord
ID: STR37025
CDs: 1
Type: CD
Subcollection: Harpsichord

Pièces de clavecin, Livre I, Suite in D Minor
1 Pièces de clavecin, Livre I, Suite in D Minor: I. Prélude 00:02:21
2 Pièces de clavecin, Livre I, Suite in D Minor: II. Allemande 00:03:13
3 Pièces de clavecin, Livre I, Suite in D Minor: III. Courante I 00:01:36
4 Pièces de clavecin, Livre I, Suite in D Minor: IV. Courante II 00:02:20
5 Pièces de clavecin, Livre I, Suite in D Minor: V. Sarabande 00:03:08
6 Pièces de clavecin, Livre I, Suite in D Minor: VI. Gigue 00:02:22
7 Pièces de clavecin, Livre I, Suite in D Minor: VII. Chaconne 00:02:41
8 Pièces de clavecin, Livre I, Suite in D Minor: VIII. Gavotte 00:01:16
9 Pièces de clavecin, Livre I, Suite in D Minor: IX. Menuet 00:01:11
Pièces de clavecin, Livre II, Suite in G Minor
10 Pièces de clavecin, Livre II, Suite in G Minor: I. Prélude 00:01:06
11 Pièces de clavecin, Livre II, Suite in G Minor: II. Allemande 00:01:35
12 Pièces de clavecin, Livre II, Suite in G Minor: III. Courante 00:01:12
13 Pièces de clavecin, Livre II, Suite in G Minor: IV. Sarabande 00:02:05
14 Pièces de clavecin, Livre II, Suite in G Minor: V. Gigue 00:01:03
15 Pièces de clavecin, Livre II, Suite in G Minor: V. Gavotte 00:01:19
16 Pièces de clavecin, Livre II, Suite in G Minor: VI. Menuet 00:01:12
17 Pièces de clavecin, Livre II, Suite in G Minor: VII. Menuet rondeau 00:00:50
Pièces choisies pour le clavecin
18 Pièces choisies pour le clavecin: La vénitienne 00:01:53
Gavotte pour clavecin
19 Gavotte pour clavecin 00:00:44
Badine pour clavecin
20 Badine pour clavecin 00:01:11
Pièces de clavecin, Suite in C Major
21 Pièces de clavecin, Suite in C Major: I. Prélude 00:01:46
22 Pièces de clavecin, Suite in C Major: II. Allemande 00:01:30
23 Pièces de clavecin, Suite in C Major: III. Double I 00:01:30
24 Pièces de clavecin, Suite in C Major: IV. Courante 00:01:44
25 Pièces de clavecin, Suite in C Major: V. Sarabande I 00:03:02
26 Pièces de clavecin, Suite in C Major: VI. Sarabande II 00:02:03
27 Pièces de clavecin, Suite in C Major: VII. Gavotte 00:00:55
28 Pièces de clavecin, Suite in C Major: VIII. Gavotte - Double 00:00:54
29 Pièces de clavecin, Suite in C Major: IX. Gigue 00:01:22
30 Pièces de clavecin, Suite in C Major: X. Menuet I 00:00:46
31 Pièces de clavecin, Suite in C Major: XI. Menuet II 00:00:37
Pièces de clavecin, Suite in C Minor
32 Pièces de clavecin, Suite in C Minor: I. Prélude 00:02:10
33 Pièces de clavecin, Suite in C Minor: II. Allemande 00:03:38
34 Pièces de clavecin, Suite in C Minor: III. Courante 00:01:29
35 Pièces de clavecin, Suite in C Minor: IV. Sarabande 00:02:53
36 Pièces de clavecin, Suite in C Minor: V. Gigue 00:01:59
18.00 eur Temporarily out of stock

B.PASQUINI - Sonate per Gravecembalo - L.Guglielmi

B.PASQUINI - Sonate per Gravecembalo - L.Guglielmi
ID: STR33959
CDs: 1
Type: CD
Subcollection: Harpsichord

Aria seconda in DO Cekm 47/2
Toccata 'Per Francia' in la Cekm 99
Suite in RE 'Per lo scozzese' Cekm 23
Toccata in sol Cekm 103
Passagagli in sol Cekm 69
Toccata in do 'Per lo scozzese' Cekm 83
Toccata in DO Cekm 104
Passagagli in DO 'Per Petronilla' Cekm 67
Variazioni in DO 'Per la medesima' Cekm 60
Fantasia 'La Mi Fa Fa' in re Cekm 1
Partite diverse di follia in re Cekm 61
Ricercare 'In D. Sol Re' in re Cekm 4
Suite in mi 'Per l'inglese di Scozia' Cekm 22
Toccata 'Con lo scherzo del cucco' in LA Cekm 81
Pastorale in SOL Cekm 138
18.00 eur Temporarily out of stock

 
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