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World music CD DVD shop and Classic distribution
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ID: RCD15006
CDs: 2
Type: CD
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Kolektion: Russische geistliche MusikSubkolektion: Choir
It is sung in Old Slavonic Language.
Monk's Choir of the Pochaev Lavra of the Dormotion directed by S. Dimitry / The Choir of the Pochaev Lavra of the Dormotion directed by Deacon A. Yary |
| 28.00 eur Buy |
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ID: RCD29009
CDs: 2
Type: CD
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Kolektion: Russische geistliche MusikSubkolektion: Choir
It is sung in Old Slavonic Language.
Male Choir of Valaam Singing Culture Institute, Artistic director and conductor Igor Ushakov |
| 28.00 eur Buy |
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ID: RCD13003_2
CDs: 2
Type: CD
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Kolektion: Russische geistliche MusikSubkolektion: Choir
1CD - Recorded at the Trinity Cathedral Church in Alexandrov in 1991
2 CD - Recorded at the Three Hierarchs Church in Kharkov in 1989
Celebrating clergy:Archpriest Georgy Zapolnov, Deacon Victor Tretyakov.
Celebrating clergy: The Most Reverend Ireney, Archbishop of Kharkov and Bogodukhov Priest Victor Dogadaev, Deacon Alexander Gulevsky.
Trinity Cathedral Church Choir, Alexandrov - Svetlana Kurilo
Victor Tretyakov (narrator), Georgy Zapolnov (narrator)
Recorded: 1991 |
| 28.00 eur Buy |
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ID: RCD15130
CDs: 2
Type: CD
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Kolektion: Wartime MusicSubkolektion: Choir
Anthems and marches of the Russian Empire. Singing in Russian language.
ARRANGER:
Ushakov, Igor
Nikitin, Konstantine
LYRICS:
Derzhavin, Gavriil Romanovich
Lermontov, Mikhail
A. Klochinsky
E. Rozen
Shurovsky, Nikolai
Orlovsky, Mikhail
Koltsov, Alexey
Zhukovsky, Vasily
Molchanov, Ilya |
| 28.00 eur Buy |
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ID: RCD15129
CDs: 2
Type: CD
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Kolektion: Sacred MusicSubkolektion: Choir
It is sung in Old Slavonic Language and sung in Russian Language |
| 28.00 eur Buy |
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ID: QTZ2017
CDs: 2
Type: CD
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Subkolektion: Voices and Orchestra
Anna Leese - soprano (Mary)
Louise Poole - mezzo-soprano (Mary Magdalene)
Andrew Staples - tenor (John)
Colin Campbell - baritone (Peter)
Robert Rice - baritone (Judas)
Roderick Williams - baritone (Jesus)
The years 1898-1900 for Elgar saw the composition of The Dream of Gerontius which represented a new style of oratorio in which a continuous musical flow replaced the customary division into separate arias and choruses.
He embarked seriously on The Apostles in 1902 and the first performance took place in October of the following year at the Birmingham Festival conducted by Hans Richter. Elgar himself conducted performances in 1914 and again in 1922 in Canterbury Cathedral where this performance was given. As with Handel's Messiah Elgar's work was to have been in three parts, though it soon became apparent that it was going to be far too long for one oratorio, and the third part became the starting point for The Kingdom. This piece grew in its turn and the project became one for three oratorios; the first The Apostles, concerned with the apostles' relationship with the earthly Jesus, the second, The Kingdom, with the period after the crucifixion and the coming of the Holy Ghost, and the third, which never came to be written, on Judgment and the Life Everlasting.
Another influence is to be found in Wagner who built up his scores from a pattern of leit-motifs. In his analysis of The Apostles, Jaeger identified and named about sixty such themes, though he came under criticism from Ernest Newman (a leading Wagner authority) for being too obsessional in this respect, and even Elgar himself felt that Jaeger had taken this aspect of the work further than was really justified, since the themes, while being a strong structural element in the music, lacked the immediately identifiable symbolism of Wagner's motifs. The two composers' compositional methods were very different: Wagner completed his libretto first, allocating fragments of melody to particular ideas and incorporating them into the score at significant moments, for Elgar the musical development was pre-eminent he was by nature a symphonic, rather than an operatic composer. |
| 28.00 eur Buy |
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ID: RK2002
CDs: 2
Type: CD
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Subkolektion: Voices
Marcus Ullmann - Tenor/Evangelist Jörg Hempel - Bass/Jesus Egbert Junghans - Bass |
| 28.00 eur Buy |
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ID: RK2304
CDs: 2
Type: CD
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Kolektion: Vocal CollectionSubkolektion: Choir
Antchis Chati Chor (Tbilissi), Tsinandali Chor (Telavi/Kachetien), Three Elderly Singers (Gurien)
The traditional music of Georgia is the only music in the world to be under UNESCO protection. The music of Georgia is at its origins polyphonic. That none of the neighbouring countries have produced anything similar, eliminates the possibility that Georgians were directly influenced by other musical cultures. The Antchis Chati Choir has set itself the goal of reconstructing the Georgian repertoire in its original form. Its members maintain contacts with Georgian music experts all over the country. They often travel to villages, to record the song variations that are still sung today.
In summer 2003 Raumklang (Sebastian Pank) travelled to Georgia and met there beside the Antchis Chati Choir the Tsinandali Choir and three older singers from Guria. This recording was produced with an emergency generator in an old monastery, an abandoned cinema, and a former cultural centre. With this CD one can travel through Georgia in a musical way. From the powerful songs of Kachetia, Kartli and Megrelia - songs of love, about the host, wedding songs, an ancient field work song and others - to the sacred music from the Schemokmedi monastery. |
| 28.00 eur Buy |
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ID: RK2307
CDs: 2
Type: CD
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Subkolektion: Voices
Leipziger Vocalensemble
Leipziger Barockorchester
Ulrike Staude - Sopran/soprano
Klaudia Zeiner - Alt/alto
Martin Petzold - Tenor/tenor
(Leitung/direction: David Timm)
cantores lipsienses
Hermann Oswald - Tenor/tenor
Wolf Matthias Friedrich - Bass/bass
Christiane Bräutigam - Orgel/organ
Stephan Stopora - Schlagzeug/percussion
(Leitung/direction: Volker Bräutigam) |
| 28.00 eur Buy |
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