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ID: RK2806
CDs: 1
Type: CD
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Collection: Medieval Period
Subcollection: Choir
Maria Jonas performs both Early and Contemporary Music and has studied and taught historical singing. Ars Choralis Coeln gave its debut concert in 2004 and since then has succeeded in establishing itself at home and abroad.
Gesang: Stefanie Brijoux, Sylvia Dörnemann, Maria Jonas, Uta Kirsten, Petra Koerdt, Elodie Mourot, Pamela Petsch, Cora Schmeiser, Amanda Simmons, Christine Wehler, Ulrike Berner-Heimbach
Block- und Traversflöte: Lucia Mense
Fidel : Susanne Ansorg
Harfe : Amanda Simmons
Glocken: Bettina Strübel, Elodie Mourot
Portativ: Bettina Strübel
Sinfonia: Susanne Ansorg, Bettina Strübel
Leitung: Maria Jonas
Die Texte der Gesänge Hildegards sind Miniaturen ihrer Theologie, sie kreisen um die großen Themen Schöpfung und Menschwerdung und damit auch um Maria als Mutter Christi. Hildegards Marienbild kommt den schlichten und hoheitsvollen Skulpuren der Romanik nahe, die Maria als „sedes sapientiae“, als Thron der Weisheit darstellen: Hier geht es nie um isolierte Marienverehrung, sondern im Mittelpunkt steht Christus als fleischgewordene Weisheit, die seine Mutter der Welt präsentiert.
Die Frauenschola Ars Choralis Coeln und Maria Jonas geben den tiefgründigen Gesängen Hildegards einen überzeitlichen Klang. In der Weite der großen romanischen Basilika des Klosters Eberbach erheben sich ihre sonoren Stimmen anbetungsvoll.
Für ihre 2007 bei Raumklang erschienene CD „Rose van Jhericho - das Liederbuch der Anna von Köln“ (RK 2604) erhielt Ars Choralis Coeln bereits zahlreiche Auzeichnungen, darunter den Diapason 5 und den begehrten Choc du monde de la musique. |
| 13.00 eur Buy |
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ID: RKS59803
CDs: 1
Type: CD
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Subcollection: Choir
Diese erfolgreiche RAUMKLANG-CD aus dem Jahre 1998 (inklusive einiger damaliger Weltersteinspielungen!) erscheint mit umfangreichem Booklet in der Souvenir-Jubiläumsreihe zum Midprice!
This is a reissue of a successful RAUMKLANG CD at mid-price. “The Vocal Ensemble offers a homogenous and polished choral sound as well as sensitive phrasing in the fashioning of the melodies.” Amadeo
Telemann:
Das ist meine Freude, TWV DEEST
Der Gott unsers Herrn Jesu Christi, TWV 8:4
Halt, was du hast TVWV 8:9
Saget der Tochter Zion, TWV DEEST
Rufe mich an in der Zeit der Not, TWV DEEST
Fürwahr, er trug unsre Krankheit, TWV DEEST
Laudate Dominum, TWV 8:11
Werfet Panier auf im Lande, TWV 8:15
Ich will schauen dein Antlitz in Gerechtigkeit, TWV DEEST
Selig sind die Toten, TWV DEEST
Ich habe Lust abzuscheiden, TWV DEEST
Selig sind die Toten, TWV 8:13
Es segne uns Gott TVWV 8:8
Komm, Heiliger Geist, TWV 3:92
Danket dem Herrn, TWV 8:3
Ein feste Burg ist unser Gott TVWV 8:7 |
| 13.00 eur Temporarily out of stock |
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ID: V1-0645
CDs: 1
Type: CD
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Collection: Choral Collection
Subcollection: Choir
(1-18) Hradec Králové Male Choir & Bonifantes, boys choir
| Jan Míšek (choirmaster)
(19-27) - Canticorum iubilo | Oliver Dohnányi (choirmaster)
(9-11) - Jiřina Marešová, piano |
| 13.00 eur Buy |
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ID: CHRCD057
CDs: 1
Type: CD
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Subcollection: Choir
Artist(s):
Cheryl Frances-Hoad
Jennifer Johnston
Joseph Middleton
Alisdair Hogarth
Tracks:
1. Frances-Hoad, Cheryl 04:12
One life stand - i - Brief encounter
2. Frances-Hoad, Cheryl 02:10
One life stand - ii - The pros and the cons
3. Frances-Hoad, Cheryl 06:11
One life stand - iii - Tide to land
4. Frances-Hoad, Cheryl 02:09
One life stand - iv - Ante-natal
5. Frances-Hoad, Cheryl 06:14
One life stand - v - The shadow tree
6. Frances-Hoad, Cheryl 02:05
One life stand - vi - Rubbish at adultery
7. Frances-Hoad, Cheryl 02:37
One life stand - vi - In the chill
8. Frances-Hoad, Cheryl 04:30
One life stand - vii - The cycle
9. Frances-Hoad, Cheryl 03:39
There is no rose
10. Frances-Hoad, Cheryl 03:27
Don't
11. Frances-Hoad, Cheryl 05:50
Psalm 1
12. Frances-Hoad, Cheryl 02:54
You promised me everything last night
13. Frances-Hoad, Cheryl 03:04
Nunc dimittis
14. Frances-Hoad, Cheryl 02:30
Beowolf - i - 'So'
15. Frances-Hoad, Cheryl 00:54
Beowolf - ii - 'Grendel'
16. Frances-Hoad, Cheryl 01:06
Beowolf - iii - 'For twelve winters'
17. Frances-Hoad, Cheryl 00:55
Beowolf - iv - 'I had a fixed pupose'
18. Frances-Hoad, Cheryl 01:15
Beowolf - v - 'In off the moors'
19. Frances-Hoad, Cheryl 03:34
Beowolf - vi - 'Then his rage'
20. Frances-Hoad, Cheryl 02:59
Beowolf - vii - 'When Hrothgar arrived'
21. Frances-Hoad, Cheryl 02:45
Beowolf - viii - 'Hildeburgh'
22. Frances-Hoad, Cheryl 01:12
Beowolf - ix - [piano interlude]
23. Frances-Hoad, Cheryl 01:12
Beowolf - x - 'A lot was to happen'
24. Frances-Hoad, Cheryl 02:15
Beowolf - xi - 'He rippled down the rock'
25. Frances-Hoad, Cheryl 04:15
Beowolf - xii - 'Then he drew himself up'
26. Frances-Hoad, Cheryl 02:08
Beowolf - xiii - 'For fifty years'
27. Frances-Hoad, Cheryl 03:28
Beowolf - ix - 'For fifty years' |
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ID: MELCD1001981
CDs: 1
Type: CD
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Collection: Russian Sacred Music
Subcollection: Choir
The name Archimandrite Matfei belongs among the most prominent figures of the Russian Sacred Music tradition. A composer, arranger and professor of the Moscow Ecclesiastical Academy and a member of the Synodal Commission of the Russian Orthodox Church for divine services, for 30 years he headed the choir of the Trinity Lavra of St Sergius that was a centre for religious culture in Russia. |
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ID: VVCD-00042
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
Recorded October 26-27 and November 4, 1997 St. Nikolai Church Choir of the State Tretyakov Gallery, Moscow Conducted by Alexei Pouzakov Archpriest Nikolai Sokolov Cover: Mikhail Vrubel. Angel with a Candle, 1887 All Night Vigil is a public worship in the Orthodox Church and its name reflects the fact that it used to last all through the night. For many decades the worship included some customary chants. It was not until late 19th century that All Night Vigil became a more flexible genre, that attracted some prominent Russian composers, including Tchaikovsky. The premier performance of the Rachmaninov's All Night Vigil took place in 1915 not in a church but in the Great Hall of the Moscow Nobility Assembly. Thus liturgical music became music for the concert halls as well as for temples. Rachmaninov's genius manifested itself in an astonishingly free creative manner of musical composition based however on a deep and awesome study of the Ortodox liturgical singing tradition as well as on a daring and innovatory use of all the advanced methods of the modern classical music of the time. As a result a true masterpiece of polyphonic canticle arose. As Alexei Puzakov put it, you will not find here just the main part of soprano and accompaniment (all other parts).Each voice - and Rachmaninov involves 12 of them - like a human being in real life, performs his or her part which is unique and main for him or her. All these voices merge into a unique and inimitable in its beauty Divine symphony. St. Nikolai Church Choir is well placed to perform the great work by Rachmaninov. It is one of the best church choirs in Moscow, all its members are exceptionally talented professional singers It is a State Choir under the State Tretyakov Gallery. The choir performed All Night Vigil at the Great Hall of the Moscow Conservatoire, at St. Paul's Cathedral in London, but more often the choir sings during the services in the St. Nikolai Church which at one time was Rachmaninov's parish church. |
| 13.00 eur Temporarily out of stock |
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ID: MELCD1002070
CDs: 1
Type: CD
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Collection: Choral Collection
Subcollection: Choir
The Sealed Angel is choral music after Nikolai Leskov for mixed choir a capella with reed (flute) in 9 movements, Op. 1988 and is performed in the Church Slavonic language. It is one of the most significant choral works by modern classic Rodion Shchedrin.
Shchedrin uses texts of Orthodox prayers and fragments from service books but does not adhere to any strictly dogmatic text The music is performed by two outstanding choirs - the State Academic Russian Choir and the Moscow Choir conducted by Vladimir Minin.
Alexander Golyshev (flute), Tatiana Zhdanova (mezzo), Lolita Semenina (soprano), Natalia Belova (soprano), Alexander Illarionov (alto), Alexeye Alexeyev (tenor)
State Academic Russian Choir & The Moscow Chamber Choir, Vladimir Minin |
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ID: MELCD1001844
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
Soloist: David Varzhapetyan
Komitas was the founder of the Armenian national school of composition and his contribution to Armenian culture cannot be overestimated. Patareg, for male choir is his greatest work and was premiered in 1915. |
| 13.00 eur Temporarily out of stock |
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ID: MELCD1001820
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
The first official release on the Melodiya label included the first Sticheron by Tsar Ivan IV (Ivan the Terrible) and both Stichera have not been presented on CD until now. Both the works are vespers and matins canticles, and are wonderful explorations of Russia’s renowned choral history.
Ivan the Terrible. Frightening and discrepant figure of the Russian Tsar always attracted attention of the historians, artists, filmmakers, musicians and poets. Interest in him is due not only to bloody halo, but to a deeply creative essence of the Tsar Ivan - a person. “Firma Melodiya” issued an album, which presents two pieces for the authorship of Ivan the Terrible - Stichira for the Death of Pyotr, Metropolitan of Moscow and All Russia and the Stichira To the Meeting of the Icon of Our Lady of Vladimir. Besides them, as a bonus-tracks the are two fragments from the letter of Ivan the IV to the Prince Andrew Kurbsky.
(1, 2) - Men’s Vocal Quartet
(3, 4) - Alexander Kulinich (narrator)
Men’s Vocal Quartet - Igor Voronov, conductor
Igor Voronov, tenor I.
Sergei Sermyagin, tenor II.
Peter Deryugin, baritone
Eugene Chepikov, bass |
| 13.00 eur Buy |
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