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ID: CHRCD057
CDs: 1
Type: CD
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Subcollection: Choir
Artist(s):
Cheryl Frances-Hoad
Jennifer Johnston
Joseph Middleton
Alisdair Hogarth
Tracks:
1. Frances-Hoad, Cheryl 04:12
One life stand - i - Brief encounter
2. Frances-Hoad, Cheryl 02:10
One life stand - ii - The pros and the cons
3. Frances-Hoad, Cheryl 06:11
One life stand - iii - Tide to land
4. Frances-Hoad, Cheryl 02:09
One life stand - iv - Ante-natal
5. Frances-Hoad, Cheryl 06:14
One life stand - v - The shadow tree
6. Frances-Hoad, Cheryl 02:05
One life stand - vi - Rubbish at adultery
7. Frances-Hoad, Cheryl 02:37
One life stand - vi - In the chill
8. Frances-Hoad, Cheryl 04:30
One life stand - vii - The cycle
9. Frances-Hoad, Cheryl 03:39
There is no rose
10. Frances-Hoad, Cheryl 03:27
Don't
11. Frances-Hoad, Cheryl 05:50
Psalm 1
12. Frances-Hoad, Cheryl 02:54
You promised me everything last night
13. Frances-Hoad, Cheryl 03:04
Nunc dimittis
14. Frances-Hoad, Cheryl 02:30
Beowolf - i - 'So'
15. Frances-Hoad, Cheryl 00:54
Beowolf - ii - 'Grendel'
16. Frances-Hoad, Cheryl 01:06
Beowolf - iii - 'For twelve winters'
17. Frances-Hoad, Cheryl 00:55
Beowolf - iv - 'I had a fixed pupose'
18. Frances-Hoad, Cheryl 01:15
Beowolf - v - 'In off the moors'
19. Frances-Hoad, Cheryl 03:34
Beowolf - vi - 'Then his rage'
20. Frances-Hoad, Cheryl 02:59
Beowolf - vii - 'When Hrothgar arrived'
21. Frances-Hoad, Cheryl 02:45
Beowolf - viii - 'Hildeburgh'
22. Frances-Hoad, Cheryl 01:12
Beowolf - ix - [piano interlude]
23. Frances-Hoad, Cheryl 01:12
Beowolf - x - 'A lot was to happen'
24. Frances-Hoad, Cheryl 02:15
Beowolf - xi - 'He rippled down the rock'
25. Frances-Hoad, Cheryl 04:15
Beowolf - xii - 'Then he drew himself up'
26. Frances-Hoad, Cheryl 02:08
Beowolf - xiii - 'For fifty years'
27. Frances-Hoad, Cheryl 03:28
Beowolf - ix - 'For fifty years' |
| 13.00 eur Buy |
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ID: MZ526-9DG
CDs: 1
Type: CD
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Collection: Oratorio
Subcollection: Choir
Oratorio by Peeter Vähi
Performed by: Sevara Nazarkhan (soprano, Mary Magdalene), Juris Jēkabsons (tenor, Andreas), Eduards Fiskovičs (baritone, Levi), Priit Volmer (basso, Jesus), Uģis Meņģelis (basso, Peter), Peeter Volkonski (narrator), Riga Dom Cathedral Boys Choir, State Choir Latvija, Latvian National Symphony Orchestra, conductor Risto Joost
Oratorio for vocal soloists, basso, narrator, boys’ choir, mixed choir, nature sounds and symphony orchestra; original lyrics in Coptic language.
Recorded: Nov 29th − Dec 1st, 2011, Great Guild Hall, Riga
Engineered and mastered by Enno Mäemets / Editroom (Finland)
Artistic producer − Viive Mäemets / Editroom (Finland)
Nature sounds licensed from Ivar Vinkel
Advisor in Coptic pronunciation − Dr Jaan Lahe
Booklet: liner notes in 3 languages (Estonian, English, German) + original Coptic text of the Mary Magdalene Gospel |
| 14.00 eur Buy |
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ID: VOL138.0
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
(14, 15a) Znamenny chant
(5, 8, 10, 13 ) Bulgarian chant
(6, 9, 11, 15c) Serbian chant
(1, 15 b) Byzantine chant
(2, 7, 12, 15d) Kartalino-Kakhetian (Georgian) chant
(3) Putevoy three-part line chant |
| 14.00 eur Temporarily out of stock |
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ID: VOL.28.0
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
Precentor of the Monastic Choir of the Valaam Monastery Hierodeacon German (Ryabtsev)
The Akathists to the Most Sweet Jesus and the Mother of God are a vivid expression of Russian piety and a special love of the Russian Orthodox Christians to this kind of prayers, which has become an important part of the daily rule.
The Akathist to the Most Sweet Jesus expresses the pious reverence and humility of Christians at the mystery of the coming to the world of the Son of God and His Incarnation. His deed of redemption, Resurrection and Ascension are glorified in the Akathist. Being aware of his sinfulness, the worshipper hopes for the all-forgiving love and mercy of Christ the Saviour.
The Akathist to the Mother of God expresses the firm belief of the Orthodox people in Her prayers and intercession for humanity before Her Divine Son.
These akathists are the earliest in Orthodox hymnology. It was on this pattern that many other akathists were composed, particularly to the icons of the Mother of God and to many saints. |
| 14.00 eur Buy |
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ID: VOL.21.0
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
Palm Sunday is the feast of the Entry of the Lord into Jerusalem - His voluntary coming to His sufferings and death. He was met as the King and the Lord, but in a few days was sentenced to death and crucified. The hymns in the first part of the CD are dedicated to these events, about which we know from the Gospel.
Recorded in the second part are hymns from the Festal Triodion, i.e. the period of church services from Pascha to the Sunday of All Saints. This will be interesting to the listeners to hear these festive hymns performed with unusual austerity and restraint.
Recorded in St.Nicholas skete of the Valaam Monastery. |
| 14.00 eur Buy |
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ID: VOL141.0
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
The ‘Akathist’ male chamber choir - a laureate of international competitions - continues the great traditions of Russian choral art and Orthodox church singing.The repertoire of the male chamber choir consists of hymns of the Orthodox Church from the 16th to the 20th centuries and folk songs. The choir performs monophonic znamenny chant, monastic melodies from the Laura of the Caves in Kiev and the Laura of the Holy Trinity and St.Sergius, and works of church composers from the 19th and 20th centuries such as A.Kastalsky, A.Arkhangelsky, P.Chesnokov, V.Kalinnikov, A.Grechaninov |
| 14.00 eur Buy |
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ID: VOL146.0
CDs: 1
Type: CD
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Collection: Sacred Music
Subcollection: Choir
The verses are penitential, tearful and moving, so that they call the soul to repentance" - this title in chant manuscripts relates to particular works. First of all, these texts appeared in chant books at the end of the fifteenth century. They were not connected to the Church"s Ordo and liturgical practice. They are an ancient layer of Russian para-liturgical religious poetry. The purpose of the verses was to lead the singers and listeners to a pure repentance of sins, once committed or imagined, that would benefit the soul.
The freedom of melody, its beauty and divine inspiration, the lofty sensitivity of its poetry, and the power of all these component parts were so great that the penitential verses survived the medieval tradition by receiving embodiment at the end of the seventeenth century in the new genres of para-liturgical lyric poetry of psalms and religious verses, and in the twentieth century - in the great artistic works of the Russian composers Georgy Sviridov, Valery Gavrilin and Vladimir Martynov.
A.N. Kruchinina, Professor of the St. Petersburg Conservatoire
The Znamenny chant notation was deciphered and arranged by hierodeacon German
Sound engineer: hierodeacon German
Arrangement for two voices by hierodeacon German
Music and words by hierodeacon German.
Music by hierodeacon German |
| 14.00 eur Temporarily out of stock |
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ID: SIGCD102
CDs: 1
Type: CD
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Collection: Choral Collection
Subcollection: Choir
Choral director, composer and musicologist, Clytus Gottwald turns his attention to complex and masterly choral arrangements of works from the late nineteenth and early twentieth century. Works by European composers including Wagner, Mahler, Debussy and Webern are arranged in up to sixteen parts, performed by the Rodolfus Choir, directed by Ralph Allwood. |
| 15.00 eur Buy |
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ID: SIGCD011
CDs: 1
Type: CD
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Collection: Vocal Collection
Subcollection: Choir
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| 15.00 eur Temporarily out of stock |
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