|
|
|
ID: GD284
CDs: 1
Type: CD
|
Kolektion: Choral CollectionSubkolektion: Choir
The conductor Vassil Arnaudov is an example of high musical culture and mastership in the development of Bulgarian conductor art. Even today, 12 years after his death, we still remember his top achievements. During his creative art he visited many places in Bulgaria so as to help a lot of conductors and choirs. He passed his knowledge with deep love to his students, and a number of them have become famous choir conductors. His greatest achievement is with the Sofia Chamber Choir and the “Rodina” Choir in Rousse. Part of the magnificent performances of the Sofia Chamber Choir have been included in the present release, which is dedicated to the 70th anniversary of Vassil Arnaudov’s birth. The programme features Bulgarian composers, whom the conductor had a great respect for. His collaboration with different composers has often provoked the creation of works specially written for the Sofia Chamber Choir. Admirers of choral singing will find some of them in the present release. |
| 15.00 eur Temporarily out of stock |
|
ID: GR96
CDs: 1
Type: CD
|
Kolektion: Sacred MusicSubkolektion: Choir
The musical culture of Malta is almost unknown in Bulgaria. With its series of music by Maltese composers, Gega New allows music lovers to get acquainted with it. The first CD with 19th century sacred music paved the way for future collaboration in this big project between Gega New and APS bank, Malta. As a result, two programmes followed with 20th century and 18th century music.
The present release continues the series with one of the most productive periods in the development of Maltese music culture. The recordings were made in Malta by a Bulgarian recording staff with the support of APS bank.
Soloists: Joseph Aquilina (tenor), Alfred Camilleri (baritone), Anthony Montebello (bass) The Jubal Male Choir and Orchestra
Rev. John Galea, conductor
Recorded in May 2004 at the Seminary, Rabat, Malta |
| 15.00 eur Buy |
|
ID: GR95
CDs: 1
Type: CD
|
Subkolektion: Liturgy
This is the third CD of the series by Maltese composers that Gega New has started to release. The first two programmes contain sacred works from the 19th century (GR 88) and the beginning of the 20th century (GR 94). The present CD features earlier, 18th century works and sacred music also prevails here. Listeners will have the chance to appreciate the splendid works of Maltese composers. The successful cooperation of Gega New with APS Bank, Malta, thanks to which the three programmes have been recorded, will continue in future. Another CD is to be released, which will contain the second volume of music by 19th century Maltese composers. All recordings have been made by Bulgarian technical staff and equipment in historic cathedrals in Malta .
Soloists: Gillian Zammit (soprano), Claire Massa (contralto), Joseph Aquilina (tenor), Anthony Montebello (bass) The Jubal Mixed Choir and Orchestra
Rev. John Galea, conductor
Recorded at the Seminary in Rabat, Malta, May 2004 |
| 15.00 eur Temporarily out of stock |
|
ID: GR97
CDs: 1
Type: CD
|
Kolektion: Sacred MusicSubkolektion: Choir
The fifth programme in this series of music by Maltese composers includes the second part of the 20th century. This is yet another period in the development of Maltese music. The recordings were made again in Malta by a Bulgarian recording staff with the support of APS bank.
Soloists: Joseph Aquilina (tenor), Alfred Camilleri (baritone), Anthony Montebello (bass)
The Jubal Mixed Voice Choir
The Jubal Orchestra
Rev. John Galea, Conductor
Recorded from 29 November to 5 December 2004 at the Porziuncola House, Malta |
| 15.00 eur Buy |
|
ID: GD313
CDs: 1
Type: CD
|
Kolektion: Sacred MusicSubkolektion: Choir
Christian musical tradition in Bulgaria dates back long before Christianity was established as an official state religion (865). According to some records a Christian church convention took place in Serdica (Sofia) in the 4th century. It is believed that the church chants of that time differed from the Byzantium church music. When East Orthodox religion was adopted as a state religion in Bulgaria, King Boris I put an end to this tradition. The Byzantium liturgical services and chants were enforced. Byzantium church music was dominant up to the end of the 18th and the beginning of the 19th century, in spite of the recurrent resistance of various groups of society. However, a few sources from that time show that there were attempts to create Bulgarian church music. The works of St. John Koukouzeles date from that time (13-14th c.). This tendency for developing Bulgarian church music was stopped when the country went under Ottoman rule (14th c.). At the end of the 18th and the beginning of the 19th century a new movement for reviving the Bulgarian church tradition began. Some Byzantium chants were translated into Slavonic language, and parallel to that original Bulgarian Orthodox chants were created. After the liberation from the Ottoman rule (1878), the service liturgies of the Russian Orthodox Church became dominant. A large number of Bulgarian composers wrote works for the church. They used elements of Old Bulgarian chants and reached the level of the Russian liturgical music. Dobri Hristov, for example, wrote liturgies dedicated to priests and they are still performed at church services. In his first liturgy of St. John Chrysostom he uses Old Bulgarian intonations.
The liturgical chants of Dobri Hristov, Peter Dinev, Apostol Nikolaev-Stroumsky, etc. are a inherent part of church services, just as the Russian chants by Alexander Grechaninov, Pavel Chesnokov, Nikolai Bakhmetiev …
Soloists: Orlin Anastassov, Alis Bovarian, Nikolina Pankova, Sasho Kostov, Alexander Deyanov, Peter Petrov, Martin Pashovski, Vanilia Kissyova, Yuri Lefedjiev, Sunai Mouratov, Konstantin Mirinski, Nicola Ghiuselev, Priest Boncho Chakov, Protodeacon Stefan Markov, Iskander Turiare, Dimiter Bonev
With the participation of: The Seven Saints Choir, conductor Dimitar Grigorov, Sofia Priest Choir, conductor Kiril Popov, Sofia Orthodox Choir, conductor Miroslav Popsavov, Madrigal Sofia Chamber Choir, conductor Stoyan Kralev, Sofia Armenian Choir, conductor Bedros Papazian, Mixed Choir, conductor Miroslav Popsavov |
| 15.00 eur Buy |
|
ID: GR92
CDs: 1
Type: CD
|
Kolektion: Sacred MusicSubkolektion: Choir
This is the ninth compact disc issued as a result of the initiative of APS Bank of Malta to record a series of CDs with sacred music composed by Maltese composers (released on the Gega New label). The previous CDs presented works of the 18th, 19th, and 20th centuries. This release takes us back to the 19th century and to one of Malta’s most prominent composers - Pietro Paolo Bugeja. He had initial musical studies in Malta and then went on to Naples to continue them in the Concervatorio di Saint ’Onofrio a Capuana between 1791 and 1797. It was in Naples that he wrote his first grand mass for the liturgy of St. Ivo’s Church. In 1798 he returned to Malta and was assistant to Francesco Azopardi, metrolpolitan maestro di capella at St. John’s Cathedral in Valletta. On Azopardi’s death he was selected to succeed him as maestro both of Mdina Cathedral and St. John’s Cathedral.
Bugeja was a composer, conductor and teacher. This versatile activity contributed a lot to the development of his style as a composer.
Pietro Paolo Bugeja wrote Messa solenne in 1827, mainly to be performed in the Cathedral. A very important element of the Messa solenne is its concise form. It was one of the 19th century’s best-known works. Besides it Bugeja also composed four funeral masses, 20 medium masses, 30 psalms, diverse hymns, antiphons and responses. His orchestral works include 9 sinfonie, probably written for church use, since contemporary norm required a sinfonia to precede important liturgical rites. For this purpose, Bugeja also utilized the sinfonia composed for his oratorio Gioas re di Guida - a large-scale orchestral work, written in the ‘seria’ style. According to Professor Richard Divall of the Faculty of Music, University of Melbourne, “the music of Pietro Paolo Bugeja is unjustly neglected, for the standard of his vocal and orchestral writing is very fine indeed. Stylistically Bugeja looks both back in time to the neo classicism of Gluck, with whom he has a stylistic affinity, and forward to the music of Spontini.”
SINFONIA in re maggiore from the oratorio Gioas re di Giuda
Performers: Anita Vella Bondin - soprano, Connie Francis Zerafa - mezzo soprano, Joseph Aquilina - tenor, Anthony Montebello - bass, The Mirabitur Choir, The Jubal Orchestra, Rev. John Galea - conductor
Recorded by Gega New in Malta |
| 15.00 eur Buy |
|
ID: GD315
CDs: 1
Type: CD
|
Kolektion: Choral CollectionSubkolektion: Choir
The composer and music pedagogue Alexander Tekeliev is the author of musical scenic works, 2 oratorios, vocal and symphonic works, symphonies for string orchestra, chamber and instrumental works, vocal cycles, solo and choral songs; music for children, solo songs for children; arrangements for folk choirs, soundtracks to films, etc. He studied at the Prof. Pancho Vladigerov State Academy of Music in Sofia and completed his master degree in composition with Prof. Vesselin Stoyanov. Alexander Tekeliev furthered his studies in composition and orchestration in Budapest with Attila Bosai (1980) and in Paris with Michel Filippo (1982). Since 1977 he has been teaching at the Prof. Pancho Vladigerov State Academy of Music and since 1991 he is Professor of Composition and Symphony Orchestration.
A great part of his works have been published in Bulgaria and throughout the world and many of them have been performed in France, Italy, Greece, Japan, Hungary, Portugal, Russia, Ukraine, Sweden, Poland, Germany, Austria, Mexico, Norway, etc.
The three compositions which are included in the present album differ greatly regarding emotional impact and expressive means. While Roots is entirely influenced by the unique Bulgarian way of singing and spirit, Symphony - Requiem No. 4 is a powerful work, dedicated to the victims of terrorism. It was inspired by the tragic events of September 11th, 2001 in New York. Even though the composer uses again the expressive means of the specific folk voices, their purpose is to reinforce the author’s suggestion of the universal tragedy. The third piece Happy Birthday is written in the style of a playful joke. The motif of the well-known song appears from behind some familiar tunes by Liszt, Puccini, Strauss, Mozart, Offenbach, Tchaikovsky… It is full of humour, ingenuity, virtuosity and profound command of the art of composing.
Participating:
"Cosmic Voices" Female Folk Choir
Bulgarian National Radio Symphony Orchestra
Vanya Moneva
Milen Nachev
Naiden Todorov
Martin Panteleev |
| 15.00 eur Buy |
|
ID: MKM248
CDs: 1
Type: CD
|
Subkolektion: Voices and Orchestra
Booklet and inlay only in russian language. |
| 15.00 eur Buy |
|
ID: MKM250
CDs: 1
Type: CD
|
Subkolektion: Vocal and Piano
Booklet and inlay only in russian language. |
| 15.00 eur Buy |
|
ID: MKM249
CDs: 1
Type: CD
|
Subkolektion: Vocal and Piano
Booklet and inlay only in russian language. |
| 15.00 eur Buy |
|
|
