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Orchestre, page 31

   Les titres retrouvé: 740
 

W. Furtwängler - Beethoven: Symphony No. 5 - Bruckner: Symphony No. 6

W. Furtwängler - Beethoven: Symphony No. 5 - Bruckner: Symphony No. 6
ID: MELCD1001110
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

20.00 eur Temporarily out of stock

A. GLAZUNOV - The Seasons - Symphony Op.6 - N.Golovanov

A. GLAZUNOV - The Seasons - Symphony Op.6 - N.Golovanov
ID: MELCD1000929
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

GLAZUNOV:THE SEASONS OP.67(1929)/SYMPHONY NO.6 OP.58(1952):ALEXANDER GLAZUNOV(cond)/SYMPHONY ORCHESTRA/ETC
20.00 eur Temporarily out of stock

Great Russian Conductors Vol. 2 - Nikolay Golovanov

Great Russian Conductors Vol. 2 - Nikolay Golovanov
ID: VVCD-00139
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

Recorded: 1949 (5); 1952 (1-4)
20.00 eur Temporarily out of stock

DIMITAR NENOV - COMPOSITIONS

DIMITAR NENOV - COMPOSITIONS
ID: GD258
CDs: 1
Type: CD
Subcollection: Piano

Bulgaria's liberation from the Ottoman occupation (1878) created conditions for the development of professional culture in Bulgaria. Up to then the only cultural product was present in the folk tradition. From the first half of the 20th century onwards the arts marked a rapid development. Many talented Bulgarians returned to their country and lay the foundations of the Bulgarian national culture. Dimitar Nenov (1902-1953) was among the representatives of the Bulgarian composers' school of that time. He was a brilliant composer and pianist, a talented architect, an original thinker, piano pedagogue and active public figure. He graduated in architecture in Germany and then went on to study piano, theory of music and composition under the tuition of well-known professors at the Dresden Conservatory. Later he specialized in piano in Poland, graduated from the Music Academy of Bologna, Italy, and in 1937 became Professor in piano at the State Academy of Music in Sofia. Besides being a pedagogue, he also worked actively for establishing the Contemporary Music Composers' Association in Bulgaria, gave many concerts in his country and abroad. He also created a large quantity of works where he united the ideas of the European musicians together with his aspiration for ethnical sounding of the musical work. The two compositions included in this CD are an illustration of his concept. They were composed during the period 1932-1939. The toccata was conceived as a piano variant and was later orchestrated by the great Bulgarian composer Lazar Nikolov (Dimiter Nenov's student).
The Bulgarian pianist Anton Dikov, whose teachers were Nadia Boulanger, Arthur Rubinstein and Robert Kasadeseau, performs the piano solo of the concerto. He has concertised successfully in Europe, the USA, South America, and Asia and is a holder of many prestigious awards from international competitions. The remarkable performance of the Rousse Philharmonic Orchestra is due to a large extent to its conductor, Alipi Naidenov - a prominent Bulgarian conductor who has given numerous concerts and made many recordings in Bulgaria and in other European countries.
20.00 eur Temporarily out of stock

Robin Holloway - Concerto for Orchestra No.2

Robin Holloway - Concerto for Orchestra No.2
ID: NMCD015M
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

Holloway's Second Concerto for Orchestra displays the composer at his most thrilling and eclectic. Inspired by a visit to North Africa, the work pulsates with energy and excitement.
GRAMOPHONE AWARD WINNER - BEST CONTEMPORARY RECORDING 1994 "A fascinating disc: the Concerto isn't quite like anything else I know, and in every aspect NMC have served it well. It deserves the widest possible hearing."Gramophone 1994
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Great Russian Conductors, Vol. 6 Konstantin Symeonov

Great Russian Conductors, Vol. 6 Konstantin Symeonov
ID: VVCD-00150
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

Recorded: 05.03.1960 live from the Tchaikovsky Concert Hall, Moscow
20.00 eur Temporarily out of stock

Tibor Varga, violin - Collection, Vol.II - Mozatr - Violin Concerto - Symphony K.425

Tibor Varga, violin - Collection, Vol.II - Mozatr - Violin Concerto - Symphony K.425
ID: CLAVES509312
CDs: 1
Type: CD
Subcollection: Violin

20.00 eur Buy

The young Martha Argerich Vol. 2 (piano)

The young Martha Argerich Vol. 2 (piano)
ID: IDIS6626
CDs: 1
Type: CD
Subcollection: Piano

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MASTERPIECES OF RUSSIAN MUSIC - KHACHATURIAN - TCHAIKOVSKY - GLINKA - PROKOFIEV

MASTERPIECES OF RUSSIAN MUSIC - KHACHATURIAN - TCHAIKOVSKY - GLINKA - PROKOFIEV
ID: GD254
CDs: 1
Type: CD
Collection:
Orchestral Works
Subcollection: Orchestre

While 19th century Western Europe music includes different styles and schools, there is no such division among Russian composers. During that time Russia marks a period of real national upsurge in enhancing the Russian nation. For this reason, the Russian composers turn back to the traditional village folklore and consider it basic for the future development of Russian musical culture. Glinka was the first to look back to the Russian musical heritage. His works provide a basis for the Russian classical music school. The realistic traditions in his music are followed also by the next generation of composers.
At the end of the 50s and the beginning of the 60s a group of composers (Balakirev, Borodin, Mussorgsky, Rimsky-Korsakov, Cui) created the group “The Five”, dedicated to the production of a specifically Russian brand of music and truthful representation of real life. They follow the path of Glinka and Dargomizhsky in creating works which are closely connected to folk art. However, they also stand out with their brilliant artistic talent and the innovations they made in opera, symphonic and chamber music. Tchaikovsky also shares their outlook. He often uses Russian folklore, but is interested mainly in the inner life of man, and not in large-scale historical dramas. In this sense, his music is more closely related to everyday romance, than to the traditional folklore. Tchaikovsky also creates a new type of ballet music. Music had mainly accompaniment functions before him. He makes it stand on its own in the whole performance. By employing the expressive means of symphonic music, the composer reveals the dramatic content of the work.
20th century composers are also influenced by their predecessors. They develop the folk traditions and enrich them with the expressive means of their time.
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Roger Smalley - Pulses

Roger Smalley - Pulses
ID: NMCD017M
CDs: 1
Type: CD
Collection:
Chamber Music
Subcollection: Orchestre

BBC Symphony Orchestra, Richard Bernas - Roger Smalley: Pulses for 5x4 Players

Rampant antiphonal brass and percussion characterise Smalley's Pulses for 5×4 Players - a huge and gripping work which uses electronic treatment of sound to explore the spatial relationship between groups of performers.
20.00 eur Buy
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