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Baroque, page 8

   Les titres retrouvé: 342
 

Handel - Messiah (highlights) - Cleobury/Choir of King's College, Cambridge

Handel - Messiah (highlights) - Cleobury/Choir of King's College, Cambridge
ID: RRC1260
CDs: 1
Type: CD
Collection:
Baroque

Lynne Dawson, Hilary Summers, John Mark Ainsley & Alastair Miles

Brandenburg Consort & King's College Choir, Stephen Cleobury
15.00 eur Buy

Sviatoslav Richter, piano - Bach - Deluxe Edition

Sviatoslav Richter, piano - Bach - Deluxe Edition
ID: SMCCD0051
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Piano

15.00 eur Temporarily out of stock

Galuppi - Seven Harpsichord Sonatas - Vladimir Radchenkov. Vol. 3

Galuppi - Seven Harpsichord Sonatas - Vladimir Radchenkov. Vol. 3
ID: IMLCD070
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Harpsichord

15.00 eur Buy

J.S. Bach - Baroque Ensemble Novaya Gollandiya

J.S. Bach - Baroque Ensemble  Novaya Gollandiya
ID: IMLCD185
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Chamber Ensemble

15.00 eur Buy

J.S BACH - H.I.F. BIBER - T.A. VITALI - Lioli pieces

J.S BACH - H.I.F. BIBER - T.A. VITALI - Lioli pieces
ID: IMLCD104
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Harpsichord

15.00 eur Buy

J.S. BACH - Suites for cello solo - K. Kucherov

J.S. BACH - Suites for cello solo - K. Kucherov
ID: IMLCD105
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Cello

15.00 eur Temporarily out of stock

J. HOTTETERRE - Six trio sonatas, Op.3 - Novaya Gollandiya, Baroque Ensemble St.Petersburg

J. HOTTETERRE - Six trio sonatas, Op.3 - Novaya Gollandiya,  Baroque Ensemble St.Petersburg
ID: IMLCD054
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Choral

15.00 eur Temporarily out of stock

A CENTURY OF DOMESTIC KEYBOARDS, 1727-1832 - JOANNA LEACH

A CENTURY OF DOMESTIC KEYBOARDS, 1727-1832 - JOANNA LEACH
ID: ATH23026
CDs: 1
Type: CD
Collection:
Baroque
Subcollection: Harpsichord

Period-instrument specialist Joanna Leach takes us on a journey through the development of keyboard instruments used in wealthy homes, from a spinet through three square pianos; each contemporary with the music played.
1 - 15: Spinet (Barton, 1727)
16 - 20: Square Piano (Longman & Broderip, 1787)
21 - 29: Square Piano (Stodart, 1823)
30 - 34: Square Piano (Clementi, 1832)
Musically both educational and extremely entertaining - a fine and unique recital.
15.00 eur Buy

LADIES' CHAMBER ORCHESTRA - BOYADJIEV - BULGARIA - ANTONIO VIVALDI

LADIES' CHAMBER ORCHESTRA - BOYADJIEV - BULGARIA - ANTONIO VIVALDI
ID: GD130
CDs: 1
Type: CD
Collection:
Baroque

The CD includes two popular pieces of Baroque music: Vivaldi's The Four Seasons and Händel's Concerto Grosso Op. 6 No. 9. These are not only paragons of mastery and innovation but also works which present to the performers the opportunity to demonstrate sound culture, attitude towards the peculiarities of the Baroque style, virtuosity and keen sense of music-making. Named after the four seasons, the concertos are a touchstone for the mastery of both orchestra and soloist. This is the flute version of the work, performed by Professor Lydia Oshavkova, famous not only at home but also in many countries in the world. An excellent interpreter of Renaissance and Baroque music, Oshavkova possesses all the qualities necessary to rank her among the most remarkable flutists of today. Her performances feature flexibility of metre and rhythm, beautiful tone, freedom of expression and technical stability. Conductor Nikolai Boyadjiev's Ladies' Chamber Orchestra consists of prominent professionals from leading symphony orch
15.00 eur Buy

Spanish and Portuguese Keyboard Music, Vol. 2 - Felicja Blumental, piano

Spanish and Portuguese Keyboard Music, Vol. 2 - Felicja Blumental, piano
ID: BR0022
CDs: 1
Type: CD
Collection:
Baroque

Some may believe the music of 18th Century Iberian composers to be less interesting than the music from Germany, France and Italy of this period. However, these two volumes of keyboard music illustrate the originality of Spanish and Portuguese composers Angles, Albéniz, Cantallos, Carvalho, Ferrer, Freixanet, Jacinto, Seixas and Soler. At the beginning of the 18th Century, Louis XI was King of Spain. He felt little enthusiasm for Spanish national art and preferred foreign artists. Consequently, Italian singers and composers gradually influenced the aristocratic tastes and the court life in Spain. It was a similar situation in Portugal. When King Johan V (1707-1750) became ruler of Portugal, he set about cultivating the arts in the city of Lisbon. Portuguese musicians had the opportunity to take apprenticeships in Italy while Italian musicians, such as Domenico Scarlatti were welcomed into Lisbon to perform. The authoritative musical figures during this time were! men of the church. Father Antonio Soler was a friar, organist and composer as well as an important theoretician who dominated the musical scene in Spain. The first pianofortes were being manufactured and Soler was fortunate to have a piano at the monastery. Although he wrote for the organ, the compositional quality of his keyboard works show that he had the piano in mind. His Portuguese counterpart was José António Carlos de Seixas. Seixas became Portugal?s finest keyboard player of this period who bridged the gap between Baroque and Classical eras. Both composers did not simply duplicate Italian idioms, but developed and expanded the style while recalling their Spanish and Portuguese roots. They blended vocal-like melodies into quasi-contrapuntal lines and simple block harmonies. This formed a model on which classical composers such as Haydn and Mozart were to base their compositions.
15.00 eur Buy

 
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