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Baroque, page 35

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NELLA ANFUSO - Claudio Monteverdi - Poiesis

NELLA ANFUSO - Claudio Monteverdi - Poiesis
ID: LYB9903
CDs: 1
Type: DVD
Kolektion: Baroque

This is a DVD-Audio disc which is playable on most DVD players as well as all DVD-Audio players. Click here for additional information regarding compatibility.

Region Code: PAL. Plays in all territories
Sound Format: Dolby Digital
Duration: 76 minutes


1. Messaggera (Orfeo)
2. Speranza (Orfeo)
3. Proserpina ( Orfeo)
4. Lettera Amorosa I (Se i languidi miei sguardi)
5. Penelope (Il Ritorno di Ulisse in Patria)
6. Lettera Amorosa II (Se pur destina)
7. Arianna
15.00 eur Buy

CARNIVALESQUE - SEX, LIES AND... MUSICAL TALES in 16th- cent. Venice - ENSEMBLE MICROLOGUS

CARNIVALESQUE - SEX, LIES AND... MUSICAL TALES in 16th- cent. Venice - ENSEMBLE  MICROLOGUS
ID: CDM0027-14-1
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Ensemble

Patrizia Bovi - Soprano, harp, musical direction
Goffredo Degli Esposti - Pipe and tabor, pipe and buttafoco (string drum), sordellina (bagpipe)
Gabriele Russo - Lira da braccio, rebec
Enea Sorini - Baritone, percussion
Simone Sorini - Tenor, cantore a liuto
Olivier Marcaud - Tenor
Leah Stuttard - Harp (bray pins)
Crawford Young - Lute
Gabriele Miracle - Dulcimer, Percussion
Gianni La Marca - Viol
Mauro Borgioni - Bass
Ulrich Pfeifer - Voice on Lanxe Lanxe
Luigi Germini - Trombon

A new CD with frottole and villotte about folk themes and figures, later destined to become stock characters of the Commedia dell’Arte, of late 15th - Century: Scaramella/Scaramouche (a lampoon soldier), the lanzo or captain, the vecchia maladetta e rincagnata (a “wretched, pug-nosed old hag” who acts either as procuress or as an obstacle to love), Giannolo/Zano and Rosina (the lovers), La Ramacina (the unhappy wife), Il vecchio maladeto (the villainous old man: an unnamed forerunner of Pantalone) and Feragu (an unregenerate Don Giovanni). These figures, who appear in the interludes of the comedies and tragedies performed during festive gatherings at the great courts, first tell their stories and then perform dances such as the ballo del mattarel (“rolling pin dance”) or the mazacrocha (“breadstick dance”) and, above all, moresche (mauresques), performed at all Renaissance banquets and in the interludes of comedies as a pretext for travesty and transformation, giving rise to the symbolic portrayal of an exotic world revolving around play, love, war and the derision of power. A new recording full of colours, rhythm and……lies!
15.00 eur Buy

Schnitger - Giusti - Johan Brouwer

Schnitger - Giusti - Johan Brouwer
ID: ACDBO063-2
CDs: 1
Type: CD
Kolektion: Baroque

There are a number of recordings of the choral partita ‘Ach wie nichtig, ach wie flüchtig’ by Georg Böhm (1666-1733), including one on the great Arp Schnitger city organ in Hamburg (1693), 57 voices, beautifully played by Stef Tuinstra. The version heard here is played on Arp Schnitger’s smallest organ positiv, 8 voices, but it offers enough variation to register the 8 variations in a diverse manner. The suite in A Minor ‘Melpomene’ by Johann Kaspar Ferdinand Fischer (1665-1746) is taken from his Musikalischer Parnassus (1738). Melpomene was the muse of song and tragedy. The stylised dances are a slow Allemande, the fast Passepied, a Rondeau, alternately a refrain and a verse, a Chaconne, variations based on a descending series of 4 tones and finally a fast Gigue. The Fantasia on the hexachord Vt Re Mi Fa Sol La by Johann Jakob Froberger (1616-1667) was already a famous work during his lifetime., Athenasius Kirchner mentions the work in his Masurgia (1646) and it was published in an autograph in 1649. The seven parts of the work bring the hexachord in various rhythms and with various second voices. In the sixth and seventh parts he adds chromatic tones, thus deftly exploiting the meantone temperament in the strong effect of dissonants and consonants. A true masterpiece. Johann Jakob Froberger (1616-1667) wrote the Tombeau on the death of the lute player Blancheroche in Paris and added the following remark: ‘fait à Paris sur la mort de Monsieur Blancheroche: lequel se joue fort lentement à la discretion sans observer aucune mesure.’ The improvisational character of the piece strongly resembles the Preludes non mésuree by Louis Couperin, whom Froberger met in Paris in 1652. A striking feature of this work is its exploitation of the meantone temperament, e.g. Froberger twice prescribes a D flat for where a C sharp is tuned, using the dissonant here as an expressive device. The Preludium is one of the great free forms in keyboard music. Of Hans Kotter (1485-1541) we hear an early example, here called Proömium in re. Kotter was a pupil of Paulus Hofhaymer, the most important ‘Organistenmacher’ of the 16th century, just as Sweelinck was in the 17th century. The original of the Giusti instrument is now in the Tagliavini collection in Bologna/Italy.
15.00 eur Buy

BALTIC BAROQUE - Maltizov - VIVALDI collection 15. RV 66-72

BALTIC BAROQUE - Maltizov - VIVALDI collection 15. RV 66-72
ID: RV66-72
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Ensemble

15.00 eur Buy

Purcel - A Purcell Collection - VOCES8- Les Inventions

Purcel - A Purcell Collection - VOCES8- Les Inventions
ID: SIGCD375
CDs: 1
Type: CD
Kolektion: Baroque

Morley:
Second Dirge Anthem

Purcell:
Praise the Lord, O Jerusalem, Z46
To the Hills and the Vales (from Dido & Aeneas)
By beauteous softness (from Now does the glorious day appear, Z332)
O God, thou art my god, Z35
How Happy the Lover
What power art thou? (from King Arthur, Z628)
Behold, O Mightiest of Gods
My heart is inditing, Z30
Bid the virtues (from Come ye Sons of Art, Z323)
Hail! Bright Cecilia (Ode for St Cecilia's Day 1692), Z328
Strike the Viol (from Come Ye Sons of Art, Z323)
Thou knowest, Lord
Fairest Isle (from King Arthur)
Full Fathom Five (from The Tempest, Z631)

An invitation to stroll through the world of one of England’s greatest composers

The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output - there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.
15.00 eur Temporarily out of stock

A. Vivaldi - The Four Seasons - Kati Debretzeni, violin, conductor - Orchestra of the Age of Enlightenment

A. Vivaldi - The Four Seasons - Kati Debretzeni, violin, conductor - Orchestra of the Age of Enlightenment
ID: SIGCD377
CDs: 1
Type: CD
Subkolektion: Violin

With its vivid poetry and technical ingenuity, Vivaldi’s 'Four Seasons' was ground-breaking at the time of its composition and to this day remains as influential and transfixing as ever. In this recording, violinist Kati Debretzeni directs the Orchestra of the Age of Enlightenment based on the energetic, historically-informed performances given last February when, with renowned choreographer Henri Oguike, the OAE fused authentic performance with contemporary choreography.
The booklet includes a ‘Guided tour of the Four Seasons’, allowing listeners to follow the poetry that inspired Vivaldi as they hear the performances on the disc, including additional composer’s notes from Vivaldi’s own scores. Born in Transylvania, Kati Debretzeni studied with Ora Shiran and Baroque violin with Catherine Mackintosh and Walter Reiter at the Royal College of Music in London. Since the year 2000 she has led the English Baroque Soloists under Sir John Eliot Gardiner, and since 2008 is one of the leaders of the Orchestra of the Age of Enlightenment, which she has directed and lead in the UK, Europe and the US. Kati features as soloist on two versions of Bach’s Brandenburg concertos, with the European Brandenburg Ensemble under Trevor Pinnock (Gramophone Award, 2008), and again with the English Baroque Soloists. She has directed from the violin various ensembles in Israel, Poland, Norway, Iceland and the UK, and teaches the Baroque and Classical violin at the Royal Conservatory of Music in The Hague.
15.00 eur Temporarily out of stock

Georg Friederich Händel - Ensemble Amalthée - Six Trio Sonatas

Georg Friederich Händel - Ensemble Amalthée - Six Trio Sonatas
ID: ACDBL085-2
CDs: 1
Type: SACD
Kolektion: BaroqueSubkolektion: Ensemble

15.00 eur Buy

Vocal Works by Domenico Scarlatti - Key2Singing

Vocal Works by Domenico Scarlatti - Key2Singing
ID: ACDBL084-2
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Voices

Key2Singing Foundation was established in May 2010 with the aim of promoting the art of singing in the broadest possible sense of the word.
In terms of singing, we want to organize larger projects. In addition, we seek cooperation between professionals and amateurs.
The educational aspect plays an important role. This is reflected for instance in workshops and master classes. The Foundation also conducts research; For example, in the field of the voice or music to the benefit of our projects. We also want to publish CDs and (sheet) music. All non-profit.

Giuseppe Domenico Scarlatti was born in Naples on the 26th of October 1685 as the sixth of ten children to parents Alessandro Scarlatti and Antonia Anzalone. Alessandro was already by then a famous composer. It is not clear who taught Domenico music. Perhaps it was Francesco Gasparini, Bernardo Pasquini or even Antonio Vivaldi during his time spent in Venice. Alessandro the father was for a time nominated as director of music at the basilica Santa Maggiore of Rome, and during this period Domenico worked there as his assistant between 1708 and 1709.

While in Rome, Domenico was appointed to the court of the Polish queen Maria Casimira de la Grange d’Anguien, who was at the time in exile there. He wrote a number of vocal works for her, including the opera Tolomeo e Alessandro ovvero La corona disprezzata (1711). In 1713 Domenico was appointed firstly as assistant director of music at the Cappella Giulia of St. Peters in Rome, and subsequently in 1714 as director of music. It is possible that he wrote his ten part Stabat Mater for the Cappella. Notably during the period in which Domenico was working and studying in Rome, he wrote many vocal and orchestral works for both secular and church clients. In addition Domenico seemed to have been a gifted harpsichordist.

It was in these his younger years that Domenico met and became friends with G. F. Handel who was spending a number of years in Italy. Cardinal Ottoboni encouraged the two musicians to enter into a musical duel with each other, the result of which that Scarlatti was declared the best harpsichordist and Handel the best organist. The two composers had great respect for each other.
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Confluence - Ronald Moelker, recorded - Niels Bijl, saxophone

Confluence - Ronald Moelker, recorded - Niels Bijl, saxophone
ID: ACDBA091-2
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Saxophone

The year is 1996. Classically trained saxophonist Niels Bijl is at the end of his Conservatorium education. In a record shop in the centre of Enschede: in a spare hour he is trawling the cd racks, looking for unknown music, new inspiration. Ronald Moelker walks past him, purposefully, towards the counter. With a clear question: do you also have recordings of classical music on saxophone? A conversation quickly follows, a friendship is born.

What follows; more than 20 years of research, collaboration and a shared passion for enjoying life. Niels and Ronald, managing to remain unfettered by the apparently different worlds of their chosen instruments, take on all challenges together. The 15th Century British complexity of Baldwine’s A Duo, the light-footedness of Francois Couperin’s Tic-Toc-Choc. Bach as uniting thread, with highlights such as the two-part canon from the Kunst der Fugue and the flute sonata BWV 1035. Aided by the expert mastery of recorder builder Adriana Breukink, the saxophone and recorder come ever closer to each other. The romance of young love is reflected in Tandernaken. The festive cadans of the early middle ages are celebrated in the Estampie Petrone. In an unknown duo, referred to as No. 3, harsh dissonant sounds are continuously replaced with beautiful harmonies, ending in a perfect unison. Ronald Moelker’s composition Ithaca, written for Niels, is the perfect introduction to the heart of the collaboration and friendship: Two fantasies by Telemann.
15.00 eur Buy

Tartini - Veracini - Violin Sonatas - Fantasticus - Guillermo Brachetta - Robert Smith - Rie Kimura

Tartini - Veracini - Violin Sonatas - Fantasticus - Guillermo Brachetta - Robert Smith - Rie Kimura
ID: RES10148
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Violin

Rie Kimura (Baroque violin) & Fantasticus (Robert Smith - Baroque cello & Guillermo Brachetta - harpsichord)
Founder member of the acclaimed Baroque trio Fantasticus, and celebrated up-and-coming violinist, Rie Kimura, makes a sensational solo debut with this thrilling selection of four virtuosic violin sonatas.

Joined by Baroque cellist Robert Smith and harpsichordist Guillermo Brachetta from Fantasticus, Kimura presents scintillating works by Italian eighteenth-century luminaries Giuseppe Tartini (including his famous Devil’s Trill sonata) and Francesco Maria Veracini.
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