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World music CD DVD shop and Classic distribution
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ID: SN8807
Disk: 2
Type: CD
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Podkolekce: Opera
Antonio Vivaldi
CD1
1. AMOR HAI VINTO
Recitativo - Aria (Largo) -Recitativo - Aria (Allegro) [15'14'']
2. INDARNO CERCA LA TORTORELLA
Aria (Adagio) - Recitativo - Aria (Larghetto) [17'07'']
3. TRA L'ERBE I ZEFFIRI
Aria (Andante) - Recitativo - Aria (Allegro) [12'40'']
4. ELVIRA, ANIMA MIA
Recitativo - Aria (Larghetto) - Recitativo - Aria (Allegro non molto) [12'44'']
CD2
1. ALLOR CHE LO SGUARDO
Aria (Larghetto) - Recitativo - Aria (Allegro) [13'44'']
2. ALLA CACCIA
Aria (Allegro) - Recitativo - Aria (Allegro) [11'40'']
3. LA FARFALLETTA S'AGGIRA AL LUME
Aria (Andante molto) - Recitativo - Aria (Largo) [16'45'']
4. CARE SELVE, AMICI PRATI
Aria (Allegro non molto) - Recitativo - Aria (Allegro ma poco) [14'09''] |
| 29.00 eur Temporarily out of stock |
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ID: MELCD1002030
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Klavír
Johann Sebastian Bach’s cycle of preludes and fugues The Well-Tempered Clavier takes a very special place in the world of music. It is not just one of the immortal masterpieces of the world music literature. It literally is an encyclopedia of polyphonic art, its Alpha and Omega; it is a desk book of every thinking musician, a necessary manual for life, and at the same time an inexhaustible source of pleasure. Bach finished the second part of The Well-Tempered Clavier in 1744, twenty years after he created the first part. The reason for composing the send part was his wish to collect in one book the preludes and fugues he wrote at different time and lost among old papers. Bach also wanted to substantially rework these preludes and fugues, give them their final form applying the experience he gained through the years. And that was a truly all-bracing experience. Bach’s Well-Tempered Clavier gives plenty of play to very different performer’s interpretations. None of the significant music works has caused as many difficulties and debates about the way it should be interpreted. Such a deep, comprehensive and truly artistic approach to the cycle is typical of Sviato- slav Richter. “When I set to The Well-Tempered Clavier, I get always consumed with desire not to exclude any sides for the sake of one narrow and dogmatic position… I am convinced that Bach can be played differently, with different articulation and different dynamics. So long as the whole is preserved, so long as the strict contours of style are not distorted, so long as the performance is convincing enough”, Richter said. |
| 29.00 eur Temporarily out of stock |
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ID: MELCD1002397
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Organ
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| 29.00 eur Buy |
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ID: SMCCD0077-78
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Organ
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| 29.00 eur Buy |
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ID: MELCD1002301
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Voices and Orchestra
For the anniversary of maestro Vladimir Spivakov, Firma Melodiya presents a unique, previously unreleased recording of the Moscow Virtuosi chamber orchestra made on 28 December 1988 in the Big Hall of the Moscow Conservatory.
From the first years of their existence, the Moscow Virtuosi, founded by Vladimir Spivakov, lived up to the highest standards of mastery on both domestic and global scales. It was a genuine 'orchestra of soloists' comprising prize-winners of domestic and international competitions, concertmasters of the best orchestras of Moscow many of whom could count on a brilliant solo career.
Although the Virtuosi spent a lot of time in the studio, it is the orchestra’s concert recordings that convey the atmosphere of a living, inspired contact with the audience.
The charitable activities Vladimir Spivakov has been involved in for many years now are evidence of his great human responsiveness, his desire to support talented children and his empathy for people’s suffering. The pre-New Year concert of 1988 was a fundraising event to benefit the Armenian children who suffered in the earthquake.
The concert, comprising music of Johann Sebastian Bach, featured other prominent musicians as well - Mikhail Pletnev, Araxia Davtian, an Honoured Artist of the Armenian SSR, and Bernard Soustrot, a world renowned French trumpeter. However, Adagio from the Easter Oratorio for oboe and orchestra performed instead of an encore by Alexei Utkin, an oboist and future founder of the Hermitage Ensemble, was a genuine climax of the event. The music reflecting upon passions of Christ’s earthly life sounded like a requiem for the tens of thousands of people who were buried alive in Spitak and Leninakan.
J.S. Bach
Brandenburg Concerto No. 3 in G Major, BWV1048
Cantata BWV51 'Jauchzet Gott in allen Landen'
Araxia Davtian (soprano) & Bernard Soustrot (trumpet)
Easter Oratorio, BWV249: Adagio (sinfonia)encore (presented by V. Spivakov)
Alexei Utkin (oboe)
Keyboard Concerto No. 1 in D minor, BWV1052
Mikhail Pletnev (piano)
Orchestral Suite No. 3 in D major, BWV1068
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Moscow Virtuosi Chamber Orchestra - Vladimir Spivakov |
| 29.00 eur Temporarily out of stock |
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ID: RES10147
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Cello
David Watkin (baroque cello)
Renowned cellist and interpreter of Baroque music David Watkin records the Cello Suites by J.S. Bach, rightly considered as the pinnacle of writing for solo cello. Juror of the Leipzig Bach Competition; former principal cellist of the Orchestre Révolutionnaire et Romantique & the English Baroque Soloists, as well as the cellist of the critically acclaimed Eroica Quartet, Watkin gives a captivating and truly individual account of the six suites, the result of decades of performing and studying these compelling and fascinating works.
The six Suites are recorded on gut strings and on two original historic instruments of note, including the unique five-string cello by Brothers Amati, dating from c. 1600, and a four-string by a likely pupil of Amati, Francesco Rugeri, dating from c. 1670. |
| 29.00 eur Buy |
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ID: RES10120
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Organ
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| 29.00 eur Buy |
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ID: RES10163
Disk: 2
Type: CD
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Kolekce: BaroquePodkolekce: Clavichord
Julian Perkins (clavichord)
Making his Resonus solo recording debut, early keyboard player Julian Perkins records the fascinating six French Suites by J.S. Bach on clavichord, the most delicate of keyboard instruments that was favoured by Bach himself.
Completing the recording, Perkins includes solo suites by Johann Jakob Froberger and Georg Philipp Telemann, both of whom Bach is thought to have studied by moonlight in his earlier years. Julian Perkins uses two modern copies built by Peter Bavington. |
| 29.00 eur Buy |
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