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Baroque, page 24

   Titels gefunden: 445
 

J.S.BACH - MUSIC FOR LUTE (BWV 997, 998, 995) - AXEL WOLF

J.S.BACH - MUSIC FOR LUTE (BWV 997, 998, 995) - AXEL WOLF
ID: RK2203
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Lute

Johann Sebastian Bach himself did not play the lute. Could his lute music really have been played on the lute as specified - or was it intended all along for a lute harpsichord of the type found in Bach`s estate? Two of the suites of this recording are expressly stated „pour la Luth“ or „pour la luth o cembal“. However, some notes were not feature of the common solo instrument of the era, the 13-string lute with a D minor tuning. Axel Wolf performs Bach`s lute music on a 14-string archlute, a theorbo lute - an instrument which could well have been played by one of the Italians employed at the court orchestra in Dresden. This recording is full of tranquility and intimacy found by Axel Wolf prior to the recording in the little Johann Sebastian Bach.

Axel Wolf studied the guitar and lute under Hans Michael Koch. After attending master classes held by Nigel North and Hopkinson Smith, he also studied under Rolf Lislevand. Since completing his degree course in the guitar in 1986, Axel Wolf has taught at Hanover Academy of Music and Theatre. In 1988 he teamed up with Simone Nill (recorder) and Robert Sagasser (viola da gamba)to form the ensemble La Sfondrata. Four years later, La Sfondrata won a prize at the Festival of Early Music in Utrecht. Axel Wolf played the lute in a number of wellknown ensembles such as Musica Fiata (Cologne), Ars Antiqua Austria, and the London-based Gabrieli Consort &Players. Axel Wolf has appeared at numerous international festivals,including inBoston, Bruges, New York and Tel Aviv. Axel Wolf is a frequent guest at the Bavarian State Opera in Munich, performing under the baton of Harry Bicket and Ivor Bolton. He has also worked with conductors such as Peter Schreier, PaulMcCreesh,Lajos Rovatkay and Alan Curtis on opera, concert and CD productions. village church in Polditz/Saxony RK 2203 | edition raumklang | Total: 74:45
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Sweelinck - Maker of organists - Leon Berben, organ

Sweelinck - Maker of organists - Leon  Berben, organ
ID: RK2205
CDs: 1
Type: CD
Kolektion: Baroque

Jan Pieterszoon Sweelinck is one of the principal composers in the 16th- and 17th-century Holland. As far as we know, Sweelinck only left Holland on one time. Nevertheless his works show Italien/Venetian influences, English/virginalist elements and knowledge of spanish composers. The growing cultural importance of Amsterdam in Sweelinck´s day probalbly explain his knowledge of contemporary European music. At the beginning of the 17th century, many organists travelled not only from Germany but also Poland and Sweden to Amsterdam to study under the famous Sweelinck. Later his Hamburg pupils Heinrich Scheidemann and Jacob Praetorius founded a sort of ‘Sweelinck outpost’ in Hamburg. They passed on their pupils what they have learned in Amsterdam. Léon Berben plays the pieces of Sweelincks und his pupils brilliantly at St. Jaque’s Church in Liège. This organ was reconstructed in the style of the late 16th century, following Sweelinck´s large organ in Amsterdam. RK 2205 | edition raumklang | Total: 67:32
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Downland's Delight - Tom Daun - Harp music from Renaissance and Baroque

Downland's Delight -  Tom Daun - Harp music from Renaissance and Baroque
ID: RK3006
CDs: 1
Type: CD
Kolektion: Baroque

Tom Daun has been working with early harp music for a long time and has also performed his own compositions. Here he performs on an “arpa doppia” and a much smaller gothic harp. The collection includes works by Dowland, Weiss, Reusner, Bach and Neusidler.
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Johann Kuhnau - J. Kuhnau: Biblische Sonaten by Federico Caldara, harpsichord

Johann Kuhnau  - J. Kuhnau: Biblische Sonaten by Federico Caldara, harpsichord
ID: CNT2070
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Harpsichord

13.00 eur Temporarily out of stock

Jacques Martin Hotteterre «Le Romain» (1673 - 1763) - La Flûte du Roy

Jacques Martin Hotteterre «Le Romain» (1673 - 1763) - La Flûte du Roy
ID: RK2207
CDs: 1
Type: CD
Subkolektion: Flute

Michael Form (recorder), Rebeka Rusó (treble & bass viol), Dolores Costoyas (theorbo), Dirk Börner (harpsichord)

Jacques Martin Hotteterre’s compositions are among the most substantial works of French chamber music from the early 18th Century. The two volumes of Pieces pour la flûte-traversiere have particular significance within his wide-ranging œuvre, much of which reveals didactic intent. Never before had a musical language of such expressiveness and sublime intimacy been realised in composition for a wind instrument. Aside from this multifaceted suites, the Airs et brunettes -with a bounty of original ornamentation- and the Sonates en trio -based on Arcangelo Corelli’s triosonatas- provide a particularly good impression of Hotteterre’s stylistic diversity. Michael Form has chosen the recorder for the interpretation of Hotteterres flute music. Alternative arrangements were of course a welcome means of ensuring a wider dissemination of musical works - and a common practice among composers of the time. For the majority of the suites which descend below the range of the treble recorder in f’, Michael Form decide to use a flûte de voix in d’ -with his warm timbre this instrument gives the pieces a special charm. Contenu: Les compositions de Jacques Hotteterre font partie des plus riches œuvres de musique de chambre française des premières décennies du 18ème siècle. Au sein de son œuvre variée, les deux tomes des Pièces pour la flûte traversière tiennent une place à part, également sous des aspects didactiques. Jamais auparavant, une langue sonore aussi expressive, aussi sublime de ferveur, ne fut inventée pour un instrument à vent. Au-delà de cettes suites aux nombreuses facettes, les Airs et brunettes (croulant sous les ornements originaux) ainsi que les Sonates en trio (prenant appui sur les sonates en trio d’Arcangelo Corelli) offrent une bonne impression de la diversité stylistique de Hotteterre. Pour interpreter cette musique Michael Form a choisi la flûte à bec. Pour les suites qui descendent en-dessous du registre de la flûte à bec alto en fa’ - presque toutes -, Michael Form a décidé d’utiliser une flûte de voix en ré’. Avec son doux timbre cet instrument donne la musique une charme exeptionelle.
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Tromba Hispanica - 17th-Century Music for the Spanish Court Trumpets

Tromba Hispanica - 17th-Century Music for the Spanish Court Trumpets
ID: RK2906
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Trumpet

Treasures of early Baroque trumpet music are still to be discovered in Spain!
Hidden in the notated organ music and lute tablatures of the seventeenth century are titles such as “Batalla” and “Clarines y Trompetas” that point to the well-known Spanish horizontal trumpet stops, or perhaps to the transmission of popular trumpet music, since direct notation of the music was forbidden by the requirement of secrecy of the trumpet players’ guilds. Back then, the art of improvisation was wide spread, and so the Baroque Trumpet Ensemble Berlin, under the direction of Johann Plietzsch, lets us experience spirited improvisation in the recurring chaconnas, whose dance-like character takes us back to Moorish-influenced Spain. Through the lute and percussion instruments, whose origins lie in the Arabian culture, the clear, brilliant sound of the trumpets is lent a light swing in which a bit of southern-European joie de vivre is hidden.
Onward to Spain with drums beating and trumpets sounding!


anon.:
Chaconna 'Amante felice'
Sonata a quattro for four trumpets and continuo
Batalla famosa
Chacona
Cancion de Clarines
Aria con eco
Battalla de Clarines

Biber:
Sonata a 7 in C major

Cabezón, A:
Pavana con su glosa

Heredia:
Pange lingua espagnol

Kapsberger:
Passacaglia
Corrente
Sarabanda (from Libro Quatro d'Intavolatura di Chitarone)
La Capona

Murcia:
La Tarantella

Piccinini:
Sferina - Chiaconna

Sanz:
Folias
13.00 eur Temporarily out of stock

Entwurff einer wohlbestallten Music

Entwurff einer wohlbestallten Music
ID: RK2001
CDs: 1
Type: CD
Subkolektion: Voices

Instrumentarium Lipsiense (III)

Thomanerchor Leipzig
Leipziger Concert
Dorothee Mields, sopran, Gotthold Schwarz, bass

This is an exceptional kind of CD. Quoting from the work of Johann Sebastian Bach and his contemporaries, it tries to illustrate with its choice of pieces a few of the characteristic, but also some of the exceptional, Bach instrumental combinations. Special attention is brought to instrument makers from Bach’s Leipzig milieu, the illustrative pieces for which, when possible, use original instruments from the Musical Instrument Museum. This CD recording offers the unique opportunity, with the Ricercare a 6 (BWV 1079/5), of experiencing a Hoffman (Martin Hoffman, musical instrument maker) ensemble of five viola da gambas and a violin.The Leipzig Concert Ensemble are specialists of early music and play with historically correct instrumentations appropriate to each piece.
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Emil Gilels Plays Bach - Vol. 2 - First Time on CD

Emil Gilels Plays Bach - Vol. 2 - First Time on CD
ID: MELCD1002224
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Piano and Orchestra

Firma Melodiya presents recordings of J S Bach’s works performed by Emil Gilels.

This disc continues the series of recordings made by the great pianist. However, these recordings suggest a different view on Gilels’ performing art.

Emil Gilels entered the music life of the USSR as a virtuoso in the best, romantic sense of the word. His inspired artistry always produced a magnetic effect on the audience. He conquered the world with his performances of Beethoven’s sonatas, Mozart’s works in Salzburg, and interpretations of Tchaikovsky’s and Rachmaninov’s concertos. It was difficult to assume that a well-established stereotype of romantic pianism hid an inspired and profound interpreter of Bach’s music.

Johann Sebastian Bach was never at the centre of Gilels’ repertoire. They were more like individual pieces, but that was exactly what made them so unexpected at his concerts. Nevertheless, he kept revisiting some of them time and again.

This disc features recordings made in 1948 to 1968. Not claiming to be authentic and at the same time not falling into excessive romanticism, Emil Gilels shapes his own unique vision of the great cantor’s music world.


J.S. Bach:
Brandenburg Concerto No. 5 in D major, BWV1050
Elizaveta Gilels (violin) & Nikolai Kharkovsky (flute)
The USSR State Symphony Orchestra, Kirill Kondrashin

Concerto for Two Keyboards in C major, BWV1061
with Yakov Zak (piano)
The USSR State Symphony Orchestra, Kirill Kondrashin

Partita No. 1 in B flat major, BWV825
Prelude & Fugue Book 1 No. 10 in E minor, BWV855: Prelude
arr. Alexander Siloti
Prelude and Fugue in D Major (Bach BWV532) Transcription Busoni
--------------------------------------------------------------------------------
Emil Gilels (piano)
13.00 eur Temporarily out of stock

J.G. Graun - Trios - Les Récréations

J.G. Graun - Trios - Les Récréations
ID: RK3008
CDs: 1
Type: CD
Kolektion: BaroqueSubkolektion: Chamber Ensemble

Graun was a prolific composer and wrote almost 130 trio sonatas, of which only a few are dated. It was difficult for these musicians to choose just four sonatas from such an abundance of works due to their quality and consistency. They have tried to highlight the various facet’s of Graun’s works.
13.00 eur Buy

G.F. Handel - Italienische Liebeskantaten und Kammermusik

G.F. Handel - Italienische Liebeskantaten und Kammermusik
ID: RK2101
CDs: 1
Type: CD
Subkolektion: Ensemble

Italian Love Cantatas and Chamber Music

Das Bouts Ensemble wurde 1999 gegründet. Die Musiker, allesamt Spezialisten auf dem Gebiet der Alten Musik, hatten in den unterschiedlichsten Kombinationen bereits mehrfach bei anderen Gelegenheiten zusammen musiziert, bevor sie sich zum Bouts Ensemble formierten, um in flexibler Besetzung Kammermusik des 18. Jahrhunderts in historischer Aufführungspraxis zu pflegen. Mit ihrem unterschiedlichen musikalischen Hintergrund bilden sie eine Mischung, die Alte Musik lebendig und facettenreich zum Erklingen bringt.

The Bouts Ensemble is a chamber music ensemble devoted to the repertoire of the "high" baroque and pre-classical periods - ca. 1725-1775. Through performance of works by both famous and unjustly neglected composers, the group aims to contribute to a greater appreciation and understanding of music from this endlessly fascinating period. The members of this young group use their extensive experience in historical performance practice on period instruments to bring to this repertoire the virtuosity, vitality and intelligence that it demands.
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