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ID: BAR2012-04
CDs: 1
Type: CD
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Collection:
Baroque
Ensemble Labirinto Armonico
Mottetti
Claire Decaux - Soprano
Laurène Huet - Mezzo Soprano
Matthieu Peyregne - Contralto
Alessandro Giangrande - Tenore
Riccardo Ristori - Basso
Pierluigi Mencattini - Violino barocco
Giovanni Rota - Violino barocco
Giovanni La Marca - Viola da Gamba
Maurizio Ria - Violone
Walter D’Arcangelo - Organo
Dimitri Goldobine - Tiorba
Michele Carreca - Tiorba, Arciliuto
Cantate
Christophe Carre’ - Soprano
Pierluigi Mencattini - Violino barocco
Giovanni La Marca - Viola da Gamba
Giovanna Tricarico - Cembalo
Dimitri Goldobine - Cembalo
Michele Carreca - Tiorba, Arciliuto
LIVE VIDEO
Click qui per l'anteprima |
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ID: DCD34086
CDs: 1
Type: CD
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Collection:
Renaissance
The Marian Consort:
Gwendolen Martin & Emma Walshe - Sopranos
Rory McCleery Countertenor / Director
Nicholas Scott - Tenor
Steffan Jones, Baritone / Christopher Borrett -Bass
For their debut recording, the six-strong Marian Consort explores music from late sixteenth and early seventeenth-century Spain. This fascinating programme celebrates the rich compositional fruits of the Siglo de Oro’s intensely competitive musical culture. These luminary works - all dedicated to the Virgin Mary - demand performances of great intelligence and vocal commitment. The youthful Marians respond absolutely, bringing hushed intimacy and bristling excitement to some of the most gorgeously searing lines in the history of European polyphony.
1 Regina caeli - Juan Navarro
2 Maria Magdalene - Francisco Guerrero
3 Kyrie from Missa Maria Magdalene - Alonso Lobo
4 Ave Virgo sanctissima - Francisco Guerrero
5 Gloria from Missa Ave Virgo sanctissima - Juan Esquivel
6 O Virgo benedicta - Rodrigo Ceballos
7 Credo from Missa Ave Virgo sanctissima - Juan Esquivel
8 Ave Regina caelorum - Alonso Lobo
9 Sanctus from Missa Maria Magdalene - Alonso Lobo
10 O sacrum convivium - Sebastián de Vivanco
11 Benedictus from Missa Maria Magdalene - Alonso Lobo
12 Magnificat Primi Toni - Sebastián de Vivanco
13 Pastores loquebantur - Francisco Guerrero
14 Agnus Dei from Missa Sancta et immaculata - Francisco Guerrero |
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ID: CDM0027-14-1
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: ChoralPatrizia Bovi - Soprano, harp, musical direction
Goffredo Degli Esposti - Pipe and tabor, pipe and buttafoco (string drum), sordellina (bagpipe)
Gabriele Russo - Lira da braccio, rebec
Enea Sorini - Baritone, percussion
Simone Sorini - Tenor, cantore a liuto
Olivier Marcaud - Tenor
Leah Stuttard - Harp (bray pins)
Crawford Young - Lute
Gabriele Miracle - Dulcimer, Percussion
Gianni La Marca - Viol
Mauro Borgioni - Bass
Ulrich Pfeifer - Voice on Lanxe Lanxe
Luigi Germini - Trombon
A new CD with frottole and villotte about folk themes and figures, later destined to become stock characters of the Commedia dell’Arte, of late 15th - Century: Scaramella/Scaramouche (a lampoon soldier), the lanzo or captain, the vecchia maladetta e rincagnata (a “wretched, pug-nosed old hag” who acts either as procuress or as an obstacle to love), Giannolo/Zano and Rosina (the lovers), La Ramacina (the unhappy wife), Il vecchio maladeto (the villainous old man: an unnamed forerunner of Pantalone) and Feragu (an unregenerate Don Giovanni). These figures, who appear in the interludes of the comedies and tragedies performed during festive gatherings at the great courts, first tell their stories and then perform dances such as the ballo del mattarel (“rolling pin dance”) or the mazacrocha (“breadstick dance”) and, above all, moresche (mauresques), performed at all Renaissance banquets and in the interludes of comedies as a pretext for travesty and transformation, giving rise to the symbolic portrayal of an exotic world revolving around play, love, war and the derision of power. A new recording full of colours, rhythm and……lies! |
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ID: BG0412
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: OpéraRegistrazione della favola pastorale di Torquato Tasso con intermedi musicali tratti da
Le Novellette a sei voci di Simone Balsamino
Ensemble BELLA GERIT
Musicisti:
ENEA SORINI - voce (Tirsi) e direzione musicale
SIMONE SORINI - voce (Aminta)
PAMELA LUCCIARINI - voce (Coro)
DANIELE BERNARDINI - flauto dritto, zampogna
MICHELE CARRECA - liuto
ELISABETTA DEL FERRO - viola da gamba
DAVID MONACCHI - paesaggi sonori naturali ed elettroacustici
Voci Recitanti:
LUCIA FERRARI (Dafne)
PIETRO CONVERSANO (Tirsi)
FRANCESCA DI MODUGNO (Silvia)
FILIPPO QUINTINI (Aminta)
ASIA D'ARCANGELO (Amore)
ENEA SORINI (Satiro)
PAMELA LUCCIARINI (Nerina)
GIORGIO BRAMANTE DONINI (Coro, Elpino) |
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ID: ACDBO063-2
CDs: 1
Type: CD
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Collection:
Baroque
There are a number of recordings of the choral partita ‘Ach wie nichtig, ach wie flüchtig’ by Georg Böhm (1666-1733), including one on the great Arp Schnitger city organ in Hamburg (1693), 57 voices, beautifully played by Stef Tuinstra. The version heard here is played on Arp Schnitger’s smallest organ positiv, 8 voices, but it offers enough variation to register the 8 variations in a diverse manner. The suite in A Minor ‘Melpomene’ by Johann Kaspar Ferdinand Fischer (1665-1746) is taken from his Musikalischer Parnassus (1738). Melpomene was the muse of song and tragedy. The stylised dances are a slow Allemande, the fast Passepied, a Rondeau, alternately a refrain and a verse, a Chaconne, variations based on a descending series of 4 tones and finally a fast Gigue. The Fantasia on the hexachord Vt Re Mi Fa Sol La by Johann Jakob Froberger (1616-1667) was already a famous work during his lifetime., Athenasius Kirchner mentions the work in his Masurgia (1646) and it was published in an autograph in 1649. The seven parts of the work bring the hexachord in various rhythms and with various second voices. In the sixth and seventh parts he adds chromatic tones, thus deftly exploiting the meantone temperament in the strong effect of dissonants and consonants. A true masterpiece. Johann Jakob Froberger (1616-1667) wrote the Tombeau on the death of the lute player Blancheroche in Paris and added the following remark: ‘fait à Paris sur la mort de Monsieur Blancheroche: lequel se joue fort lentement à la discretion sans observer aucune mesure.’ The improvisational character of the piece strongly resembles the Preludes non mésuree by Louis Couperin, whom Froberger met in Paris in 1652. A striking feature of this work is its exploitation of the meantone temperament, e.g. Froberger twice prescribes a D flat for where a C sharp is tuned, using the dissonant here as an expressive device. The Preludium is one of the great free forms in keyboard music. Of Hans Kotter (1485-1541) we hear an early example, here called Proömium in re. Kotter was a pupil of Paulus Hofhaymer, the most important ‘Organistenmacher’ of the 16th century, just as Sweelinck was in the 17th century. The original of the Giusti instrument is now in the Tagliavini collection in Bologna/Italy. |
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ID: DCD34066
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: GuitarItalian by birth, Bartolotti [1615 - c. 1682] was employed as a musician at the enlightened court of Sweden’s Queen Christina and in the opulent splendour of the Sun King’s Versailles. His elegant suites for guitar and theorbo fuse contemplation and virtuosity, distilling the melancholic beauty of the French Baroque. Largely neglected in modern times, Bartolotti’s music occupies a seminal place in the early guitar repertory. Lauded in this field, Gordon Ferries is a choice exponent of this cosmopolitan composer’s music.
Bartolotti:
Suite in G major
Sarabande in C major
Suite in E minor (from Secondo libro di chitarra)
Allemande in C minor
Sarabande in C minor
Suite in G minor (from Secondo libro di chitarra)
Gordon Ferries (baroque guitar & french theorbo) |
| 20.00 eur Temporarily out of stock |
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ID: DCD34070
CDs: 1
Type: CD
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Collection:
Sacred Music
Thomas Weelkes is remembered as one of the outstanding English composers of the 17th century. This survey of Weelkes' services, verse anthems and sacred madrigals features first recordings of several works in new reconstructions by scholar Peter James. Benjamin Nicholas' Tewkesbury choir delivers telling performances passionately conveying the range, imagination and technical accomplishment of Weelkes' settings.
Weelkes:
O Jonathan
Rejoice in the Lord
Te Deum & Jubilate (Eighth Service)
O how amiable are thy dwellings
Christ rising again
When David Heard
Laboravi in gemitu meo
Magnificat & Nunc dimittis (Third Service 'in F fa ut')
O vos omnes
Lord, to Thee I make my moan, anthem for 5 voices
Give ear, O Lord
All people clap your hands
Hosanna to the Son of David
Tewkesbury Abbey Schola Cantorum, Benjamin Nicholas & Carleton Etherington |
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ID: RK2905
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: ViolinMusic played a prominent role in the court of Modena. The d’Este dukes gave enduring support and an independent school was established which was the vanguard of virtuoso and expressive violin playing in the Baroque epoch. This CD includes works by Uccellini, Cazzati, Bononcini and Corelli. |
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ID: RK2904
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: ChoralWith his artistry, Foscarini made himself immortal as the first true guitar hero, becoming the archetype of all guitarists. Along the way, the musical formation of guitar, bass and percussion, which even four hundred years later causes a lot of excitement!
Giovanni Paolo Foscarini hat als Komponist, aber auch als selbstinszenierte Persönlichkeit seine Spuren in der Gitarrenwelt hinterlassen. Sowohl Giovanni Battista Granata als auch Gaspar Sanz erwähnen seinen Einfluss in ihren Gitarrenbüchern.
"The Foscarini Experience", von dem Gitarristen Frank Pschichholz ins Leben gerufen, war schon lange begeistert von den rätselhaften Schriften Foscarinis. Frank Pschichholz experimentierte mit verschiedenen Besetzungen und fand schließlich zur heute altbewährten Besetzung Gitarre, Bass und Percussion, so mitreißend gespielt, dass man sich die Musik Foscarinis anders gar nicht vorstellen kann. Frank Pschichholz wird selbst zu Il Furioso, virtuos und akzentuiert spielend sieht man ihn als Foscarini von Frankreich nach Italien ziehen, begleitet vom vielseitigen Violonespieler Daniel Zorzano und den perkussiven Künsten Nora Thieles.
The Foscarini Experience
Frank Pschichholz - Chitarra Spagnuola
Nora Thiele - Percussion
Daniel Zorzano - Violone |
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ID: RK3105
CDs: 1
Type: CD
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Collection:
Instrumental
J.F. Fasch - Concerto in D, FaWV L: D8
G.F. Handel - Trio Sonata, HWV 392 in F major
J.D. Heinichen - Concerto in A minor for violin, strings and basso continuo (world premiere recording)
J.G. Pisendel - Concerto in G major for violin, horns, oboes, bassoon, strings and basso continuo (world premiere recording)
G.F. Telemann - Concerto TWV 51:Anh.B1 in B flat major for violin, strings & b.c. (spurious) |
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