|
|
World music CD DVD shop and Classic distribution
|
|
|
|
|
ID: QTZ2063
CDs: 1
Type: CD
|
Collection: Baroque
Subcollection: Flute
This recording is the solo debut disc from Elizabeth Walker for Quartz, having previously recorded nine CDs with the New London Consort for Decca.
Elizabeth has played as a freelance flautist both on period and modern instruments, most notably with the Orchestra of the Age of Enlightenment, BBC Symphony Orchestra and the City of London Sinfonia.
There are virtually no other works written for solo unaccompanied flute “senza basso” that one can compare to the Fantasias. The unaccompanied Fantasias by Telemann stand as masterpieces of baroque invention, showing a variety of styles and influences in ever changing moods and tempos.
Elizabeth performs the Fantasias on a wooden flute. |
| 18.00 eur Buy |
|
ID: STR33937
CDs: 1
Type: CD
|
Subcollection: Harpsichord
Soloist - Antonio Mosca, violin |
| 18.00 eur Temporarily out of stock |
|
ID: STR37027
CDs: 1
Type: CD
|
Collection: Baroque
Subcollection: Harpsichord
Toccata in F-Sharp Minor, BWV 910
1 Toccata in F-Sharp Minor, BWV 910 00:10:29
Toccata in G Minor, BWV 915
2 Toccata in G Minor, BWV 915 00:09:51
Toccata in G Major, BWV 916
3 Toccata in G Major, BWV 916 00:08:04
Toccata in C Minor, BWV 911
4 Toccata in C Minor, BWV 911 00:10:20
Toccata in E Minor, BWV 914
5 Toccata in E Minor, BWV 914 00:07:25
Toccata in D Minor, BWV 913
6 Toccata in D Minor, BWV 913 00:13:08
Toccata in D Major, BWV 912
7 Toccata in D Major, BWV 912 00:10:57 |
| 18.00 eur Temporarily out of stock |
|
ID: ACDHJ040-2
CDs: 1
Type: SACD
|
Collection: Baroque
Subcollection: Voices
This CD is an anthology of the Dutch contrafact and contains poetry set to music.
These are not original songs but texts written on already existing and well-known melodies. These songs are sometimes called contrafacts: contra: against or at, factum: written on an already existing melody. Between 1550 and 1750 this was a much loved and much practised genre in the Netherlands. Numerous songbooks appeared, booklets in pocket format which could be easily produced from your pocket when you wanted to sing. They contained the texts and the melodies to which they should be sung, with a tune reference: wyse, voys, stemme, vpden voix, op de wyse van etc. We have to retrace these melodies to be able to sing the songs. Fortunately some songbooks have survived with the tunes added in musical notation. A great many other melodies can be traced back to the international song repertoire of the period. Other sources are for instance lute tablatures, dance books, etc.
It is remarkable how many tunes originate from outside the Netherlands. Many are French, English or Italian; fewer are German and Spanish. These must have been popular - or at least known - in the Netherlands, beside the familiar Dutch tunes.
Including works by Jan vander Noot, Coornhert, Vallet, Jan van Hoot, Bredero, Camphuysen, Hooft & Weyerman |
| 18.00 eur Buy |
|
ID: STR37055
CDs: 1
Type: CD
|
Collection: Baroque
Titolo: Suite per liuto BWV 995 in sol (1721) (chitarra)
Interprete: COPIELLO GIACOMO (chitarra)
Titolo: Suite per liuto BWV 996 in mi (1708) (chitarra)
Interprete: VALISENA VICTOR (chitarra)
Titolo: Suite per liuto BWV 997 in do (chitarra)
Interprete: TEDESCO MICHELE (chitarra)
Titolo: Suite per liuto BWV 1006a (trascritta per chitarra
Interprete: SUSANI GIACOMO (chitarra) |
| 18.00 eur Temporarily out of stock |
|
ID: ACDBH055-2
CDs: 1
Type: CD
|
Collection: Baroque
Subcollection: Chamber Ensemble
Stereo and multichannel (Hybrid)
Music from the Court of Johann Wilhelm van der Pfalz, duke of Jülich-Berg
Johann Wilhelm of Pfalz-Neuburg was born April 19, 1658 in Düsseldorf. His grandfather, Wolfgang Wilhelm of Pfalz-Neuburg, was given the important dukedom of Jülich-Berg at the beginning of the 17th Century. His father, Philipp Wilhelm of Pfalz-Neuburg, ensured a complete education for his son, who, even at an early age, showed a significant interest in the arts. Music and the Fine Arts became Johann Wilhelm’s dominant passions.
He married archduchess Maria Anna Josepha of Austria in 1678, which gained him access to the rich musical culture of the Emperor’s court. On August 1, 1679, he became the regent of the dukedom of Jülich-Berg with capitals in both Jülich and Düsseldorf. Düsseldorf was the focal point of his reign; he helped develop it to become a center of art and culture. After the death of his first wife in 1689, Johann Wilhelm married Anna Maria Luisa de Medici in 1691. After the death of his father in 1690 he became the Elector of Pfalz and one of the distinguished leaders of his era. Johann Wilhelm shared his passion for art and music with his new wife. The opera performances during Carnival in Düsseldorf in the years following 1690 became legendary. The court orchestra, which Johann Wilhelm formed, could compete with Imperial standards, and was admired by contemporaries in 1711 at the Imperial Election in Frankfurt. In the words of a guest of the Düsseldorf court, “[the orchestra was] a felicitous lot of fine artists.” The amount of money Johann Wilhelm invested in courtly show was not atypical for its time, but he did receive criticism from his fellow Electors. Johann Wilhelm dreamt of being named a King. |
| 18.00 eur Buy |
|
ID: STR11011
CDs: 1
Type: CD
|
Collection: Baroque
The declared objective of the baroque orchestra Antichi Strumenti is to familiarize an interested audience with the instrumental music of the Baroque period in all its stylistic diversity including the specialities and peculiarities of individual composers or regions directly basing on the music historical context.
With this intention, the ensemble was founded in 1997 in Frankfurt am Main by the cellist Tobias Bonz, who today is the leader of the orchestra, together with the Violonist, Laura Tofetti. All members of the orchestra play original instruments or their copies. |
| 18.00 eur Temporarily out of stock |
|
ID: STR33441
CDs: 1
Type: CD
|
Subcollection: Chamber Ensemble
|
| 18.00 eur Temporarily out of stock |
|
|
