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World music CD DVD shop and Classic distribution
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ID: SIGCD027
CDs: 1
Type: CD
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Collection:
Organ Collection
Colm Carey at the organ of the Dutch Church, Austin Friars, London |
| 18.00 eur Buy |
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ID: STR33868
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: Guitar |
| 18.00 eur Temporarily out of stock |
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ID: SIGCD007
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: String instrumentsTwo Upon a Ground explores the peculiarly English approach to writing instrumental variations known as 'divisions'. The style is principally known for the way it enables a player to demonstrate both a virtuosic command of the instrument and an imaginative understanding of the musical possibilities inherent in a short musical phrase.
The repertoire heard here is begins with the undisputed ,aster of the genre, Christopher Simpson, and continues with further virtuosic duets and divisions by Jenkins, Lawes, Tomkins and Purcell. |
| 18.00 eur Buy |
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ID: SIGCD033
CDs: 1
Type: CD
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Collection:
Baroque
The emergence of the basso continuo (or “figured bass”) was one of the critical moments in this history of music. Figured bass, upon which a keyboard player or lutenist could improvise harmony, meant that a single musician could provide the necessary harmonies which would previously have needed several players. In the early part of the seventeenth century, large numbers of extremely virtuosic solo motets and sonatas started to appear. The combination of solo voice with one instrument and continuo was quite common, and pieces with violin were the most common of all.
This new collection from Cordaria features cantatas for soprano, violin and basso continuo, written by composers including Samuel Capricornus, Dietrich Buxtehude, Antonio Vivaldi , Georg Phillipp Telemann and Georg Frederic Handel. |
| 18.00 eur Buy |
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ID: SIGCD024
CDs: 1
Type: CD
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Subcollection: Harpsichord It is not difficult to discern many of the elements that render Bach’s three sonatas for viola da gamba and harpsichord so remarkable by the standards of their age: a mixing of virtually every conceivable genre, form, style, medium and gesture of the late German Baroque; a forging of connections that had not hitherto been made; a penetrating insight into the multi-dimensional potentialities of each motive, theme and polyphonic complex.
Composing for the viol in this way was by, the early eighteenth century, archaic, yet what has made J.S.Bach a summit for many is his apparent ability to transcend historical contingency, somehow to stop the clock of outward progress and to rearrange and recreate the world as he knew it.
On this disc we hear the three sonatas for the Viola da Gamba and three Preludes and Fugues from the Well Tempered Clavier. |
| 18.00 eur Buy |
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