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World music CD DVD shop and Classic distribution
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ID: CLS0401
Disk: 1
Type: CD
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Kolekce: BaroqueThis CD couples two early Baroque vocal works that typify the new style that was emerging in Italy in the early 1600's. Combattimento di Tancredi e Clorinda is Monteverdi's madrigal setting of Tasso's epic poem, take full advantage of the drama inherent in the text. Carissimi's Jeptha sets the Biblical story to music, anticipating the sacred cantatas that were to flourish later in the Baroque.
Live recording 11/29/2001 in S. Maria di Castello (GE) |
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ID: CLS0403
Disk: 1
Type: CD
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Kolekce: Baroque |
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ID: DCD34041
Disk: 1
Type: CD
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Kolekce: Sacred MusicChastised for his 'excesses in life and conversation', Michael Wise was hit about the head and 'kill'd downright' by the night watchman in Salisbury Cathedral, robbing history of one of the period's most prolific and respected composers and St Paul's Cathedral of its forthcoming Master of the Choristers.This recording, the first dedicated to Wise's music, is testament to the more respectable music making that is Wise's legacy.
The Caius singers under Geoffrey Webber serve the music with an ideally informed and energetic rigour, their second volume of music from the Restoration.They take a break from that in July when they partner the choir of Kings College, London to record Shchedrin's The Sealed Angel.
Track listing
anon.:
[Verse] in D major
[Double Voluntary] in D minor
Gibbons, O:
Verses for Single Organ
Locke:
[Verse] for the Organ
Wise, M:
Prepare ye the way of the Lord
How are the mighty fallen
The Lord is my shepherd
Te Deum
Jubilate Deo (Service in D minor)
O praise God in his holiness
Magnificat
Nunc dimittis (Service in E flat)
The ways of Zion do mourn
Awake, put on thy strength O Sion
Have pity upon me
O ye my friends
Open me the gates of righteousness
Blessed is he that considereth the poor and needy
Geoffrey Webber (conductor & solo organ) & Thomas Hewitt Jones & David Ballantyne (organ scholars)
The Choir of Gonville and Caius College, Cambridge |
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ID: ERP6613
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Sbor
Baltic Baroque (on period instruments) |
| 20.00 eur Temporarily out of stock |
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ID: DCD34028
Disk: 1
Type: CD
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Kolekce: BaroqueIt is easy to forget that our great English choral tradition was once silenced by Act of Parliament. The Restoration of the Monarchy in 1660 ushered in one of the finest periods of English music, though the road to recovery for church music was a slow and difficult one. William Turner, then a precocious nine year-old, went on to become one of the best known composers and singers of his day. This premiere recording presents a cross section of Turner's sacred music, ranging from small-scale liturgical works to some of his grandest creations, the Te Deum and Jubilate in D.
Julia Doyle soprano William Purefoy countertenor William Towers countertenor Paul Thompson tenor Daniel Jordan bass The Choir of Gonville and Caius College, Cambridge Yorkshire Baroque Soloists (Peter Seymour director) Geoffrey Webber conductor
Track listing
W. Turner
1. Te Deum (1696)
2. Lord, thou hast been my refuge
3. My soul truly waiteth
4. Hear my prayer, O Lord
5. The Queen shall rejoice (1702)
6. Jubilate Deo (Service in E)
7. Magnificat (Service in A)
8. Nunc Dimittis (Service in A)
9. O Lord, God of hosts, hear my prayer
10. The Lord is righteous
11. Jubilate Deo (1696)
Total playing time [66:14] |
| 20.00 eur Temporarily out of stock |
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ID: CLAVES509407
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Organ
Division Flute: 'A Division to a Ground'
The Division Flute: Readings Ground
Carr, R: Divisions upon an Italian Ground
Chédeville, N: Sonata for musette & continuo in G minor (attrib. To Vivaldi Op. 13/6)
Cima: Sonata in D minor
Fontana, G B: Sonata 6 from Sonata 1, 2, 3 Op. post.
Hume, T: A Souldiers Resolution
Locke: Suite No.3 in D minor-major - For Several Friends, suites (12) for trumpet, viol (or violin), bass viol & continuo
Piccinini: Toccata VI
Rognoni: Divisions on Vestiva I Colli
Sammartini, G: Sonata for Recorder and Continuo in G major, Op. 13, No. 4
Scarlatti, D: Keyboard Sonata K87 in B minor |
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ID: CLAVES502908
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Organ
Organ of the Martinerk, Groningen
After her magnificent Buxtehude boxed-set in 2007 (CD 50-2704/06), Japanese organist Kei Koito pursues her collaboration with Claves Records by laying the foundation stone of a cycle dedicated to masterpieces by Johann-Sebastian Bach. Recorded in June 2009 on the organ of the Groningen Martinikerk in the Netherlands, she presents an anthology of - as ever - most carefully selected pieces. Original scores such as the Preludes and Fugues BWV 543, 548 et 743, the chorals "Liebster Jesu, wir sind hier" and "Schmücke dich, O liebe Seele", and the Partita "Sei gegrüsset, Jesu gütig", but also transcriptions by Bach (Adagio from the Sonata for violin and harpsichord BWV 1016) and by herself (Trio in G from the Sonata for viola di gamba and harpsichord BWV 1027). Kei Keito excels in them, showing to those who had not yet encountered it her very special affinity with the St-Thomas cantor. She founded a Bach Festival in 1997 in Lausanne (where she lives), Festival that has become a reference in the matter.
J.S. Bach
Prelude and Fugue in E minor, BWV548 'Wedge'
Prelude and Fugue in A major, BWV536
Prelude and Fugue in A minor, BWV543
Chorale Prelude BWV731 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV743 'Ach, was ist doch unser Leben', transcribed for organ by Kei Koito
Viola da Gamba Sonata No. 1 in G major, BWV1027, transcribed for organ by J.S. Bach
Chorale Partita BWV768 'Sei gegrusset, Jesu gütig'
Chorale Prelude BWV654 'Schmücke dich, o liebe Seele' |
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ID: CDMAN057-00
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Guitar
Vladimir Kuznetsov, guitar
Anton Fomichev, guitar
Sergey Zolotaryov, guitar |
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ID: SIGCD261
Disk: 1
Type: CD
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Kolekce: BaroquePodkolekce: Organ
David Goode performs a grand selection of some of Bach’s best organ works - including the famed Passacaglia and Fugue in C minor - providing modern listeners with a unique chance to hear Bach’s music as congregations of that period may have done.
The Gottfried Silbermann organ of Freiberg cathedral is one of a handful of such 18th-century instruments (built during Bach’s lifetime) to have remained largely unmodified to this day. Bach’s work as an organ inspector shows that he tested and inaugurated a number of Silbermann’s organs in Germany and, although there is no record that he played this instrument, its sound is undoubtedly one that Bach would have recognised and composed for. |
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ID: CLAVES502907
Disk: 1
Type: CD
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Kolekce: BaroqueAfter a first album dedicated to polyphonic rarities by the Franco-Flemish composer Philippe de Monte (Claves CD 50-2712), the Ensemble Orlando de Fribourg and conductor Laurent Gendre, escorted for the occasion by the ensemble La Cetra from Basel, have set out to conquer the gigantic Johann-Sebastian Bach, and two of his four “Missa Breve”: Masses BWV 234 and 235. As Etienne Barilier, who wrote the booklet, points out, we know neither their precise destination nor the exact date of composition; we only know that they were written between 1735 and 1744. “If they remain relatively little known, even today, it is because they are not ex nihilo creations, says the author. Virtually all the pieces that make them up (six per mass: the Kyrie, followed by a Gloria subdivided into five parts) were borrowed from cantatas composed ten or twenty years previously, between 1723-1726. It may well even be that the very few “original” pieces of these masses were not in fact orginals, but came from cantatas that have since been lost”. And so what! The genius of the Thomaskirche Cantor is present and there is little chance that anyone listening to these Lutheran masses may get a feeling of déja-vu. As Barilier remarks, “the same pieces, transposed into different key signatures, with different orchestral colours and new texts, are no longer the same pieces.” |
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