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World music CD DVD shop and Classic distribution
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ID: IMLCD105
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: Cello |
| 20.00 eur Temporarily out of stock |
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ID: SIGCD157
CDs: 1
Type: CD
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Collection:
Choral Collection
Giuseppe Torelli was one of the most important composers of the Italian Baroque, being among the developers of the Baroque concerto and Concerto Grosso. This disc marks the tercentenary of his death with a selection of Torelli's concertos written for his employer, George Friedrich II, the Margrave of Brandenburg- Ansbach.
Continuing their extensive catalogue with Signum Classics Charivari Agréable, under the direction of Kah-Ming Ng, is one of the most versatile Early Music groups around. The ensemble specialises in the ingenious use of period instruments to produce "ravishing sonorities and full-bodied textures" (Gramophone Magazine). |
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ID: IFO00108
CDs: 1
Type: CD
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Collection:
Organ Collection
An der Brüstungsorgel Vornbach am Inn and den Orgeln St. Johann Regen, Pfarrkirche
Mariae Heimsuchung Schambach, St. Ottilia Hellring
V o r n b a c h
Dionysius Grotz (1748-1817):
Vor- und Nachspiele aus dem “Vornbacher Orgelbuch” (1796)
No.2 in F-Dur (Moderato - Allegro - moderato)
No.4 in g-Moll (Moderato - Allegro - Moderato)
No.6 in B-Dur (Ariose Tanto) Fünf Praeludien aus: Neun Praeludien durch neun Kirchentöne
R e g e n
Johann Anton Kobrich (1714-1791):
Fünfte Partita in A-Dur (1748)
Johann Ernst Eberlin (1702-1762):
Toccata septima (1747)
Toccata/Fuga mit Pars Secunda
Drei Musikstücke für die Wasserorgel in F-Dur
S c h a m b a c h
P. Theodor Grünberger (1756-1820)
Orgel-Messe Nr. 1 in C-Dur
H e l l r i n g
Fr. Marianus Königsperger (1708-1769)
Aria quarti toni (e-Moll)
Aria septimi toni (D-Dur)
Praeambulum et Fuga sexti toni (1756)
Aria secundi toni(g-Moll)
Praeambulum et Fuga sept. toni (1756) |
| 20.00 eur Temporarily out of stock |
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ID: IMLCD054
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: Choral |
| 20.00 eur Temporarily out of stock |
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ID: GD130
CDs: 1
Type: CD
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Collection:
Baroque
The CD includes two popular pieces of Baroque music: Vivaldi's The Four Seasons and Händel's Concerto Grosso Op. 6 No. 9. These are not only paragons of mastery and innovation but also works which present to the performers the opportunity to demonstrate sound culture, attitude towards the peculiarities of the Baroque style, virtuosity and keen sense of music-making. Named after the four seasons, the concertos are a touchstone for the mastery of both orchestra and soloist. This is the flute version of the work, performed by Professor Lydia Oshavkova, famous not only at home but also in many countries in the world. An excellent interpreter of Renaissance and Baroque music, Oshavkova possesses all the qualities necessary to rank her among the most remarkable flutists of today. Her performances feature flexibility of metre and rhythm, beautiful tone, freedom of expression and technical stability. Conductor Nikolai Boyadjiev's Ladies' Chamber Orchestra consists of prominent professionals from leading symphony orch |
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ID: STR33937
CDs: 1
Type: CD
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Subcollection: HarpsichordSoloist - Antonio Mosca, violin |
| 20.00 eur Temporarily out of stock |
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ID: STR37027
CDs: 1
Type: CD
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Collection:
Baroque
Subcollection: HarpsichordToccata in F-Sharp Minor, BWV 910
1 Toccata in F-Sharp Minor, BWV 910 00:10:29
Toccata in G Minor, BWV 915
2 Toccata in G Minor, BWV 915 00:09:51
Toccata in G Major, BWV 916
3 Toccata in G Major, BWV 916 00:08:04
Toccata in C Minor, BWV 911
4 Toccata in C Minor, BWV 911 00:10:20
Toccata in E Minor, BWV 914
5 Toccata in E Minor, BWV 914 00:07:25
Toccata in D Minor, BWV 913
6 Toccata in D Minor, BWV 913 00:13:08
Toccata in D Major, BWV 912
7 Toccata in D Major, BWV 912 00:10:57 |
| 20.00 eur Temporarily out of stock |
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ID: STR37055
CDs: 1
Type: CD
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Collection:
Baroque
Titolo: Suite per liuto BWV 995 in sol (1721) (chitarra)
Interprete: COPIELLO GIACOMO (chitarra)
Titolo: Suite per liuto BWV 996 in mi (1708) (chitarra)
Interprete: VALISENA VICTOR (chitarra)
Titolo: Suite per liuto BWV 997 in do (chitarra)
Interprete: TEDESCO MICHELE (chitarra)
Titolo: Suite per liuto BWV 1006a (trascritta per chitarra
Interprete: SUSANI GIACOMO (chitarra) |
| 20.00 eur Temporarily out of stock |
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ID: BR0022
CDs: 1
Type: CD
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Collection:
Baroque
Some may believe the music of 18th Century Iberian composers to be less interesting than the music from Germany, France and Italy of this period. However, these two volumes of keyboard music illustrate the originality of Spanish and Portuguese composers Angles, Albéniz, Cantallos, Carvalho, Ferrer, Freixanet, Jacinto, Seixas and Soler. At the beginning of the 18th Century, Louis XI was King of Spain. He felt little enthusiasm for Spanish national art and preferred foreign artists. Consequently, Italian singers and composers gradually influenced the aristocratic tastes and the court life in Spain. It was a similar situation in Portugal. When King Johan V (1707-1750) became ruler of Portugal, he set about cultivating the arts in the city of Lisbon. Portuguese musicians had the opportunity to take apprenticeships in Italy while Italian musicians, such as Domenico Scarlatti were welcomed into Lisbon to perform. The authoritative musical figures during this time were! men of the church. Father Antonio Soler was a friar, organist and composer as well as an important theoretician who dominated the musical scene in Spain. The first pianofortes were being manufactured and Soler was fortunate to have a piano at the monastery. Although he wrote for the organ, the compositional quality of his keyboard works show that he had the piano in mind. His Portuguese counterpart was José António Carlos de Seixas. Seixas became Portugal?s finest keyboard player of this period who bridged the gap between Baroque and Classical eras. Both composers did not simply duplicate Italian idioms, but developed and expanded the style while recalling their Spanish and Portuguese roots. They blended vocal-like melodies into quasi-contrapuntal lines and simple block harmonies. This formed a model on which classical composers such as Haydn and Mozart were to base their compositions. |
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