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ID: DCD34086 CDs: 1 Type: CD |
Collection: Renaissance The Marian Consort:
Gwendolen Martin & Emma Walshe - Sopranos
Rory McCleery Countertenor / Director
Nicholas Scott - Tenor
Steffan Jones, Baritone / Christopher Borrett -Bass
For their debut recording, the six-strong Marian Consort explores music from late sixteenth and early seventeenth-century Spain. This fascinating programme celebrates the rich compositional fruits of the Siglo de Oro’s intensely competitive musical culture. These luminary works - all dedicated to the Virgin Mary - demand performances of great intelligence and vocal commitment. The youthful Marians respond absolutely, bringing hushed intimacy and bristling excitement to some of the most gorgeously searing lines in the history of European polyphony.
1 Regina caeli - Juan Navarro
2 Maria Magdalene - Francisco Guerrero
3 Kyrie from Missa Maria Magdalene - Alonso Lobo
4 Ave Virgo sanctissima - Francisco Guerrero
5 Gloria from Missa Ave Virgo sanctissima - Juan Esquivel
6 O Virgo benedicta - Rodrigo Ceballos
7 Credo from Missa Ave Virgo sanctissima - Juan Esquivel
8 Ave Regina caelorum - Alonso Lobo
9 Sanctus from Missa Maria Magdalene - Alonso Lobo
10 O sacrum convivium - Sebastián de Vivanco
11 Benedictus from Missa Maria Magdalene - Alonso Lobo
12 Magnificat Primi Toni - Sebastián de Vivanco
13 Pastores loquebantur - Francisco Guerrero
14 Agnus Dei from Missa Sancta et immaculata - Francisco Guerrero |
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ID: CDM0027-14-1 CDs: 1 Type: CD |
Collection: Baroque Subcollection: ChoralPatrizia Bovi - Soprano, harp, musical direction
Goffredo Degli Esposti - Pipe and tabor, pipe and buttafoco (string drum), sordellina (bagpipe)
Gabriele Russo - Lira da braccio, rebec
Enea Sorini - Baritone, percussion
Simone Sorini - Tenor, cantore a liuto
Olivier Marcaud - Tenor
Leah Stuttard - Harp (bray pins)
Crawford Young - Lute
Gabriele Miracle - Dulcimer, Percussion
Gianni La Marca - Viol
Mauro Borgioni - Bass
Ulrich Pfeifer - Voice on Lanxe Lanxe
Luigi Germini - Trombon
A new CD with frottole and villotte about folk themes and figures, later destined to become stock characters of the Commedia dell’Arte, of late 15th - Century: Scaramella/Scaramouche (a lampoon soldier), the lanzo or captain, the vecchia maladetta e rincagnata (a “wretched, pug-nosed old hag” who acts either as procuress or as an obstacle to love), Giannolo/Zano and Rosina (the lovers), La Ramacina (the unhappy wife), Il vecchio maladeto (the villainous old man: an unnamed forerunner of Pantalone) and Feragu (an unregenerate Don Giovanni). These figures, who appear in the interludes of the comedies and tragedies performed during festive gatherings at the great courts, first tell their stories and then perform dances such as the ballo del mattarel (“rolling pin dance”) or the mazacrocha (“breadstick dance”) and, above all, moresche (mauresques), performed at all Renaissance banquets and in the interludes of comedies as a pretext for travesty and transformation, giving rise to the symbolic portrayal of an exotic world revolving around play, love, war and the derision of power. A new recording full of colours, rhythm and……lies! |
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ID: BG0412 CDs: 1 Type: CD |
Collection: Baroque Subcollection: OpéraRegistrazione della favola pastorale di Torquato Tasso con intermedi musicali tratti da
Le Novellette a sei voci di Simone Balsamino
Ensemble BELLA GERIT
Musicisti:
ENEA SORINI - voce (Tirsi) e direzione musicale
SIMONE SORINI - voce (Aminta)
PAMELA LUCCIARINI - voce (Coro)
DANIELE BERNARDINI - flauto dritto, zampogna
MICHELE CARRECA - liuto
ELISABETTA DEL FERRO - viola da gamba
DAVID MONACCHI - paesaggi sonori naturali ed elettroacustici
Voci Recitanti:
LUCIA FERRARI (Dafne)
PIETRO CONVERSANO (Tirsi)
FRANCESCA DI MODUGNO (Silvia)
FILIPPO QUINTINI (Aminta)
ASIA D'ARCANGELO (Amore)
ENEA SORINI (Satiro)
PAMELA LUCCIARINI (Nerina)
GIORGIO BRAMANTE DONINI (Coro, Elpino) |
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ID: DCD34066 CDs: 1 Type: CD |
Collection: Baroque Subcollection: GuitarItalian by birth, Bartolotti [1615 - c. 1682] was employed as a musician at the enlightened court of Sweden’s Queen Christina and in the opulent splendour of the Sun King’s Versailles. His elegant suites for guitar and theorbo fuse contemplation and virtuosity, distilling the melancholic beauty of the French Baroque. Largely neglected in modern times, Bartolotti’s music occupies a seminal place in the early guitar repertory. Lauded in this field, Gordon Ferries is a choice exponent of this cosmopolitan composer’s music.
Bartolotti:
Suite in G major
Sarabande in C major
Suite in E minor (from Secondo libro di chitarra)
Allemande in C minor
Sarabande in C minor
Suite in G minor (from Secondo libro di chitarra)
Gordon Ferries (baroque guitar & french theorbo) |
15.00 eur Temporarily out of stock |
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ID: DCD34070 CDs: 1 Type: CD |
Collection: Sacred Music Thomas Weelkes is remembered as one of the outstanding English composers of the 17th century. This survey of Weelkes' services, verse anthems and sacred madrigals features first recordings of several works in new reconstructions by scholar Peter James. Benjamin Nicholas' Tewkesbury choir delivers telling performances passionately conveying the range, imagination and technical accomplishment of Weelkes' settings.
Weelkes:
O Jonathan
Rejoice in the Lord
Te Deum & Jubilate (Eighth Service)
O how amiable are thy dwellings
Christ rising again
When David Heard
Laboravi in gemitu meo
Magnificat & Nunc dimittis (Third Service 'in F fa ut')
O vos omnes
Lord, to Thee I make my moan, anthem for 5 voices
Give ear, O Lord
All people clap your hands
Hosanna to the Son of David
Tewkesbury Abbey Schola Cantorum, Benjamin Nicholas & Carleton Etherington |
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ID: DCD34046 CDs: 1 Type: CD |
Collection: Baroque Subcollection: GuitarBaroque guitarist Gordon Ferries weaves his way through the seductive labyrinth of Francisco Guerau’s ‘harmonic poem’; sensual ballads, sublime passacalles and the virtuosic dance music of baroque Spain’s fiery underbelly. Ferries’ playing brings this beguiling world to life with elegance and passionate vitality.
Track listing
1 Marianos
2 Jacaras de la Costa
3 Marizapalos
4 Pasacalles por Patilla,
8 tono, punto alto
5 Gallardas
6 Pasacalles por 3 tono
7 Villanos
8 Folias
9 Canario
Total playing time: [65.50] |
15.00 eur Temporarily out of stock |
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ID: DCD34053 CDs: 1 Type: CD |
Collection: Baroque Subcollection: HarpsichordJohn Kitchen (1755 Kirkman Harpsichord from the Raymond Russell Collection)
Handel’s overtures had an independent life almost from their inception, and the practice of performing them on keyboard instruments has a similarly long pedigree, beginning with a number of transcriptions made by the composer himself. Keyboard specialist John Kitchen virtuosically evokes Handel’s orchestral palette in the welter of timbres and colours which he summons forth from Jacob Kirckman’s 1755 harpsichord, a classic instrument from the very apex of the English harpsichord-building tradition.
Track listing
1-4 Overture to the Occasional Oratorio
5-7 Overture to Athalia
8-9 Overture to Radamisto
10-13 Suite in A (HWV 454)
14-17 Overture to Samson
18-21 Overture to Saul
22-27 Suite in G (HWV 450)
28-30 Overture to Il Pastor Fido
31-34 Overture to Teseo
35-38 Overture to Rinaldo
Total playing time [79:50] |
15.00 eur Temporarily out of stock |
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ID: RRC1248 CDs: 1 Type: CD |
Collection: Organ Collection Bach, J S:
Toccata & Fugue in D minor, BWV565
Chorale Prelude BWV731 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV622 'O Mensch, bewein' dein' Sünde groß'
Fantasia in G major, BWV572
Prelude & Fugue in C major, BWV545
Chorale Prelude BWV645 'Wachet auf, ruft uns die Stimme'
Chorale Prelude BWV649 'Ach bleib’ bei uns, Herr Jesu Christ'
Prelude & Fugue in E flat major, BWV552 'St Anne'
Sinfonia from Cantata BWV29
arr. Rawsthorne
Toccata & Fugue in D minor, BWV538 'Dorian'
Noel Rawsthorne (organ)
Willis Organ of Liverpool Anglican Cathedral |
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ID: RV66-72 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Choral |
15.00 eur Temporarily out of stock |
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ID: DCD34057 CDs: 1 Type: CD |
Subcollection: HarpsichordSt Cecilia’s Hall is the oldest purpose-built concert hall in Scotland, dating from 1763. In 1968 it became home to the Raymond Russell Collection of Early Keyboard Instruments. This already world famous collection was further enhanced in 2005 when the University of Edinburgh received the extraordinary gift of 22 historic keyboard instruments from Rodger and Lynne Mirrey; the galleries at St Cecilia’s Hall now house one of the two most comprehensive collections of early keyboard instruments in the world. John Kitchen’s demonstration recital couples music with instrument in a way that informs and entertains.
Track listing
Double-manual harpsichord (4478), Luigi Baillon, Cyteux, 1755
Louis Couperin (1626-1661) 1-5 Suite in C major
Triple-fretted clavichord (4486), possibly Flemish, c. 1620
Two Renaissance dances anon. Dutch 16th century 6 Almande prynce, anon. early 16th century 7 Fusi pavana piana
Grand pianoforte (4492), Johann Friedrich Kuhlbörs, Breslau, c. 1805
Joseph Haydn (1732-1809) 8 Adagio in G (Hob. XV/22) 9 Fantasia in C (Hob. XVII/4)
Single-manual harpsichord (4479), Thomas Barton, London, 1709
Henry Purcell (1659-1695) 10-14 Suit of Lessons in C , John Blow (1649-1708) 15 Mortlack's Ground
Unfretted clavichord (4487), possibly Dresden, c.1740
Johann Jacob Froberger (1616-1667) 16 Lamento sopra la dolora perdita della Real Msta. Di Ferdinando IV, Ré de Romani
J.S. Bach (1685-1750) 17-19 Suite in F minor BWV 823
Virginal (4484), Honofrio Guarracino, Naples, 1678
Bernardo Pasquini (1637-1710) 20 Alemanda 21 Corrente
Single-manual harpsichord (4471), Bernardinus de Trasuntinis, Venice, 1574
William Byrd (c. 1540-1623) 22 Pavan: Bray [MB XXVIII, 59a, b] 23 Galliard,
Girolamo Frescobaldi (1583-1643), 24 Toccata nona (1637)
Single-manual harpsichord (4473), Franciscus de Paulinis, Rimini, 1725
Alessandro Scarlatti (1660-1725) 25 Toccata decima in F
Grand pianoforte (4490), John Broadwood, London, 1793
Felix Mendelssohn (1809-1847) 26-28 Three Songs Without Words
Total playing time [75:48] |
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