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World music CD DVD shop and Classic distribution
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ID: DCD34021 CDs: 1 Type: CD |
Collection: Organ Collection Matthew Owens (Ahrend Organ of the Reid Concert Hall, University of Edinburgh)
Revered teacher, organ virtuoso, master of counterpoint, devotee of the chorale, enthusiast for the Italian forms of composition, pathfinder and worthy predecessor of Bach: such was Johann Pachelbel. Matthew Owens presents a selection of Pachelbel’s works on the UK’s only Ahrend Organ, housed in the Reid Concert Hall at the University of Edinburgh. It is an instrument of exceptional refinement; the voicing is direct and clear and yet full of subtleties; This recording presents a completely satisfying union of instrument, repertoire and performer.
Track listing
Pachelbel
1. Toccata und Fuga B-dur
Ten Magnificatfugen
2. Magnificat sexti toni I
3. Magnificat sexti toni II
4. Magnificat sexti toni III
5. Magnificat sexti toni IV
6. Magnificat sexti toni V
7. Magnificat sexti toni VI
8. Magnificat sexti toni VII
9. Magnificat sexti toni VIII
10. Magnificat sexti toni IX
11. Magnificat sexti toni X
12. Fantasie C-dur
Das Magnificat Mariae:
13. Meine Seele erhebt den Herren (Tonus peregrinus)
14. Meine Seele erhebt den Herren (Tonus peregrinus)
15. Toccata e-moll
16. Fuga e-moll
Four Chorale Preludes for Christmas:
17. Gelobet seist du, Jesu Christ
18. Der Tag, der ist so freundenreich
19. Vom Himmel hoch, da komm ich her (C)
20. Vom Himmel hoch, da komm ich her (12/8)
21. Fuga G-dur
22. Ricercare C-dur
23. Toccata F-dur 24. Fuga F-dur
25. Fantasia d-moll
26. Choral mit 12 Partiten: Christus, der ist mein Leben
27. Toccata g-moll
28. Fuga g-moll
29. Ciacona d-moll
30. Fuga D-dur
Total playing time [76.42]
Matthew Owens (Ahrend Organ of the Reid Concert Hall, University of Edinburgh) |
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ID: DCD34012 CDs: 1 Type: CD |
Collection: Baroque Subcollection: HarpsichordLucy Carolan and John Kitchen (harpsichords)
Track listing
Francois Couperin
1 Allemande à deux clavecins (Ordre no. 9)
2 Solo: L'Evaporée (Ordre no. 15)
3 Solo: Le Dodo, ou l’amour au Berceau (Ordre no. 15)
4 Muséte de Choisi (Ordre no. 15)
5 Muséte de Taverni (Ordre no. 15)
La Paix du Parnasse: Sonade en trio
6 Gravement
7 Saillie: Vivement
8 Rondement
9 Vivement
10 Solo: Le Rossignol en amour (Ordre no. 14)
11 La Julliet (Ordre no. 14)
12 Solo: Le Carillon de Cithére (Ordre no. 14)
13 Solo: Le Petit-Rien (Ordre no. 14)
Concert Royal no. 3 in A
14 Prélude
15 Solo: Allemande
16 Solo: Courante
17 Sarabande grave
18 Muzette
19 Grande Ritournéle (Concert Royal no. 8)
20 Solo: Le Drôle de Corps (Ordre no. 16)
21 Solo: La Distraite (Ordre no. 16)]
22 La Létiville (Ordre no. 16)
23 Menuet en Trio (Concert Royal no. 1)
La Steinquerque
24 Bruit de Guerre: Gayement
25 Air: Lentement
26 Gravement
27 Legerement
28 Mouvement de fanfares
29 Lentement
30 Gravement
31 Gayement |
15.00 eur Temporarily out of stock |
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ID: CP036 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Voice and Lute |
15.00 eur Temporarily out of stock |
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ID: DCD34001 CDs: 1 Type: CD |
Subcollection: HarpsichordA stunning recital on a variety of keyboards from Edinburgh’s venerated musical museum. Repertoire includes works by Byrd, Bach, Handel, Scarlatti, Greene, Couperin, and Forqueray. Photographs and descriptions of all nine instruments enhance the booklet. A must-have item for early keyboard enthusiasts worldwide! |
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ID: DCD34011 CDs: 1 Type: CD |
Collection: Baroque Subcollection: GuitarFrom its earliest beginnings, the five course Baroque guitar was associated - for better or worse - with dance music, becoming the sensuous younger cousin of the lute or vihuela. In this mélange of music from seventeenth-century France, Gordon Ferries weaves a tapestry of sound that is at once elegant, earthy, and utterly timeless.
Praise for Gordon Ferries
"Delicately poised playing" - BBC Music Magazine
"Full of vitality and will soon have your foot tapping" - Early Music News
Track listing
1. Francesco Corbetta (1615-81) Prelud
2. Chiacona in C major
[3-10] Robert de Visée (c.1650-c.1725) Suite in C major
[11-17] Henri Grénerin (c.1668-c.1748) Suite in D major
[18-22] Rémy Médard (fl.17th C.) Suite in G minor
23. Francesco Corbetta Caprice de chacone
[24-29] Francesco Corbetta Suite in A minor
30. Robert de Visée Masquerade
31. Marin Marais (1656-1728) Air
32. André Campra (1660-1744) Musete
33. Jean-Baptiste Lully (1632-1687) Entrée d'Isis
34. Jean-Baptiste Lully Entrée d'Apollon
35. François Couperin (1668-1733) Sœur Monique
[36-41] Antoine Carré (fl.17th C.) Suite in G minor |
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ID: ERP6212 CDs: 1 Type: CD |
Collection: Baroque Subcollection: Voices and OrchestraEven though the full title of this album indicates that it contains George Frederick Handel's Water Music, potential purchasers need to know that only the Suite No. 1 in F major from Water Music is included, along with other works. This misleading title should not detract from appreciation of the quality of the music, for the period style performances by the European Union Baroque Orchestra of the Overture to Admeto, the Concerto Grosso in F major, and vocal works that feature soprano Maria Keohane, are certainly attractive and worth having in their own right. Led by harpsichordist Lars Ulrik Mortensen, the small Baroque orchestra plays with clean lines and crisp articulation, and the ensemble's sound is convincingly authentic. Keohane sings with grace and elegant phrasing, and demonstrates a fine sense of embellishment and tonal production in her dramatic interpretations of the solo cantatas Ero e Leandro and Ah! Che troppo ineguali, as well as the aria Tu del Ciel ministro eletto from the oratorio Il trionfo del Tempo e del Disinganno. On the whole, this is a representative sampler of Handel's instrumental and vocal music that is definitely worth hearing, though any listeners who seek the complete Water Music need to look elsewhere. Ë Blair Sanderson, Rovi |
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ID: CP030 CDs: 1 Type: CD |
Collection: Baroque Subcollection: OboeJohann Friedrich Fasch is primarily known to modern audiences through a few trumpet pieces that have served for weddings and other assertions of respectability like public television programs. But, as with his somewhat older contemporary Telemann, he left a great deal of music, and it may be that he has been underestimated simply because performers haven't known where to begin with it. This 1987 disc of oboe and bassoon music from the former East Germany, with performers working from manuscripts held in the Saxon State Library in Dresden (Fasch's longtime residence), reveals a composer whose music blended old and new. The overall mood is a bit less free and easy than with Telemann, and there's a facility of contrapuntal writing, erupting at times into full-fledged fugues, which can make you think you're listening to Bach. But Fasch's emphasis on melody points to the influence of Vivaldi, and some of the music even suggests Fasch as a forerunner of the Classical style. Sample the Sonata in F major for two oboes and two bassoons, without continuo (tracks 18-21) -- it's delightful from start to finish. Fasch's part-writing, with the two bassoons gracefully filling the dual role of harmonic support and full member of the texture, is the height of elegance. And the slightly dancelike, pastoral mood of the work tells us that the divertimenti and Feldparthien of the mid century were not far away; indeed it wouldn't be a surprise if music like this turned out to have been known by the young Haydn. The performances are technically confident and perfectly attuned to Fasch's slightly sober idiom, but those new to historical instruments should note that the Baroque oboe, even more so than other early instruments, takes some getting used to. The situation is not helped by the Communist-era sound, which puts the emphasis on all the wrong places (including the group breathtaking at the beginning of each movement), but this is nevertheless a worthwhile disc for Baroque collections. |
15.00 eur Temporarily out of stock |
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ID: CP009 CDs: 1 Type: CD |
Collection: Baroque |
15.00 eur Temporarily out of stock |
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ID: SN8815 CDs: 1 Type: CD |
Collection: Vocal Collection 1. Gabriello Puliti - Anima Mea Liquaefacta Est 6:07
2. Paolo Nodari - In Tribulatione Mea 4:33
3. Ottavio Durante - Aspice Domine 4:52
4. Francesco Severi - Falsi Bordoni - I Tuono - Gloria Patri - Sicut Erat 2:22
5. Francesco Severi - Falsi Bordoni - II Tuono - Gloria Patri - Sicut Erat 1:57
6. Francesco Severi - Falsi Bordoni - IV Tuono - Gloria Patri - Sicut Erat 2:18
7. Francesco Severi - Falsi Bordoni - V Tuono - Sicut Erat 1:15
8. Francesco Severi - Falsi Bordoni - VII Tuono - Sicut Erat 1:34
9. Francesco Severi - Falsi Bordoni - VIII Tuono - Gloria Patri - Sicut Erat 2:30
10. Antonio Brunelli - Salve Corpus Christi 4:23
11. Antonio Brunelli - Anima Mea Liquaefacta Est 8:07
12. Antonio Brunelli - O Dolce Nomen Iesu 6:35
13. Ottavio Durante - Filiae Ierusalem 4:30
14. Gabriello Puliti - Parvulus Filius Datus Est 3:23
15. Gabriello Puliti - Paratur Nobis Mensa Domini 3:50
16. Ottavio Durante - Magnificat III Toni 7:15 |
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ID: SN8813 CDs: 1 Type: CD |
Collection: Opera & Vocal Collection Subcollection: Voice and OrganC. Monteverdi
1. Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325: Lamento di Penelope
2. La favola d'Orfeo, opera, SV 318: Ninfa
3. Lamento d'Olimpia, madrigal in 3 sections for soprano, SV A2
4. La favola d'Orfeo, opera, SV 318: Proserpina
5. Se i languidi miei sguardi (Lettera amorosa), madrigal for soprano (from Book 7), SV 141: Lettera Amorosa I |
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