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World music CD DVD shop and Classic distribution
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ID: RES10148 (EAN: 5060262790526) | 1 CD | DDD Ausgefolgt: 2015
- LABEL:
- Resonus Classics
- Kolektion:
- Baroque
- Subkolektion:
- Violin
- Komponisten:
- TARTINI, Giuseppe | VERACINI, Francesco Maria
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Interpreten:
- BRACHETTA, Guillermo (harpsichord) | KIMURA, Rie (baroque violin) | SMITH, Robert (1)
- Andere Infos:
Rie Kimura (Baroque violin) & Fantasticus (Robert Smith - Baroque cello & Guillermo Brachetta - harpsichord)
Founder member of the acclaimed Baroque trio Fantasticus, and celebrated up-and-coming violinist, Rie Kimura, makes a sensational solo debut with this thrilling selection of four virtuosic violin sonatas.
Joined by Baroque cellist Robert Smith and harpsichordist Guillermo Brachetta from Fantasticus, Kimura presents scintillating works by Italian eighteenth-century luminaries Giuseppe Tartini (including his famous Devil’s Trill sonata) and Francesco Maria Veracini.
| 1. | Veracini: Sonata, Op. 2, No. 12: I. Passagallo | 3:50 | | | 2. | Veracini: Sonata, Op. 2, No. 12: II. Capriccio cromatico | 3:03 | | | 3. | Veracini: Sonata, Op. 2, No. 12: III. Adagio - Ciaccona | 7:29 | | | 4. | Tartini: Sonata 'Il trillo del Diavolo': I. Larghetto affectuoso | 5:57 | | | 5. | Tartini: Sonata 'Il trillo del Diavolo': II. Tempo giusto della Scuola Tartinista | 6:01 | | | 6. | Tartini: Sonata 'Il trillo del Diavolo': III. Andante - Allegro assai | 5:33 | | | 7. | Veracini: Sonata, Op. 2, No. 5: I. Adagio assai | 3:59 | | | 8. | Veracini: Sonata, Op. 2 No. 5: II. Capriccio | 4:38 | | | 9. | Veracini: Sonata, Op. 2 No. 5: III. Allegro assai | 2:30 | | | 10. | Veracini: Sonata, Op. 2 No. 5: IV. Giga | 3:53 | | | 11. | Tartini: Pastorale, Op. 1, No. 13: I. Grave | 4:00 | | | 12. | Tartini: Pastorale, Op. 1, No. 13: II. Allegro | 3:05 | | | 13. | Tartini: Pastorale, Op. 1, No. 13: III. Largo - Presto - Largo - Presto - Andante | 3:52 | | 'This is an utterly enchanting recording from beginning to end [...] Rie Kimura draws the listener into her intimate sound world, with gently caressing bow strokes, neatly shaping the most virtuosic passages with effortless ease.'
Early Music Review
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