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Testimony [Soundtrack] - The Story of Shostakovich: Rudolf Barshai

 
Testimony [Soundtrack] - The Story of Shostakovich:  Rudolf Barshai-Orchester-Orchestral Works
ID: TPCD145 (EAN: 604388722624)  | 1 CD | DDD
Ausgefolgt: 2009
LABEL:
Tony Palmer
Kolektion:
Orchestral Works
Subkolektion:
Orchester
Komponisten:
SHOSTAKOVICH, Dmitry Dmitriyevich
Interpreten:
PRESTON, Simon (chorus master)
Ensembles:
Chilingirian String Quartet | Golden Age Singers | London Philharmonic Orchestra
Dirigenten:
BARSHAI, Rudolf | PRESTON, Simon
Andere Infos:

The soundtrack to Tony Palmer's remarkable film portrait of composer Dmitri Shostakovich, which stars Ben Kingsley in the title role. Performed by The London Philharmonic Orchestra and conducted by Rudolf Barshai.
Chorus Master: Simon Preston
Tracklist
 
SHOSTAKOVICH, Dmitry Dmitriyevich (1906-1975) 
Testimony [Soundtrack] 
1. Lady Macbeth of the Mtsensk District, opera, Op. 29: Entr'acte2:13 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
2. Piano Concerto No. 2 in F major, Op. 102: 2nd Movement5:33 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston, Howard Shelley and Golden Age Singers 
3. Symphony No. 11 in G minor, Op. 103 (The Year 1905): 2nd Movement4:30 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
4. The Age of Gold, suite from the ballet, Op. 22a: Polka1:55 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
5. Symphony No. 4 in C minor, Op. 43: 3rd Movement7:27 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
6. Suite for Jazz Orchestra No. 2: Waltz No. 2 (Second Waltz)4:09 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
7. Symphony No. 5 in D minor, Op. 47: 1st Movement5:50 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
8. Symphony No. 10 in E minor, Op. 93: 2nd Movement3:57 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
9. Symphony No. 11 in G minor, Op. 103 (The Year 1905): 1st Movement2:26 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
10. String Quartet No. 8 in C minor, Op. 110: 3rd Movement2:45 
Conducted by Rudolf Barshai -Chilingirian Quartet, London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
11. Symphony No. 7 in C major (Leningrad), Op. 60: 1st Movement6:45 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
12. Symphony No. 5 in D minor, Op. 47: 1st Movement6:12 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
13. Violin Concerto No. 1 in A minor, Op. 77 (published as Op. 99): Passacaglia8:26 
Conducted by Rudolf Barshai - Yuzuko Horigome, London Philharmonic Orchestra, Simon Preston and Golden Age Singers 
14. Symphony No. 13 in B flat minor, Op. 113 (Babi Yar): 1st Movement9:23 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston, John Shirley-Quirk and Golden Age Singers 
15. Piano Concerto No. 2 in F major, Op. 102: 2nd Movement3:44 
Conducted by Rudolf Barshai -London Philharmonic Orchestra, Simon Preston, Howard Shelley and Golden Age Singers 

Begutachtung:
 

“Testimony is one of those comparatively rare events nowadays - a real piece of cinema. Palmer’s prowess as an editor, his knack of juxtaposing image and music - something which has remained his forte since he first caused a stir back in the Sixties with Buddhist monks burning to The Beatles - has a field day in Testimony. Most importantly for a movie about a composer, there is always the feeling that Palmer understands the music. For a start he puts to rest the hoary old cliché that the private Shostakovich is only to be found in his chamber music - try listening to the Seventh, Eighth, Ninth and Fourteenth symphonies - but he also brings vividly alive musical details (like the composer’s use of unison scoring) in colour sequences showing the orchestra, as in the climax of the Fifth….. A truly remarkable film.” Derek Elley ‘Films & Filming’


 

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