|
|
World music CD DVD shop and Classic distribution
|
|
|
|
|
ID: MSVCD92006 CDs: 1 Type: CD |
Subcollection: Flute A beautiful and evocative combination, the flute and harp combine especially well in these modern romantic pieces by leading British composers of the mid twentieth century. Emily Beynon (flute) and Catherine Beynon (harp), both now leading and highly-regarded musicians, provide an exquisite performance in their debut CD which has been one of Metier's most popular recordings.
tracks:
Arnold Bax:
Sonata for Flute and Harp
Stephen Dodgson:
Duo for Flute and Harp
Hamilton Harty:
In Ireland
William Alwyn:
Naiades
Nicholas Maw:
Night Thoughts |
| 12.00 eur Buy |
|
ID: MSV28510 CDs: 1 Type: CD |
Subcollection: Piano A recital of works for flute and piano by British composers, this CD includes world premier recordings (the pieces by Saxton, Lock and Butterworth) and introduces music that will undoubtedly enter the standard repertoire. A first-classa reference point in modern mudsic for flute.
Tracks:
RICHARD RODNEY BENNETT:
Summer Music
Winter Music
ARTHUR BUTTERWORTH:
Aubade, premiere recording
ROBERT SAXTON:
Krystallen, premiere recording
DAVE HEATH:
Out of the Cool
BRIAN LOCK:
Flute Sonata, premiere recording
CECILIA McDOWALL:
The Moon Dances |
| 12.00 eur Buy |
|
ID: MSVCD92041 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Flute The trio (Laura Bailie, Janet Larsson and Ruth Morley) are joined by percussionist Tim Williams on this disc of chamber music by four very different composers with individual takes on contemporary music.This is a unique and wonderful sound unlike any other in modern music.
tracks:Thea Musgrave:Voices from the Ancient WorldGordon McPherson:Three Minute PhilosophyEdward McGuire:Celtic KnotworkDjango Bates:Bird Tableau |
| 12.00 eur Buy |
|
ID: MSVCD92056 CDs: 1 Type: CD |
Subcollection: Piano and Cello Fine chamber music by Priaulx Rainier and Sadie Harrison, played by some of the UK's top contemporary music performers. Full details below.
tracks:PRIAULX RAINIER:Suite for Clarinet and PianoAndrew Sparling & David CarhartFive Pieces for KeyboardDavid Carhart (piano)Viola SonataBridget Carey & David CarhartSADIE HARRISON:No Title Required Carola Nellinger (fl.), Andrew Saprling (clt.),Philippa Ibbotson (vln.), Miriam Lowbury (cello),David Carhart (pno.)Three ExpositionsCarola Nellinger (flute)After ColonnaMiriam Lowbury (cello) & David Carhart (piano) |
| 12.00 eur Buy |
|
ID: MSVCD92063 CDs: 1 Type: CD |
Collection: Instrumental Subcollection: Flute Works for solo flute by some of the most respected British composers of the present day - performed with consummate skill on a variety of instruments by the virtuoso flautist Nancy Ruffer, who has been at the forefront of contemporary flute interpretation, giving numerous first performances - including the UK premiere of Ferneyhough's Superscriptio at the Queen Elizabeth Hall - and commissioning new works from composers such as Chris Dench, Michael Finnissy and others.
tracks:Brian Ferneyhough:SuperscriptioJason Eckardt:MultiplicitiesHenry Cowell:The Universal FluteJames Dillon:SgothanDiffractionChris Dench:Caught Breath of TimeMichael Finnissy:UlpirraMichael Parkin:ElegySimon Holt:Maïastra |
| 12.00 eur Buy |
|
ID: MSV28517 CDs: 1 Type: CD |
Collection: World Premiere Recording Subcollection: Flute This CD presents a range of the finest new works for flute solo (and some with accompaniment) from some of Europe's most dynamic and forward-thinking composers. Richard Craig is a specialist in new music whose technique and ability are well demonstrated in these virtuosic works. All of the pieces here, apart from those by Ferneyhough and Sciarrino, are given their world premiere recordings on this CD. |
| 12.00 eur Buy |
|
ID: MSVCD92037 CDs: 2 Type: CD |
Subcollection: Piano Helen Brammen (flute), Elena Artemonova (viola)
The solo piano music of Ives represents an extraordinary achivement. "Experimental" is a word often associated with it. But "experimental" in what sense? Certainly he was exploring a wholly unique and personal style. Ives' music is by turns, exploratory, powerful, sensitive and transcendental always wholly consistent within its own, sometimes highly unusual terms.These qualities are there in abundance in his two crowning achievements the first and second sonatas. The studies and others orbit round these like planets to twin suns.
tracks:
Piano Sonata no. 1Piano Sonata no. 2Three-Page Sonata Study no. 2 (Varied Air with Variations)Study no 9 (The Anti-Abolitionist Riots)Study no. 20Study no. 21 (Some South-Paw Pitching)Study no. 22Study no. 23 (Baseball Take-Off)Five Take-OffsWatltz-Rondo |
| 15.00 eur Buy |
|
ID: ACDHJ043-2 CDs: 1 Type: SACD |
Collection: Vocal Collection Subcollection: Voices The basse danse is a stately courtly dance who’s origin can be traced to Burgundy. It was enthusiastically taken up at numerous courts throughout Europe and flourished for a century long from the middle of the 15th century onwards. That courtly dance existed before this is clear: for example, a description of the basse danse can be found as early as ca. 1320, in a poem by the Toulousain priest, friar and troubadour Raimon de Cornet. No information however concerning its choreography can be found until the early 15th century.
The Brussels (Bibliotheque Royale de Belgique, Ms 9085, ca.1470) and Toulouze (L’art et instruction de bien danser , ca. 1496, by Michel Toulouze) manuscripts are the two most important musical sources of the French basse dance; although both manuscripts are dated to the late 15th century, stylistically their music resembles the earlier decades of the century. These manuscripts, along with a few additional sources, contain around fifty cantus firmi , varying in length between twenty-four and sixty-two notes, notated in slow semibreves without rhythmical variation. It is assumed that the cantus firmi of these basse danses notated in long semibreves provided a monophonic basis for polyphonic instrumental improvisation. Evidence for such a practice can be found in some polyphonic examples written out on the tenor-melody Re di Spagna.
Regarding performance-tempo, Daniel Heartz points towards the relation between the music and the actual choreography in his study concerning the basse danse: according to Heartz, each semi-breve of the basse danse-melody corresponds to one figure in the dance. Each figure consisted out of four movements equal in length, while the musical accompaniment took up six beats. Thus, the dancers moved fluidly on their toes in a three-to-two proportion to the music.
Grand Désir - Ensemble for Late Medieval and Contemporary Music
The mezzo-soprano Anne Marieke Evers and the blockflute player Anita Orme Della Marta met at the beginning of their musical studies at the Conservatorium of Amsterdam in September 1997. They formed a duo shortly after, specializing in both contemporary music as well as medieval and renaissance music. Later in their careers, their paths led them to pursue further studies in medieval music at the Schola Cantorum Basiliensis, Switzerland, where they met the other ensemble members of Grand Désir. It was here that a common interest in the late-medieval music brought the group together in December 2004. Aside a few fixed members, Grand Désir likes to work with different musicians for each individual programme, thus creating the flexibility to obtain the perfect instrumentation for each project. Grand Désir performed their premiere in the ‘Fringe’ programme of the Utrecht Early Music Festival 2005. The ensemble has given numerous performances since in the Netherlands, Switzerland and Australia. |
| 18.00 eur Buy |
|
ID: CDMAN201-03 CDs: 1 Type: CD |
Subcollection: Flute Genre:Jazz
Style:Experimental
Tracklist
1. Dear John 24:38
2. Cage 25:12 |
| 20.00 eur Buy |
|
ID: NMCD087 CDs: 1 Type: CD |
Collection: Chamber Music Subcollection: Flute While I Am Goya, The Sickle and Remembering Esenin share a common inspiration in Russian poetry of the last century, the Flute Concerto provides a contrast in its neo-Baroque concerto grosso style.
These recordings were originally released on Unicorn-Kanchana in 1983.
Reissued with funding from Arts Council England. |
| 20.00 eur Temporarily out of stock |
|
|