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MN Records - Marques

   Les titres retrouvé: 16
 

Michael Nyman- VertovSounds - A Sixth Part of the World, The Eleventh Year- The Composers Cut Series - Vol.4

Michael Nyman- VertovSounds - A Sixth Part of the World, The Eleventh Year- The Composers Cut Series - Vol.4
ID: MNRCD118
CDs: 1
Type: CD
Subcollection: Film Music

Michael Nyman has now completed scores for the three major films that the pioneering Soviet filmmaker Dziga Vertov made in the late 1920s. To ‘Man with a Movie Camera’ he has added ‘The Eleventh Year’ and ‘A Sixth Part of the World’ and as a unique experiment for MN Records he has created a new Michael Nyman Band work - by making a montage of material from both of the soundtracks into a single, continuous piece which runs for 77 minutes.
I wrote the score for Man with a Movie Camera in 2002 and now, with A Sixth Part of the World and The Eleventh Year, I am in the privileged position of having written soundtracks for the three major films that Dziga Vertov made at the end of the 1920s and on which his reputation is based in the west. In the same way as I avoided reading Vertov’s background notes to the music he designated for Man with a Movie Camera when I wrote my score, so with A Sixth Part and The Eleventh Year research was deliberately limited and most of my interest seemed to focus on the similarities and differences between those two films and Man with a Movie Camera (and had me musing on an interesting trio of self-borrowers -Handel, Laurence Sterne and Vertov, with whom I have a strong affinity!) My reaction was to Vertov’s images and the process of their organisation - to the two interrelated, but dissimilar worlds that he presented and promoted in these two films.
Subsequent research, with the help of Barbara Wurm and other archivists from the Austrian Film Institute (which has released a DVD of the two films with the new soundtracks), has allowed me to appreciate differently the content and the context (both cinematic and political) of these two films. And my discovery of the book ? Lines of Resistance: Dziga Vertov and the Twenties, edited by Yuri Tsivian (2004) has thrown up some wonderful supplementary texts like the critic Izmail Urazov's appraisal of A Sixth Part of the World. He writes very powerfully about the musicality of Vertov’s film, which instinctively had influenced my score:

‘Vertov edits sequences like a composer’

That is the cause of the emotion which the film arouses. You cannot relate it; there is no plot, no intensification of the action, but there is an intensification of emotion. Like in music. That is where the emotion comes from. Vertov leads the 'melody', returning to it, playing with dissonances, using the exoticism of the polar snows and the burning hot sands, almost like something beyond sense, almost like a composer using the texture of the sounds.

And within Vertov’s sequences there is a rhythm, with which he infects the viewer: 'a Negress with a child on her back, hammering into your consciousness the tempo and rhythm of the montage of dancing legs, linked to the rhythm of a dance, of the movement of machines...' (Tsivian, p 187)

VERTOV SOUNDS represents a very different approach to the way of processing a soundtrack album: since the music for both films is sectional but continuous and, like Vertov, constantly refers back on itself, there are no ?named tracks' that can be separated out in the way that, say, ?Chasing Sheep is Best Left to Shepherds' from The Draughtsman's Contract has become an independent concert work. So the music for the films is presented as a non-stop montage of alternating sequences (sometimes quite complex in themselves) from each film.
18.00 eur Buy

Michael Nyman and Motion Trio

Michael Nyman and Motion Trio
ID: MNRCD117
CDs: 1
Type: CD
Collection:
Instrumental
Subcollection: Accordion

CD includes piece "The Heart Asks Pleasure First"
leitmotiv from "The Piano" movie.



Music composed by Michael Nyman,
except "Silence" by Janusz Wojtarowicz.

Arrangements by Janusz Wojtarowicz.

9 of Michael Nyman’s greatest hits arranged/performed by The Motion Trio

Bonus Track - ‘Silence’ written and perormed by The Motion Trio
With Michael Nyman, Piano and Nigel Barr, Trombone and Euphonium

“Nyman’s music is so wonderful it even sounds good on the accordion.”

This release heralds an extraordinary collaboration between Poland’s foremost, nay celebrated, accordion trio, The Motion Trio and Britain’s finest and most prolific classical composer, Michael Nyman.

The collaboration, which operates under the name Michael Nyman and Motion Trio, was originally dreamt up for the 7th Kinoteka Polish Film Festival and performed at the Barbican in April 2009. Together, they have produced Acoustic Accordions, an interpretation of nine of Nyman’s greatest hits (plus a bonus track Silence, written and performed by The Motion Trio) featuring Nyman on piano and Nigel Barr on Trombone and Euphonium.

The Motion Trio are an accordion trio. They were honored with the ‘Gus Viseur’ award at the Musical Discovery of the Year awards in 2005 in France - a top honour in the accordion world.

They are the grand prix laureates of the 4th Edition of the Krzysztof Penderecki International Contemporary Chamber Music Competition.

The Motion Trio have participated in a great number of prestigous festivals events inlcuding the Montreal Jazz Festival, the Alternativa Festival, Moscow, Migration Music Festival Taipei, Fest Der Kontinente Berlin, Gaudeamus Festival, Amsterdam, Reykjavik Arts Festival, Festival d'Ile de France, Paris and many others.
18.00 eur Buy

Michael Nyman - McAlmont and Nyman - The Glare

Michael Nyman - McAlmont and Nyman - The Glare
ID: MNRCD116
CDs: 1
Type: CD
Collection:
World Music
Subcollection: Vocal and Piano

For 'The Glare', McAlmont selected various Nyman compositions and turned to world news for inspiration. These new songs, written in the first person, draw on a variety of subjects from 21st century piracy (Going to America), lothario world leaders (In Rai Don Giovanni) drug mules (In Laos) and banking errors (Take the money and Run). David McAlmont's exquisite voice has enthralled soul and jazz fans both as a solo artist and as one half of the hit-making duo McAlmont and Butler ''One day he will open his mouth and a cathedral will fall out'' Melody Maker. Michael Nyman is one of the UK's most prestigious and innovative composers whose work reached its widest audience through his film scores for The Piano, Greenaway's The Cook, The Thief, His Wife and Her Lover and The Draughtsman's Contract (available on MN Records)


Michael Nyman and David McAlmont first met at the Freud Museum in London in the summer of 2000. They had both been invited to the launch of Nose Book: Representations of the Nose in Literature and the Arts by the author Victoria De Rijke. David had been a student of Victoria’s at Middlesex Polytechnic and the score of Michael's Nose-List Song (1985) was included in the book.


Michael and David talked and discovered that they were signed to the same record label, Virgin, at the time. Years before, David had become 'utterly entranced' by Nyman's soundtrack to Peter Greenaway’s film The Cook, the Thief, his Wife and her Lover and soon after he acquired the box set of Nyman's soundtracks became a huge fan.

In the years following the Nose/ Freud meeting it was often mentioned on the grapevine that Michael might be interested in working with David but this was all hearsay until 2007 when David, in a state of creative frustration, decided to join Facebook. Nyman contacted him within a week. They recollected their first encounter and quickly began plotting a collaboration.

Michael mentioned that he was totally unable to write his own song texts and David realised that he had become bored with 'the navel-gazing futility of writing love songs about his own feelings' and at 40 wanted to create something more worthwhile with his lyric writing

At this point Géricault’s painting The Raft of the Medusa emerged as a subject of interest to both musicians as David indicated that he had become fascinated with the life of the 19th century French painter - especially his determination to create documentary canvases based on contemporary life: battle-field injury, asylum inmates and shipwreck memoirs.

But this project was soon replaced by the current project where David wrote new songs based on contemporary news stories over pre-existing Nyman compositions. McAlmont's subject matter explores pertinent subjects as varied as 21st century piracy (Going to America), trafficked prostitution in Europe (City of Turin), sexually-charged world leaders (In Rai Don Giovanni), assisted suicide (Friendly Fire), reality television (The Glare), African orphan migration (Fever Sticks and Bones), banking errors (Take the Money and Run)and drug mules (In Laos).

David felt strongly that the songs were most effective if written from the first person point of view of the individual characters discovered in the researched reports to create an emotional engagement with the subjects that is lost by the time their stories emerge in the glare of the 24 hour news media. This process of course caused initial concern for McAlmont because he was taking already brilliant compositions, adding to and adjusting them. But fortunately, Michael Nyman was delighted with the result.
18.00 eur Buy

Michael Nyman- Musique à Grand Vitesse - The Piano Concerto

Michael Nyman- Musique à Grand Vitesse - The Piano Concerto
ID: MNRCD115
CDs: 1
Type: CD
Subcollection: Piano

1- 6 Michael Nyman Band and Orchestra
6 - 9 Kathryn Stott, solo piano / Royal Liverpool Philharmonic Orchestra, Michael Nyman

MGV (Musique à Grand Vitesse)
was commissioned by the Lille Festival, France. It was first performed on 26th September 1993 for the inauguration of the TGV North-European line. The rhythm, melody, harmony, motives and texture are constantly changing and is therefore one of the most exciting and inspiring pieces Michael Nyman has written.

Leading international choreographer Christopher Wheeldon was gripped by MGV’s energy, dynamism and emotion. He was so inspired that he made new choreography to the music of MGV for The Royal Ballet in 2006. Due to popular demand, the resultant work, DGV (Dance a Grande Vitesse), will be revived by The Royal Ballet at Covent Garden, London, on the following dates: 31st January, 6th, 9th, 20th and 21st February 2009.

The Piano Concerto
is based entirely on material selected from the soundtrack for Jane Campion’s film The Piano. It is a single movement work in four phases. 3 of them feature 18th and 19th century popular Scottish song tunes, which formed the basis of Ada’s music in the film. It is a wonderfully powerful and evocative score and there are planned performances of the Piano Concerto in the UK in 2009.
18.00 eur Buy

Michael Nyman - Mozart 252

Michael Nyman - Mozart 252
ID: MNRCD113
CDs: 1
Type: CD
Collection:
Vocal Collection
Subcollection: Voices

This album was designed to celebrate the 250th anniversary of the birth of Mozart in 2006, but it seemed more appropriate to miss the boat, by two years - hence the 252. It could equally have been Mozart 30, since it is 30 years since In Re Don Giovanni originally saw the light of day in 1977 in the very first Campiello Band concert, in the National Theatre foyer. The Campiello Band was born out of the onstage band used for my arrangements of 18th century gondoliers’ songs for Bill Bryden's production of Goldoni's ‘Il Campiell’, which opened the Olivier Theatre in October 1976 and was thus the father of the current Michael Nyman Band.

Two main bodies of Mozart-derived works are presented on Mozart 252; the soundtrack to Peter Greenaway's ‘Drowning by Numbers’ (1988), and songs and duets from ‘Letters. Riddles and Writs’, a TV film developed in 1991 with the director Jeremy Newson as part of BBC2's Not Mozart series, which marked the 200th anniversary of Mozart's death.

My “Mozart music” is best understood by reading Pwyll ap Sion's impressive analyses in his book The Music of Michael Nyman:Texts, Contexts and Intertexts (Ashgate, 2007). But, briefly the first Nyman/Mozart collaboration, In Re Don Giovanni effectively samples and remixes the first 16 bars the Catalogue Song from ‘Don Giovanni’, and Revising the Don (a Radio 3 commission for the 250th anniversary) is a lyrical and literal revisiting of In Re.

The ‘Drowning by Numbers’ score is derived, in accordance with Greenaway's strict instructions, entirely from the slow movement of the ‘Sinfonia Concertante’ for violin and viola: Trysting Fields simply 'lists', in order of occurrence and each repeated three times, all the “unprepared” dissonances, (appoggiaturas) from the Mozart piece, and at the end introduces the 8-chord E flat/C minor/A flat/B flat/C min/E flat/A flat/B flat 'rock 'n' roll' sequence which ends the exposition of the movement, and which, along with a kind of retrograde version, is heard throughout Sheep 'n' Tides, Wheelbarrow Walk, Fish Beach and Not Knowing the Ropes (so called because on the ‘Drowning’ soundtrack album it is erroneously called Knowing the Ropes!).

Wedding Tango is built out of a chord-by-chord alternation of both the minor key version (from the very end of the movement) and more familiar major key versions of the 8-chord sequence. Knowing the Ropes, like Trysting Fields is a musical list (though with more conscious structural organization) - this time of a wiggly semiquaver motif, which is threaded through the movement and ends with a grand statement of the theme that is accompanied by the 8-chord sequence in the Mozart original.

‘Letters, Riddles and Writs’ deals in general, through texts taken from Mozart’s letters and riddles (the writs have to do with my frequent theft of Mozart's music) with his relationship with his father (O my dear Papa, a remake of O Isis und Osiris from The Magic Flute), with his own mortality (I am an Unusual Thing, which uses the texts from one of the riddles that Mozart wrote and distributed in Vienna during the 1787 Carnival and is based entirely on extract from two of his Haydn quartets) and with his business acumen [Profit and Loss, modeled on In Re Don Giovanni)
18.00 eur Buy

Michael Nyman- Nyman Brass - Wingates Band -including UK Premiere Recording of music from the film ‘The Ogre’

Michael Nyman- Nyman Brass - Wingates Band -including UK Premiere Recording of music from the film ‘The Ogre’
ID: MNRCD110
CDs: 1
Type: CD
Subcollection: Brass

The two main sequences on the album are from the scores to The Ogre [Volker Schlondorff, 1996] and The Libertine [Laurence Dunmore, 2005]. The Ogre was never seen in the UK and the soundtrack not released here, so this will be the first time many people will have heard this music. Originally composed for brass ensemble with saxophones, Wingates Band's performance is not hugely different from the original.

The album is completed with the Michael Nyman Band classics, In Re Don Giovanni and Chasing sheep is best left to shepherds from The Draughtman's Contract [Peter Greenaway, 1982], where the music sounds very different from the original performances. Michael Nyman says, 'the whole sound-world was transformed. Things like repeated rhythms which I originally gave to piano are punchier, edgier, more dangerous on cornets and trombones.'

Wingates Band was formed in 1873 by the members of the Bible Class of Wingates Independent Methodist Church in Westhoughton, Bolton, in response to a challenge from the members of Westhoughton Old Band, which had been in existence since 1858. By the turn of the century, led by legendary 'giant' of the British brass band movement Willaim Rimmer, Wingates had been turned into one of the top bands in the country. In 1906 the Band achieved national fame by winning the 'double': the British Open and the British National Championships. The following year Wingates astounded the brass band world by completing the double again. www.wingatesband.org.

Michael Nyman described it as 'a privilege' to work with Wingates. Although his music was very different from the kind that the players were used to, he said they 'picked up the style, especially the formality of the music, and it soon sounded second nature to them… I loved the spirit of the playing, the instant dedication and the energy in what is a very new sound world for me.'
18.00 eur Buy

Michael Nyman - Acts of Beauts - Exit No Exit

Michael Nyman - Acts of Beauts - Exit No Exit
ID: MNRCD109
CDs: 1
Type: CD
Subcollection: Piano

The album Acts of Beauty / Exit no Exit couples two world premiere recordings.

Acts of Beauty is a song cycle based on miscellaneous texts on beauty from a 1556 text of Vincenzo Cartari, which looks at the measurements of beauty by comparing buttocks to beauty in the urban environment as viewed by Kurt Scwitters and Dzuga Vertov to Martial's Epigrams on another kind of sexual measurement: the weighing of penis. It presents an entirely different Nyman approach to vocal writing than is found in Six Celan Songs/The Ballad of Kastriot Rexhepi.

Exit no Exit began life as Beckham Crosses, Nyman Scores, a 'homage' to the England football team as part of an extended documentary broadcast on BBC Radio 3 to celebrate the end of the World Cup finals in Japan / Korea in 2002. Nyman decided to take extracts from John Motson's commentary to the England v Argentina match and sample, loop and 'instrumentalise' them in the manner of Steve Reich's Different Trains: translating the loops repeating rhythmic and melodic patterns played without variation.

Rewritten for the Shobana Jeyasingh Dance Company in 2006, John Motson's voice is now replaced with a bass clarinet which not only imitates the commentator's highly idiosyncratic speech patterns, but also takes off from these with a concertante part of some virtuosity. A completely new, multi-section closing 10 minutes sequence was written specially for Exit no Exit, premiered on 7 February 2006 at Brighton's Gardner Arts Centre.

Cristina Zavalloni soprano
Sentieri Selvaggi
Carlo Boccadoro conductor

EXIT no EXIT - Premiere recording
Andrew Sparling bass clarinet
Nyman Quartet
Music composed by Michael Nyman
18.00 eur Buy

Michael Nyman - The Piano - The Composer's Cut Series - Vol. 3I

Michael Nyman - The Piano - The Composer's Cut Series -  Vol. 3I
ID: MNRCD107
CDs: 1
Type: CD
Collection:
Instrumental
Subcollection: Piano

Music composed and performed by Michael Nyman
"The purpose of the Composer's Cut series is to present music from my soundtracks in a state of continuous evolution. As I transferred particular cues from film to concert hall both musical structures changed and performance styles developed, enabling the music, perhaps, to realise its true potential. So these recordings represent the Michael Nyman Band's state-of-performance as of spring 2005." - MN August 2005

Michael Nyman's score for Jane Campion's 1993 film The Piano is one of the most successful film soundtracks of all time. The film itself won the prestigious Palme d'Or at the Cannes film festival in 1993 and went on to win several Oscars at the 1994 Academy Awards. Holly Hunter's role as Ada the film's central role was that of an elective mute who chose to communicate via her playing. If having the music feature so prominently in a film was unusual, for the music to additionally convey the dialogue of the main character is unique. The soundtrack of the film went on to become a multi million seller. Perhaps surprisingly for music with such strong ties to its original source many of the pieces from The Piano were subsequently used in a variety of other settings in film, television and advertising making it some of the most performed/frequently heard orchestral music of the last twenty years.

The concert suite for The Piano as performed by The Michael Nyman Band also became a staple of the band's concert repertoire and has been performed all over the world with the composer taking the roles of pianist and conductor. It is this expanded form of the soundtrack that Nyman chose to record as his own definitive edition in Abbey Road studios in April 2005. The piano pieces again form a dialogue, though here the dialogue is purely musical between pianist and orchestra rather having the piano pieces act as speech substitute as they did in the film. The resulting album is a wonderful example of film music transformed to a distinctive stand alone concert work.
18.00 eur Temporarily out of stock

Michael Nyman - 8 Lust Songs: I Sonetti Lussuriosi

Michael Nyman - 8 Lust Songs: I Sonetti Lussuriosi
ID: MNRCD114
CDs: 1
Type: CD
Collection:
Vocal Collection
Subcollection: Voices and Orchestra

Recorded, edited and mixed by Austin Ince December 2007 at Olympic Studio 1, London

Design Russell Mills (shed) www.russellmills.com
Co-design Michael Webster (storm) www.michael-webster.co.uk
Translations by Letizia Panizza
Drawings courtesy of the British Library © British Library Board
All rights reserved

The latest release on mn records is 8 Lust Songs - I sonetti lussuriosi’ released 2nd June 2008. It is a song cycle, commissioned by the 2007 Venice Biennale. It was first performed by Marie Angel with the Orchestra di Santa Cecilia, conducted by the composer, in the Arsenale, Venice, on 4 October 2007.

Nyman’s music is set to the erotic poems of the 16th century poet Pietro Aretino.

The poems were inspired by Marcantonio Raimondi’s engravings of couples in various positions of sexual intercourse. The poems and engravings have been called a Renaissance equivalent of the Kama Sutra. They caused huge outrage at the time of publication, banned by the Papal authorities and nearly all copies destroyed. They are the most important erotic texts of the period and have gone on to inspire writers and artists alike for centuries.

Marie Angel sings the male and female roles. As Nyman composed the music the words came to life for Marie and the characters revealed themselves to her. Her interpretation is thus not only key but unique, colourful and very entertaining.
18.00 eur Buy

Michael Nyman - Six Celan Songs - The Ballad of Kastriot Rexhepi

Michael Nyman - Six Celan Songs - The Ballad of Kastriot Rexhepi
ID: MNRCD108
CDs: 1
Type: CD
Collection:
Vocal Collection
Subcollection: Voices and Orchestra

The MN Records catalogue is significantly enriched with a second set of CDs to add to the 6 released in 2005. Two major albums are released on 24 July featuring Nyman's non-operatic vocal music:

Six Celan Songs/The Ballad of Kastriot Rexhepi and Acts of Beauty/Exit no Exit are new recordings that present compelling examples of Nyman's vibrant approach to word-setting, song structure and subject matter.

Six Celan Songs/The Ballad of Kastriot Rexhepi couples two of Michael Nyman's major vocal pieces of 1991 and 2001 and two favoured singers of the composer, Hilary Summers and Sarah Leonard.

Six Celan Songs is Michael Nyman's most profound song cycle, composed in 1990 for Ute Lemper.
Nyman selected six of Paul Celan's less hermetic texts, accidentally, perhaps, all featuring flower symbolism in a kind of 'negative theology', representing Celan's attempt as a poet to come to terms with the impossibility, according to Adorno, of writing poetry 'after Auschwitz'.
The songs, individually and collectively, express both the horror, the emptiness of the writer in exile and are cast in a musical language which attempts to 'reinvent' an imaginary emotional world related to the Romanian background in 1920s Bukovina, where Celan was born.

The Ballad of Kastriot Rexhepi, unlike the Six Celan Songs, deals directly with a war situation - an 18-month- old Kosovan boy left for dead during the Kosovo war, found and re-named by the Serbs and 6 months later reunited with his parents. It is the most recent in Nyman's series of collaborations with visual artists, in this case the American feminist/conceptualist Mary Kelly. Kelly provided the composer with a complex text in a simple ballad form which Nyman brilliantly subverts in his continuous 18-minute piece, written for Sarah Leonard and the Nyman Quartet and first performed surrounded by Kelly's visual representation of the text in the Santa Monica Museum of Art in 2001.
18.00 eur Buy

 
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