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FÉVIN, Antoine de - Composers

   Found CDs: 3
 

Composer: FÉVIN, Antoine de ( (c. 1470 – late 1511 or early 1512))

Die Spinne im Netz (The Spider in the Web) - Music from Nuremberg Prints of the 16th Century.

Die Spinne im Netz (The Spider in the Web) - Music from Nuremberg Prints of the 16th Century.
ID: RK2305
CDs: 1
Type: CD
Collection: Renaissance
Subcollection: Voices and Chamber Ensemble

At the beginning of the 16th century Nuremberg (“The spider in the web”) was a northern European centre in which many threads of international music life came together. Early on Nuremberg had established itself as a centre of book printing. The first printing-offices that occupied themselves seriously with the printing of music, however, were those of Hieronymus Formschneider and Johannes Petreius. Most of the pieces on this recording are taken from these collections of three-part music. They contain international repertoire, including old masterworks such as Caecox and Tandernaken by Alexander Agricola, but also arrangements of German folk songs and ballads, as well as French compositions and more recent Italian forms.
18.00 eur Buy

Master of Musicians: Songs and Instrumental music by Josquin des Pres

Master of Musicians: Songs and Instrumental music by Josquin des Pres
ID: SIGCD025
CDs: 1
Type: CD
Subcollection: Choir

Songs and Instrumental Music by Josquin des Pres, his pupils and contemporaries.
18.00 eur Buy

Madame d'Amours - Music for Henry VIII's Six Wives

Madame d'Amours - Music for Henry VIII's Six Wives
ID: SIGCD044
CDs: 1
Type: CD
Collection: Renaissance

Musica Antiqua of London
Signum Classics is proud to present Musica Antiqua's seventh disc - Madame d’Amours; Songs, dances and consort music for the six wives of Henry VIII. Henry’s queens were no mere observers of the development of music at his court. Catherine of Aragon and Anne Boleyn both owned song-books which show a strong Franco-Flemish presence in Tudor music; Anne of Cleves augmented her small band of minstrels by borrowing players from Prince Edward’s household; improper relationships with musicians were cited in the cases against both executed Queens; Jane Seymour’s royal wedding was celebrated with shawms and sackbuts; and Catherine Parr danced to her own consort of viols. In chapel and chamber, whether dancing, worshipping, singing, playing or listening, music was an important counterpoint to the lives (and sometimes deaths) of all of Henry’s six wives.
18.00 eur Buy

 
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