|
|
World music CD DVD shop and Classic distribution
|
|
|
|
|
ID: NMCD127
CDs: 2
Type: CD
|
Kolektion: Vocal CollectionSubkolektion: Voices and Chamber Ensemble
Roger Marsh, long fascinated by the poems which Schoenberg set for his Pierrot Lunaire, has completed a setting of Albert Giraud’s brilliant and allusive original texts, ignored by Schoenberg commentators over the years.
Marsh’s settings use both the original French and a new English translation specially commissioned from Kay Bourlier - sometimes simultaneously - and feature solo voice, choirs, a human beatbox and a narrator in the role of the poet himself. This recording, supervised by the composer, features The Hilliard Ensemble and Red Byrd, together with vocal trio Juice, the Ebor Singers and vocalist Linda Hirst, whose work has ranged from early music with John Eliot Gardiner to contemporary performance with Electric Phoenix. |
| 28.00 eur Buy |
|
ID:
|
|
| eur Temporarily out of stock |
|
ID: CC2003
CDs: 1
Type: CD
|
Subkolektion: Oboe
The CD booklet contains (in English, French and German) a description of each piece, a biography and photo of each composer, and the libretto of Fox Woman.
Xas-Orion was conceived by Paul Goodey and Michael Oliva as a duo for oboe and electronics organised in 33 triggered events. Both parts are organised around the note 'B' which forms a core, rather than a tonal centre. The distinction between the the two sound worlds of oboe and electronics is deliberately blurred.
New Ground (by David Sutton-Anderson) is a set of linked variations on Purcell's keyboard piece 'A New Ground' heard at the outset.
Ostrich on the Plain (by Graham Fitkin) was written in 1985. There were two starting points: first, the manipulation of speed using metric modulation, and second, the sheer effort in playing the oboe.
At the Still Point of the Turning World... (by Edwin Roxburgh) has the sound of the oboe fed through a system of six delays, ranging from 4.2 to 60 seconds, plus filtering and modulation. The whole system is controlled by a graphic score.
Into the Light (by Michael Oliva) is a piece in the Romantic tradition of the tone poem. It takes the form of a journey from death (cor anglais) into a supposed afterlife (oboe) in which the piano plays the role of a sort of 'pulse giver'.
Diptych (Abstractions IV) by Timothy Salter has two movements, the first marked 'with feverish energy' and the second 'reflective yet with intensity; restless, agitated'. The mood at the end of the first movement is carried over into the cor anglais soliloquy that opens the second.
Fox Woman(music by Cecilia McDowall, words by Christie Dickason) uses the oboe in a way that exploits not only its elegance and subtlety, but also its potential for brutality. This range suggests the Japanes myths of fox spirits, dangerous shape-shifters which often took the form of beautiful women. |
| 21.00 eur Buy |
|
ID: NMCD175
CDs: 1
Type: CD
|
Kolektion: SymphonyTwo of Knussen's major works of the 1970s - Symphony No.2, a song cycle on texts of Georg Trakl and Sylvia Plath, and Symphony No. 3, a symphonic poem about Shakespeare's Ophelia - are coupled with Coursing, Ophelia Dances and other works.
This release on the NMC mid-price re-issue label Ancora was previously issued on Unicorn-Kanchana Records.
Composer/conductor Oliver Knussen celebrates his 60th birthday this year.
Knussen's Ophelia Dances will be performed by BCMG at his 60th birthday concert held at the CBSO Centre (Birmingham, UK)
A new release on NMC of works by Knussen is released this autumn, featuring BCMG, Ryan Wigglesworth and soprano Claire Booth.
Knussen started composing at the age of 6 and aged 15 he stepped in to conduct his symphony's première at the Royal Festival Hall, London in 1968 after István Kertész fell ill. After that debut, Daniel Barenboim asked him to conduct the work's first two movements in New York a week later.
This is a substantial sampler of Oliver Knussen's output in the 1970s. The two major works are the luminous Second Symphony, which takes the form of a 17-minute song cycle to texts of Georg Trakl and Sylvia Plath and Symphony No. 3, a symphonic poem about Shakespeare's Ophelia. |
| 22.00 eur Buy |
|
|
