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Orchestral Works, page 26

   Nalezeno titulů: 415
 

Shostakovich - Theatre and Cinema Music

Shostakovich - Theatre and Cinema Music
ID: CDMAN129
Disk: 1
Type: CD
Podkolekce: Orchestr

1 - 15 Nina Romanova, mezzo-soprano / Leningrad Orchestra of old and modern music - Edward Serov, conductor
16 - 23 St. Petersburg Philharmonic Symphony Orchestra - Vladimir Altschuler, conductor
18.00 eur Buy

Russian capricco

Russian capricco
ID: CDMAN178
Disk: 1
Type: CD
Podkolekce: Klavír

Capriccio - is an Italian word, but it is easy to understand what it means. As practice shows, not only spoilt girls like to be capricious. Public in general get used to do it. And musicians are the best to soothe it. As a genre Capriccio came to Russia from Europe, exactly from Italy. But, in spite of its foreign birth Russian composers had assimilated it brilliantly. Today's public - in a way a «granddaughter» of the XIXth century indulges itself with an orchestra Capriccios by Glinka, Tchaikovsky, Rimsky-Korsakov, and Rubinstein. Russian classics were inspired by Italian and Spain themes, hence all compositions are penetrated with South spirit, and it could be seen in every bar and, even in the titles of capriccios. Only Rubinstein preferred a truly Russian capriccio, (that's its both title and essence) to Neapolitan's songs. This composition is outstanding, it is more lyric and vast scale, special Russian heartedness and temperament, as hot as Spanish, but closer to Russian mentality. As far as the form of capriccio is free (just as a feature of genre), sudden dramaturgic turns, rhythmic changes, condition changes and improvisation moments makes this music so powerful. Orchestral tutti and tender melodic parts shades each other and turn one ecstatic soul into a great delight. Burning, hot music of the South strikes fire from the strings, winds out from brass and wood bells, stuns with its brilliance and satisfies the most esthetic caprices of the most refine amateur of music.
18.00 eur Buy

Salvatore Sciarrino - Cantare con silenzio

Salvatore Sciarrino - Cantare con silenzio
ID: STR33987
Disk: 1
Type: CD
Podkolekce: Orchestr

Tokyo Philharmonic Orchestra - Marco Angius, conductor
Mario Caroli, flute
18.00 eur Temporarily out of stock

Horizon 2 - Tribute to Messiaen by Royal Concergebouw Orchestra, Metzmacher and Benjamin

Horizon 2 - Tribute to Messiaen by Royal Concergebouw Orchestra, Metzmacher and Benjamin
ID: RCO9003
Disk: 1
Type: SACD
Kolekce: Orchestral WorksPodkolekce: Orchestr

Recorded live at Concertgebouw Amsterdam on 8, 9 November 2007 (Dukas/Van Keulen, Dalbavie, Messiaen, and 13, 14 June 2008 (Zuidam)

1 - 12: Royal Concertgebouw Orchestra, George Benjamin
13 - 15: Royal Concertgebouw Orchestra, Ingo Metzmacher


The Royal Concertgebouw Orchestra focused extensively on Messiaen in its 2007-8 season. A major musical figure of the 20th-century, Messiaen (1908-1992) created an entirely unique musical oeuvre in which such divergent elements as divinity, as it relates to Catholicism and other doctrines, ornithology and the synaesthetic perception of sound as colour are all interconnected with his innovative rhythmic and harmonic musical language and tonal organisation. As a thinker and teacher, Messiaen carried out groundbreaking work in music during the second half of the century, but his work as a composer has remained unsurpassed. During this special season, the Royal Concertgebouw Orchestra programmed works not only by Messiaen himself, but also compositions by his musical predecessors, students and disciples, including three premières of works commissioned by the RCO: Geert van Keulen's orchestration of Paul Dukas's La plainte, au loin, du faune…, Marc-André Dalbavie's La source d'un regard (The Source of a Look) and Robert Zuidam's Adam Interludes.
With this second release in the Horizon CD series, dedicated to contemporary repertoire, RCO Live has captured this resounding homage to Olivier Messiaen in superb five-channel stereo.
18.00 eur Buy

Horizon 1: Premieres 2007 - Royal Concertgebouw Orchestra - M. Stenz and J. van Rijen, trombone

Horizon 1: Premieres 2007 - Royal Concertgebouw Orchestra - M. Stenz and J. van Rijen, trombone
ID: RCO8003
Disk: 1
Type: SACD
Kolekce: World Premiere RecordingPodkolekce: Orchestr

Recorded 18 January 2007 (Matthews), 21 and 22 June 2007 (Eggert); 18 and 19 September 2007 (Verbeij and Glanert) all at Concertgebouw Amsterdam

The Royal Concertgebouw Orchestra is famous throughout the world for its interpretations of works in the Classical symphonic repertoire. But, as with its legendary performances of the works of Mahler and Strauss at the beginning of the 20th-century, the orchestra is also open to new developments in contemporary music. Exploring new horizons and sound spaces, the orchestra continues to foster relationships with contemporary composers employing unconventional working methods. Compositions by Theo Verbey, Moritz Eggert, Colin Matthews and Detlev Glanert, the first three having been written specially for the RCO, attest to the orchestra's unrivalled sound inspire tour-de-force performances by the musicians.
A supporter and enthusiastic advocate of such orchestral exploits, conductor Markus Stenz leaves his own unmistakable stamp on these live recordings. Jörgen van Rijen was featured in One to Watch in Gramophone, May issue.A Borletti-Buitoni Trust Award winner, the Verbeij concerto was commisioned by the RCO for him, the youngest member when he joined as principal trombone in 1997.
18.00 eur Buy

Orchestral Works - Jeppe Moulijn

Orchestral Works - Jeppe Moulijn
ID: ACDBE067-2
Disk: 1
Type: CD
Podkolekce: Voices and Orchestra

1 - 3 - East Netherlands Symphony Orchestra - Jeppe Moulijn, conductor / Francien Schatborn, viola

4 - 7 - East Netherlands Symphony Orchestra - Jeppe Moulijn, conductor / Marijje Van Stralen, soprano

8 - The Brabant Orchestra - David Parry, conductor / Peter Gijsbertsen, tenor

9 - 12 - The University of Amsterdam Orchestra - Jeppe Moulijn, conductor / Joris Van Rijn, violin


"I wanted to feel the same excitement, the same itch, with new music as when I discovered a new piece by, say, Ravel in my teens"


After the extremely turbulent 20th century, of which the musical history may be defined as an endless series of "style wars", now, in the 21st century, composers seem to be freer than ever to choose whatever means of expression they want. But Jeppe Moulijn studied composition in an environment where there was little or no understanding for his impassioned embracing of late romanticism and the early 20th century. But Moulijn has not been standing still and now has left all naiveté behind. He is a composer of today.

This CD is a document showing this process, from the neo-romantic violin concerto
of 2005 to Et Fit Lux of 2012.

Moulijn's work can be described as expressive, rich in instrumental colours and details. It is accessible, without consciously aiming for it.

"Composers should think from the standpoint of the musician. And musicians should try to 're-create' like a composer"

Moulijn's work is first and foremost formed by his 20 years of experience as an orchestra conductor, and therefore of a musical tradition reaching from Bach to the present day.
18.00 eur Buy

The World at War - 30th Anniversary Edition

The World at War - 30th Anniversary Edition
ID: CDC006
Disk: 1
Type: CD
Podkolekce: Orchestr

30th ANNIVERSARY EDITION
New Recording of the Score from the TV Series
Composed and Conducted by CARL DAVIS
Plus Original Songs and Speeches from WW II
18.00 eur Buy

B. Bartók - Duke Bluebeard's Castle - Philharmonia Orchestra - Esa-Pekka Salonen, conductor

B. Bartók - Duke Bluebeard's Castle - Philharmonia Orchestra - Esa-Pekka Salonen, conductor
ID: SIGCD372
Disk: 1
Type: CD
Kolekce: Opera Collection

Bartók: Duke Bluebeard's Castle, Sz. 48, Op. 11

An unforgettable live-concert recording, selected from the Philharmonia Orchestra and Esa-Pekka Salonen’s season of works by Béla Bartók - „Infernal Dance“.

Sir John Tomlinson Bluebeard
Michelle DeYoung Judith
Juliet Stevenson Narrator
Philharmonia Orchestra
Esa-Pekka Salonen conductor

Reviews of the concert from which this recording was taken:
„John Tomlinson and Michelle DeYoung were vocally so commanding as to render „choreography“ entirely superfluous. Tomlinson's cavernous voice seemed to embody the very interior world of his castle - its sadness, darkness, emptiness - his Hungarian so vivid and expressive in itself that it became another sonority in Bartok's aural palette. He was quite extraordinary. Musically stunning ..." The Arts Desk

"The part of Judith was well taken by Michelle DeYoung but it was the portrayal of Tomlinson that stole the show. At first predatory and prowling - no one can prowl like John Tomlinson - he visibly collapsed into himself as his secrets were exposed. And never was that magnificently gnarled tone put to better use." The Evening Standard
18.00 eur Temporarily out of stock

Mozart: The Complete Horn Concertos

Mozart: The Complete Horn Concertos
ID: SIGCD345
Disk: 1
Type: CD
Podkolekce: Orchestr

Orchestra Of The Age Of Enlightenment
Margaret Faultless, conductor, violin
Roger Montgomery, natural horn

Under the direction of Margaret Faultless the OAE shine on these new recordings of Mozart’s horn Concertos, featuring sublime performances by Roger Montgomery on the natural (valveless) horn.

As well as lesser-known gems of Mozart’s horn repertoire, at the centre of the collection comes the lyrical fourth horn Concerto (K.495), featuring thrilling fanfares and brilliant dialogue between the solo instrument and orchestra.
18.00 eur Temporarily out of stock

Emmanuel Despax - Piano Works by Saint-Saens - Goss - Franck

Emmanuel Despax - Piano Works by Saint-Saens - Goss - Franck
ID: SIGCD349
Disk: 1
Type: CD
Podkolekce: Klavír

Franck, C:
Symphonic Variations for piano & orchestra, M46
Goss, S:
Piano Concerto
Saint-Saëns:
Piano Concerto No. 2 in G minor, Op. 22


Emmanuel Despax is a rising star on the UK and international piano scene, who has performed at the Wigmore and Cadogan Halls in London, the Salle Gaveau and Louvre Auditorium in Paris, and with orchestras including the CBSO.

His debut concerto recording, with the Orpheus Sinfonia under Thomas Carroll, features the premiere recording of Stephen Goss’s Piano Concerto, inspired by the designs of Thomas Heatherwick (the work’s premiere performance was the first classical concert in which audiences were invited to bring their ipads and tablets, to watch an interactive display designed to accompany the music). The work is accompanied by two similarly expressive and characterful works, Saint-Saëns’ ever-popular Piano Concerto No.2 and Franck’s Variations symphoniques.
18.00 eur Temporarily out of stock
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