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World music CD DVD shop and Classic distribution
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ID: PTC5186350
CDs: 1
Type: SACD
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Subcollection: Violin
Multichannel Hybrid SACD - DSD
Steinbacher’s previous release on PentaTone (Dvorak and Szymanowski Concertos PTC5186350) was very well received “Rarely has the composer’s magical ear for instrumental sonorities sounded so beguiling on disc….Steinbacher responds with playing that is both sensually alluring and headily impassioned.” The Strad. Here she brings her expertise in interpretation to the Bartók Violin Concertos. |
| 21.00 eur Buy |
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ID: RCD13044
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano and Orchestra
(1 - 15 ) - Recording in 1970
(16 -18) - Live recording in 1969
(19 -22) - Live recording in 1965
(1 - 15 ) - Sviatoslav Richter, piano
(16 -18) - Sviatoslav Richter, piano / Orchestre de Paris - Lorin Maazel, conductor
(19 - 22 ) - Sviatoslav Richter, piano |
| 15.00 eur Temporarily out of stock |
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ID: RCD16177
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano
"New album of pianist Anatoly Sheludyakov "Music of the XX century " represented by virtuoso and spectacular pieces by Béla Bartok, based on Hungarian folklore, Three Pieces Op.11 by Arnold Schoenberg, which are a typical example of instrumental creativity of the atonal period, Paul Hindemith's Third Sonata, which attracts with its severity and archaism, and Igor Stravinsky's Sonata, in which he manifested himself as new trends in music of the XX century, and the traditions of the Baroque era "
(1 - 5) - Recorded in 1990 at the Moscow Recording House / Sound engineer: Lyubov Doronina
(6 - 9 ) - Recordings from a concert at the University of Georgia Hall on January 18, 2006 / Sound engineer: Douglas Moore and William Marlow
(10 - 12) - Recording from the concert in the Small Hall of the Moscow Conservatoire on February 3,1997 / Sound engineer: Lyubov Doronina
Sound engineer - mix, remastering: Alexander Tomas |
| 15.00 eur Temporarily out of stock |
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ID: RCD16296
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano and Orchestra
(1 - 3) - Alexej Lubimov, piano / Estonian State Symphony Orchestra - Kirill Kondrashin, conductor
(4 - 6) - Alexej Lubimov, piano / Orchestra of the Age of Enlightenment - Michael Schönwandt, conductor |
| 15.00 eur Temporarily out of stock |
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ID: RCD16374
CDs: 1
Type: CD
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Collection: Russian Piano School
Subcollection: Piano and Viola
(1- 4) - Live recording in 1954
(5 - 7) - Live recording in 1960 from the Small Hall of the Moscow Conservatoire
(8 -15) - Recorded in 1969
(5-7) - Fyodor Druzhinin, viola
(13) - Alexei Lubimov, piano |
| 15.00 eur Buy |
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ID: RCD30307
CDs: 1
Type: CD
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Collection: Chamber Music
Subcollection: Piano and Flute
9 -22 (transcription for flute and piano by Paul Arma)
Recorded in the concert hall of the State Glinka musical museum in October 2001. Moscow |
| 15.00 eur Buy |
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ID: RES10167
CDs: 1
Type: CD
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Collection: Instrumental
Subcollection: Violin
Simon Smith (violin)
Renowned British violinist and pedagogue Simon Smith makes his Resonus debut with an extraordinary disc of intensely virtuosic works for unaccompanied violin by two Hungarian composers - the late Sonata for Solo Violin by Belá Bartók and Signs, Games & Messages by living composer György Kurtág, who recently celebrated his 90th birthday in 2016.
The idiomatic and skilful writing for solo violin by both of these composers shows the immense range possible on this instrument, taking the performer to the edge of what’s possible. Often lyrical and expressive, often dramatic and atmospheric with folk influences, Simon Smith tackles this repertoire with great dedication and panache. |
| 18.00 eur Buy |
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ID: SIGCD372
CDs: 1
Type: CD
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Collection: Opera Collection
Bartók: Duke Bluebeard's Castle, Sz. 48, Op. 11
An unforgettable live-concert recording, selected from the Philharmonia Orchestra and Esa-Pekka Salonen’s season of works by Béla Bartók - „Infernal Dance“.
Sir John Tomlinson Bluebeard
Michelle DeYoung Judith
Juliet Stevenson Narrator
Philharmonia Orchestra
Esa-Pekka Salonen conductor
Reviews of the concert from which this recording was taken:
„John Tomlinson and Michelle DeYoung were vocally so commanding as to render „choreography“ entirely superfluous. Tomlinson's cavernous voice seemed to embody the very interior world of his castle - its sadness, darkness, emptiness - his Hungarian so vivid and expressive in itself that it became another sonority in Bartok's aural palette. He was quite extraordinary. Musically stunning ..." The Arts Desk
"The part of Judith was well taken by Michelle DeYoung but it was the portrayal of Tomlinson that stole the show. At first predatory and prowling - no one can prowl like John Tomlinson - he visibly collapsed into himself as his secrets were exposed. And never was that magnificently gnarled tone put to better use." The Evening Standard |
| 18.00 eur Temporarily out of stock |
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