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Renaissance, page 4

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The Triumphs of Maximilian - Songs and Instrumental Music-Musica Antiqua of London

The Triumphs of Maximilian - Songs and Instrumental Music-Musica Antiqua of London
ID: SIGCD004
Disk: 1
Type: CD
Kolekce: Instrumental

The Triumphs of Maximillian contains songs and instrumental music associated with the German court of Holy Roman Emperor Maximillian the first.

The early sixteenth century produced European music of great power and innovation. Tthe best players and composers were increasingly mobile, and were aggressively 'head-hunted' from court to court. Nowhere was the resulting mix of styles and influences more clearly illustrated than at the German court of Holy Roman Emperor Maximilian the First. Old and new, polyphony and homophony, national and international, all blend together to produce a repertoire of great variety and richness. In music, as in the visual arts,

Maximilian was a patron of unusual discrimination: the volumes of woodcuts by Dürer and Burgmair, commissioned to ensure that the Emperor's fame outlived his reign, pay tribute to his artistic judgement, whilst the music of Isaac and Senfl, both in his employ, is in itself a great monument to him.
18.00 eur Temporarily out of stock

Thomas Tallis: The Complete Works - Vol. 2 - Music at the Reformation

Thomas Tallis: The Complete Works - Vol. 2 - Music at the Reformation
ID: SIGCD002
Disk: 1
Type: CD
Kolekce: Choral Collection

This disc is the second in a series of nine covering the complete works of Thomas Tallis.
As the 1540s developed, the Reformation began to take hold and the style of music required from composers such as Tallis altered radically. The large-scale melismatic votive antiphons (for example those on disc 1) were no longer required; the emphasis moved away from Marian devotion to a more syllabic and compact style and, eventually, to settings of English rather than Latin texts. Disc two traces this development from the Jesus antiphon Sancte Deus, to the mass for four voices, the three early English anthems including If ye love me, the Te Deum for meanes and the Elizabethan Magnificat and Nunc dimittis.
18.00 eur Buy

Wordplay - Instrumental versions of madrigals and chansons from 16th century Italy

Wordplay - Instrumental versions  of madrigals and chansons from 16th century Italy
ID: SIGCD031
Disk: 1
Type: CD
Kolekce: RenaissancePodkolekce: Historické nástroje

Words were more important than music in the Italian 16th century and song was therefore a higher art form than instrumental music. Composers such as Cipriano da Rore who observed the natural speech rhythms were afforded the highest accolades.

Wordplay presents a collection of highly decorated vocal music in purely instrumental performance. The disc explores the role of the soloist in a period of music which has come to be defined by consort playing. In the two centuries that this repertoire covers the borrowing and reworking of the music of earlier composers was regarded as creative, original and even as an act of respect or homage.

The disc is structured around instrumental divisions on five famous songs of 16th century and one bass-dance tenor. The divisions are for recorder, bass viol or lute. In total 17 different instruments are used including three types of recorder, three types of lute, seven sizes of viol, and a chamber organ. All are precise copies of early Italian instruments including wide-bore recorders and sound-postless viols.

Central to Wordplay are the writings of Slyvestro Ganassi, a recorder and viol player in early 16th century Venice. In La Fontegara (1535) and Regola Rubertina (1545) Ganassi defines the aim of the instrumentalist as being to imitate a good singer, and describes two distinct ways of doing so.

The first is naturalistic - how to replicate the singer's tonal and dynamic variety exactly (on the recorder with varied breath pressure and alternative fingerings, on the viol with bow and finger vibrato etc).

The second involves study of the text and using trills (from suave quarter-tones to vivace wide major thirds) and elaborate divisions (with notated syncopations and rubato) to express the sense of particular words and emotions. Fifty years later, Dalla Casa, Bassano and Rognoni have developed a more idiomatic instrumental style and have more polished and formulaic passaggi.

All the pieces - though instrumentalists - use exclusively vocal originals, and all would pay more than lip service to Giovanni Bardi's precept: "Words are the soul, music but the body"

WordPlay is one of the first recordings made in York's newly opened National Centre for Early Music in the church of St Margaret, Walmgate.

Musica Antiqua is one of England's most celebrated early music ensembles and they have triumphed here with their third disc for Signum Records!
18.00 eur Buy

ANTONIO DE CABEZON - Obras de Musica para tecla, arpa y vihuela - Claudio Astronio

ANTONIO DE CABEZON - Obras de Musica para tecla, arpa y vihuela - Claudio Astronio
ID: STR33449
Disk: 1
Type: CD
Podkolekce: Organ

18.00 eur Temporarily out of stock

Behold, how joyful! - Music by Clemens non Papa

Behold, how joyful! - Music by Clemens non Papa
ID: SIGCD045
Disk: 1
Type: CD
Kolekce: RenaissancePodkolekce: Chamber Ensemble

Signum Records are pleased to present a debut recording by the Brabant Ensemble, an Oxford-based ensemble with a strong reputation for sympathetic performance of early sacred music, focussing on the repertoire of the 16th century.

Like many of even the most prolific and celebrated composers of the sixteenth century, Jacobus Clemens non Papa (‘not the Pope’) has offered the history books little factual material with which to work. In contrast to the paucity of biographical material, however, many sources of Clemens' music survive. Indeed, he is one of the most widely published musicians of the entire century with fifteen Masses, over two hundred motets, many Dutch psalms and French chansons to his name.

This disc features the Mass Ecce quam bonum, which is based on Clemen’s own motet setting of Psalm 133, ‘Behold, how good and joyful a thing it is: brethren, to dwell together in unity!’

Apart from that on which the Mass setting is modelled, all of the motets on this disc are in five parts, although their textures are varied. Pascha nostrum sets the text of the Easter Anthem. The Song of Song’s motet Veni electa mea is highly characteristic of mid-sixteenth century spirituality, with the eroticism of the Song of Songs harnessed to provide a metaphor for the Church as bride of Christ. Accesserunt ad Jesum introduces Jesus’s admonition to the Pharisees concerning the estate of marriage. In Job tonso capite, a highly emotive narration of Job accepting his many trials, Clemen’s delivers an immediate approach to word-painting.

The final piece on this disc, Carole, Magnus eras is a secular work: a state motet addressed to the Holy Roman Emperor Charles V and his son, Philip II of Spain. Since the text celebrates the achievements of the Emperor but promises even greater things under his son, it was probably composed at the time of Philip’s investiture as Regent of the Low Countries in 1549.
18.00 eur Buy

Guillaume Dufay - Fragmenta missarum - Cantica Symphonia - Kees Boeke & Giuseppe Maletto

Guillaume Dufay - Fragmenta missarum - Cantica Symphonia - Kees Boeke & Giuseppe Maletto
ID: STR33440
Disk: 1
Type: CD
Kolekce: Sacred Music

18.00 eur Temporarily out of stock

Madame d'Amours - Music for Henry VIII's Six Wives

Madame d'Amours - Music for Henry VIII's Six Wives
ID: SIGCD044
Disk: 1
Type: CD
Kolekce: Renaissance

Musica Antiqua of London
Signum Classics is proud to present Musica Antiqua's seventh disc - Madame d’Amours; Songs, dances and consort music for the six wives of Henry VIII. Henry’s queens were no mere observers of the development of music at his court. Catherine of Aragon and Anne Boleyn both owned song-books which show a strong Franco-Flemish presence in Tudor music; Anne of Cleves augmented her small band of minstrels by borrowing players from Prince Edward’s household; improper relationships with musicians were cited in the cases against both executed Queens; Jane Seymour’s royal wedding was celebrated with shawms and sackbuts; and Catherine Parr danced to her own consort of viols. In chapel and chamber, whether dancing, worshipping, singing, playing or listening, music was an important counterpoint to the lives (and sometimes deaths) of all of Henry’s six wives.
18.00 eur Buy

G. Dufay - Missa - Ave Regina Caelorum - Cantica Symphonia - Boeke - Maletto

G. Dufay - Missa - Ave Regina Caelorum - Cantica Symphonia - Boeke - Maletto
ID: STR11013
Disk: 1
Type: CD
Kolekce: RenaissancePodkolekce: Voices and Chamber Ensemble

18.00 eur Temporarily out of stock

COSTANZO FESTA - Mottetti Vol.2 - Cantica Symphonia

COSTANZO FESTA - Mottetti  Vol.2 - Cantica Symphonia
ID: STR33585
Disk: 1
Type: CD
Kolekce: RenaissancePodkolekce: Chamber Ensemble

18.00 eur Temporarily out of stock

John Dowland - Come away, come sweet love

John Dowland - Come away, come sweet love
ID: STR33614
Disk: 1
Type: CD
Kolekce: Renaissance

Late Renaissance and Early baroque music
18.00 eur Temporarily out of stock

 
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