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Vocal Collection, page 15

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The Victorian Clarinet Tradition

The Victorian Clarinet Tradition
ID: CC0022
CDs: 1
Type: CD
Subkolektion: Music for Clarinet

2 - Comprising the authentic melodies of the following songs, incidental to, or mentioned in, the plays of the poet: Tomorrow, 'tis St. Valentine's Day (Hamlet) How should I your true love know (Hamlet) O mistress mine (Twelfth Night) Light of Love (Two Gentlemen of Verona & Much Ado about Nothing) O willow, willow (Othello) It was a lover and his lass (As you like it)
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EDUARD OJA - Kinder des Nordens - OHJAMAA LAPSED

EDUARD OJA - Kinder des Nordens - OHJAMAA LAPSED
ID: EC016-2
CDs: 1
Type: CD
Kolektion: Vocal CollectionSubkolektion: Vocal and Piano

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Chambersax - Chamber Music for the Saxophone - Kyle Horch, saxophone

Chambersax - Chamber Music for the Saxophone - Kyle Horch, saxophone
ID: CC0029
CDs: 1
Type: CD
Subkolektion: New Music

Full listing
Adolf Busch - Quintet for alto saxophone and string quartet
Charles Koechlin - Epitaphe de Jean Harlow op.164, Romance for flute, alto saxophone and piano
Paul Hindemith - Trio op.47 for viola, tenor saxophone and piano
Anton Webern - Quartett op.22 for violin, clarinet, tenor saxophone and piano
Joaquin Nin - Le Chant du Veilleur, Estampe Hollandaise for mezzo-soprano, alto saxophone and piano
Heitor Villa-Lobos - Quatuor for harp, celeste, flute, alto saxophone and female voices.
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CLAUDIO SANTORO - LOVE SONGS & POPULAR SONGS - Marcelo Bratke, piano and Rosana Lamosa, soprano

CLAUDIO SANTORO - LOVE SONGS & POPULAR SONGS - Marcelo Bratke, piano and Rosana Lamosa, soprano
ID: QTZ2030
CDs: 1
Type: CD
Subkolektion: Piano

A tender and beautiful song cycle by one of Brazil's undiscovered classical treasures, Claudio Santoro. Coupled with two of the composers piano cycles each a series of short and intimate miniatures performed by the celebrated pianist Marcelo Bratke.
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VOICES OF EXILE - Richard Blackford

VOICES OF EXILE - Richard Blackford
ID: QTZ2018
CDs: 1
Type: CD
Subkolektion: Voices and Orchestra

World Premiere recording of Richard Blackford's acclaimed new secular oratorio based on songs, poems and recordings from countries around the world where issues of exile and freedom are dominant themes.
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MIRROR OF PERFECTION - Richard Blackford

MIRROR OF PERFECTION - Richard Blackford
ID: QTZ2046
CDs: 1
Type: CD
Subkolektion: Choir

Music by Richard Blackford Texts by St Francis of Assisi

Mirror of Perfection

Mirror of Perfection was commissioned by the Royal Ballet School and first performed at the Royal College of Music in March 1996. The words are settings of hitherto unknown poems by St Francis of Assisi and cover a wide expressive and emotional range: from hope to despair, longing to serene acceptance, love to bitterness, delight in Creation to an impassioned plea for peace amongst mankind. In the sixth of the seven parts the word "amore" appears no less than forty-eight times in a passacaglia setting of immense power and vocal dynamism. The cantata is no pious word-setting of an ancient saint; rather it is a passionate and vibrant evocation of a man who remains a symbol of hope in an age of spiritual emptiness and cultural decline.

It is paradoxical that the tiny chapel of the Porziuncula in which St Francis found solitude for much of his life was, four centuries later, overlayed in marble and gilt and enclosed within the massive superstructure of the church of Santa Maria delle Angeli. That the simplicity and goodness for which he stood should have survived the pomp of his canonization, the commercialization of Assisi and what in our world passes for glorification is nothing short of a miracle. Yet Francis remains a beacon of spiritual light in our technological, ego-based, psychologically-oriented twentieth century, and suggests that perhaps it is only poetry and the celebration of life in all its beauty and horror that offers any possibility of redemption as we face the new millennium.

During the composition I returned again and again to the image of Francis' little chapel, stripping away everything inessential, rhetorical, searching within for music that was a mirror of the saint's simple and profound delight in Creation.
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RAINA KABAIVANSKA IN CONCERT

RAINA KABAIVANSKA IN CONCERT
ID: GD166
CDs: 1
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Orchestra

This CD contains some of the few Bulgarian recordings of the celebrated opera singer. It is a combination of performances made at different times and with different orchestras. Kabaivanska has made a selection of crown performances in her artistic career. It is a fact well-known to opera-music fans that after Maria Callas she is considered to be the greatest interpreter of the part of Tosca, as well as those of Adriana Lecouvreur, Mimi from "La Boheme", Elisabeth from "Don Carlos". Thus the CD acquires the value of a retrospective registration of Kabaivanska's vocal style in a later stage of her artistic career.
12.00 eur Temporarily out of stock

MUSIC OF GIDEON WALDROP - COMPOSITIONS - Sofia Philharmonic - REMUS GEORGESCU, conducting

MUSIC OF GIDEON WALDROP - COMPOSITIONS - Sofia Philharmonic - REMUS GEORGESCU, conducting
ID: GD155
CDs: 1
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Orchestra

Gideon Waldrop (b. 1919, Texas) is presented in this release with five compositions created in the decades after World War II: Symphony No. 1 (1951), Suite for Orchestra from the Southwest (1964), Songs of the Southwest for Baritone and Chamber Orchestra (1983), Prelude and Fugue (1963), and Pressures (1955). In the compositions one can clearly trace the influence of the American folklore and, according to the composer's words, that of the Mexican songs, Waldrop's skills in orchestration, as well as the combination of primitive melodies and interesting modal patterns, the counter-pointing European techniques and his mastery in building up complicated polyphonic figures.
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GEORGI ARNAOUDOV - COMPOSITIONS

GEORGI ARNAOUDOV - COMPOSITIONS
ID: GD187
CDs: 1
Type: CD
Kolektion: Vocal CollectionSubkolektion: Voices and Orchestra

Georgi Arnaoudov is a composer who stood out in the generation which entered Bulgarian musical life in the 1980s. His works are marked by originality evident in both the manner of structuring and the characteristic features of sound-combinations, modes and timbres. He is the author of symphonies, concerto opuses, ballets and a number of chamber-instrumental works. What interests him most are the deep roots of Bulgarian folk music, Gregorian religious art, as well as the ancient Asian cultures. For his CD he has selected some of his most popular compositions, which have been included in the repertoire of recording companies and a number of Bulgarian instrumentalists. Titles like "The Circle of Rites", "Ritual" suggest the author's ambition to give new musical meaning to ancient messages, carried on throughout the centuries. Each of the compositions begins in a peculiar way, from one tone only; then it becomes a thread, which - being drawn out, twisted and re-twisted - turns the initial "silence" and inaction into an exciting musical flow and ends into the "silence" from the beginning again.


Soloists: Emilia Maximova (soprano), Christo Pavlov (flute), Boyan Vodenicharov (piano), Kalina Krusteva (cello)
Musica Nova Ensemble
Plamen Djouroff, conductor
12.00 eur Buy

CANCIONES SEPHARADICAS - Alta, alta es la luna

CANCIONES SEPHARADICAS - Alta, alta es la luna
ID: GD210
CDs: 1
Type: CD
Kolektion: Vocal CollectionSubkolektion: Vocal and Piano

The famous Bulgarian composer Jules Levy has adapted for voice and piano several Sephardic songs (the songs of the Jews who lived in Spain and Portugal). Banished from there in the 15th century they settled in different parts of Eastern Europe, in particular in Bulgaria. Jules Levy, a Sephardic Jew himself, has transformed skillfully the melodies, lyrical and dancing in character, into wonderful musical creations. These are songs of love, youth, beauty, songs which have been carried from generation to generation through the centuries.
The programme includes nineteen songs, performed in Ladino. Each of them is memorable because of the lovely interpretation of the two performers, and the taste and mastership with which they recreate the character and the moods that are mostly amorous-nostalgic but also lively and vivacious. This CD documents part of an original folk legacy.

Julia Milanova-Steiner, soprano
Nina Aladjem, piano

Recorded in Bulgaria Concert Hall, Sofia, July 1999
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